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Volume II Chapter 08: Elizabeth and Darcy at Rosings Park

Chapter 8: Elizabeth and Darcy at Rosings Park

ரோஸிங்ஸ் பார்கில் டார்சியும், எலிசபெத்தும்
 
Summary: (April 1812) After the arrival of Darcy and Fitzwilliam arrived, Elizabeth and the others at the Collins household hardly receive any invitations to dinner. When at last they are invited, Darcy is embarrassed by his aunt’s condescending behavior towards them. He moves closer to Elizabeth while she plays the piano, and clearly shows no interest in Miss Anne De Bourgh.
 
hõº]²®, ¤mìÂÀ¼¯•® Á¢u ¤ÓS, G¼\ö£zvØS®, Põ¼ßì CÀ»zvÀ C¸¢u ©ØÓÁºPÐUS®, ¸¢xUS G¢uÂu AøǨ¦® QøhUPÂÀø». ¸¢vÚºPÒ ¯õ¸® CÀ»õu ö£õÊx ©mk÷© AÁºPøÍ AøÇzuuõP TÖ® ÷»i j £ºU CÖv¯õP AøǨ¦ Aݨ¦QÓõÒ. G¼\ö£zx®, ¤mìÂÀ¼¯•® GÆÁõÖ £ÇSQßÓÚº GßÖ hõº] £õºUQÓõß. ¤¯õ÷Úõ Áõ]US® ö£õÊx AÁ͸QÀ {ßÖ öPõÒЮ hõº] Á¸[Põ» ©øÚ¯õP TÓ¨£k® ªì. j £ºQh® G¢uÂu Dk£õmøh²® Põs¤UPÂÀø».

1.                     
Colonel Fitzwilliam's manners were very much admired at the Parsonage, and the ladies all felt that he must add considerably to the pleasure of their engagements at Rosings. It was some days, however, before they received any invitation thither -- for while there were visitors in the house they could not be necessary; and it was not till Easter-day, almost a week after the gentlemen's arrival, that they were honoured by such an attention, and then they were merely asked on leaving church to come there in the evening. For the last week they had seen very little of either Lady Catherine or her daughter. Colonel Fitzwilliam had called at the parsonage more than once during the time, but Mr. Darcy they had only seen at church.
PºÚÀ ¤mìÂÀ¼¯®, |h¢x öPõÒЮ Âu® £õºé÷ÚâÀ EÒÍÁºPÍõÀ ªPÄ® £õµõmh¨£mhx. ÷µõê[êÀ AÁºPÒ ÷©ØöPõÒЮ {PÌa]PÎß \¢÷uõå[PÐUS AÁº ÷©¾® ©QÌÅmkÁõº GÚ ö£s©oPÒ AøÚÁ¸® {øÚzuÚº. ÷µõê[êÀ ¸¢vÚº C¸¢uvÚõÀ, CÁºPÍx Á¸øP A[S ÷uøÁ¨£hÂÀø», Bu»õÀ ]Ôx |õmPÐUS AÁºPÐUS AøǨ¦ Hx® ÁµÂÀø». BhÁº C¸Á¸® Á¢x Qmhzumh J¸ Áõµ® PÈ¢u ¤ÓS, Dìhº vÚzußÖ, AÁºPÐUS A¢u¨ ö£¸ø© Qøhzux. \ºa]¼¸¢x QÍ®¤U öPõsi¸US® ö£õÊx, ©õø»°À Á¸©õÖ AÁºPÐUS Áõ¯õÀ öÁÖ® J¸ AøǨ¦ ÂkUP¨£mhx. ÷»i Põu›øÚ²®, AÁÐøh¯ ©PøͲ® Ph¢u J¸ Áõµ©õP AÁºPÒ AvP® \¢vUPÂÀø». PºÚÀ ¤mìÂÀ¼¯®, A[Q¸¢u \©¯zvÀ J¸ uhøÁUS÷©À AÁºPøÍa ö\ßÖ £õºzuõº. BÚõÀ hõº]ø¯÷¯õ \ºa]À ©mk®uõß £õºUP •i¢ux.
1.        Manners are presentable. It serves a great purpose.
2.        The simple truth of friendship and companionship is need.
3.        The company of the ladies was not so acceptable as before.
4.        After his first visit to the parsonage, Darcy was not seen there for a week while his cousin came more than once. The fullness of emotions of love and the consequent awkwardness of his behaviour kept him away.
•uÀ•øÓ hõº] G¼éö£zøu¨ £õºzu¤ß J¸Áõµ® «sk® A[S ÁµÂÀø». ¤mì ÂÀ¼¯® £»uhøÁ Á¢uõº. ö|g_ {øÓ¢uö£õÊx ÷£a_ GÇõx. ÷£\õ©À EmPõ¢v¸¨£x \[Ph©õP C¸US®.
5.        “manners were very much admired”.
|À» £ÇU-P® -£õ-µõm-kU-S-›-¯-x.
Visits are made to mix with people.
£»-¸-h-Ý® £Ç-P |õ® £» Ch® ö\À-Q-÷Óõ®.
Darcy is a lover who wishes to see his love.
G¼-\-ö£z-øuU Põn hõº] BÁ-»õP C¸U-Q-Óõß.
His full heart prevents him from talking.
ö|g_ {øÓ-Á-uõÀ ÷£a-ö\-Ç-ÂÀ-ø».
Having denied himself at Netherfield opportunities to talk, now his speech will be prevented.
ö|uº-¥À-iÀ ÷£\ ©Öz-u-uõÀ C¨-ö£õ-Êx ÷£a-_U-Sz uøh-ö¯-Ê®.
The coming proposal will increase his present intensity.
\«-£z-vÀ Áµ¨-÷£õ-S® proposal  hõº-]U-Sz wÂ-µ® u¸®.
Had he wanted, he could not have talked.
÷£\ ¸®-¤-Úõ-¾®, AÁ-ÚõÀ ÷£\ •i-¯õ-x.
He receives no recognition or encouragement from her.
G¼-\-ö£z hõº-]-ø¯¨ ÷£\ EØ-\õ-P¨-£-kz-u-ÂÀ-ø».
It chokes him.
Ax AÁ-ÝU-Sz vn-ÓÀ.
Her ready flow of words makes his words stick in his throat.
G¼-\-ö£z uõ-µõÍ-©õ-P¨ ÷£_-Á-x AÁß ÷£a-ø\z uøh ö\´-Q-Ó-x.
Darcy has no manners, good or bad.
hõº-]US |À» £ÇU-P-÷©õ, öPmh £ÇU-P-÷©õ Qøh-¯õ-x.
What he refused to acquire, Wickham fully acquired.
Gøu hõº] ö£Ó-ÂÀ-ø»-÷¯õ, Aøu ÂU-Põ® •Ê-Á-x® ö£Ø-Óõß.
6.        “pleasure of their engagements”.
ö£õÊx ÷£õS® Cߣ®.
Excess energy in the physical is pleasure.
Eh¼À A£›ªu©õÚ \Uv Cߣ©õS®.
Pleasure can be pure.
Cߣ® y´ø©¯õP C¸UP •i²®.
It can issue out of eating.
\õ¨¤kÁv¾® Ax öÁΨ£k®.
Pleasure in the sport is purely physical while that of eating is vital-physical.
Âøͯõmk Cߣ® Eh¾US›¯x. \õ¨£õmiÀ Cߣ® Eh¾US® E°¸US® E›¯x.
Pleasure can come out of any of the senses.
G¢u ¦»Ý® Cߣ® uµÁÀ»x.
Pleasure is of the sight.
£õºøÁ°À Cߣ® Esk.
Swimming gives bodily pleasure.
}a\À Eh»øÚzvØS® Cߣ® uµÁÀ»x.
The loud beating of drums is for the child the pleasure of hearing.
÷©Ízøu ÷ÁP©õP AiUS® SÇ¢øu°ß Põx AÝ£ÂUQÓx.
The pleasure one sense gives varies from the other senses.
J¸ ¦»ÝUS›¯ Cߣ® AkzuvÛßÖ ÷ÁÖ£k®.
The pleasure of the cool breeze is only of the body.
öußÓ¼ß CÛø© Eh¾US ©mk® E›¯x.
The sight for some eyes is sensual pleasure.
Ps SεU Põs£x ¦»ß ö£Ö® Cߣ®.
Aesthetics is the science of sensual pleasure.
¦»ß AÔ²® Cߣ® \õìzvµ©õQ Âmhx.
Epicureanism is the philosophy of pleasure.
Cߣ® ö£Ö® uzxÁ•® E»QÀ Esk.
Hedonism slightly varies, but is of this brood.
Av¼¸¢x \ØÖ ÷ÁÖ£mh \õìzvµ•® Esk.
Engagements are pleasurable.
Gøua ö\´uõ¾® AuÛßÖ Cߣ® GÊ®.
People relating to others are pleasure of engagements.
J¸Áº AkzuÁ¸hß CߣzvØPõP EÓÁõkQÓõº.
People relate to people through a game.
A¨£i EÓÁõh Âøͯõmk £¯ß£kQÓx.
Mainly it is language that relates so.
•UQ¯©õP ö©õÈ EÓøÁz u¸QÓx.
Language is for communication.
ö©õÈ ö\´vø¯a ö\¾zx®.
In conversation language rises to the skies in power.
Eøµ¯õh¼À ö©õÈ°ß \Uv ÁõÚÍõÁ E¯ºQÓx.
Musical language yields artistic sensuous pleasure.
Cø\°À ö©õÈ Pø»²nºÂÀ P»¢u Cߣ® u¸®.
Distinguish between pleasure and joy. The one is of the flesh, the other is of the nerves, emotions, etc.
Cߣ•® _P•® ÷ÁÖ£mhøÁ. JßÖ Eh¾US›¯x. Akzux E°¸US›¯x, EnºÄUS›¯x.
Cultured societies raise pleasure to the level of joy.
£s£õÚ ©UPÒ Cߣzøu _P©õP E¯ºzxÁº.
In the mind it is happiness because of harmony of congenial ideas.
©Ú® \¢÷uõ娣k®. AuØS _•P® Põµn®.
Gsn® Cø\¢x \¢÷uõå® GÊ®.
 
 
7.        “received invitation thither – for while there were visitors”.
¸¢x EÒÍö£õÊx A[Q¸¢x AøǨ¦ Á¢ux.
People invite others to partake of their joy.
ö£ØÓ Cߣzøu¨ £Qº¢x öPõÒÍ Â¸¢øu AøÇUQ÷Óõ®.
Mainly invitations go to equals and superiors.
E¯º¢uÁºUS® E›¯ÁºUS® AøǨ¦sk.
Invitations go by cards.
AøǨ¦ PõºhõP Á¸®.
Some invitations are less formal, so oral.
÷|µi¯õP AøǨ£x® Esk.
VIPs are personally invited.
VIPø¯ uÁÓõx ÷£õ´ AøǨ£õºPÒ.
Inferiors are also invited for their sake.
uõÌ¢uÁøµ AÁ¸UPõP AøǨ£xsk.
Inferiors make up the volume of audience.
TmhzvÀ ö£¸®£õ÷»õº uõÌ¢uÁº.
Often such people request an invitation.
AÁºPÒ AøǨø£U ÷PmkU ö£ÖÁõºPÒ.
There are those who invite themselves.
Aøǯõu ÃmiØS u[PøÍz uõ[P÷Í AøÇzxU öPõÒ£ÁºPÒ AÁºPÒ.
Generally relatives or friends are visitors.
EÓÄ® |m¦® ¸¢vÚº.
A visit is for an occasion or function.
J¸ Â÷\åzvØS AÀ»x J¸ ÷|µzvØS AøǨ¦sk.
A visit for visit’s sake implies intimacy.
Áµ÷Áskö©Ú Á¸Áx ö|¸UP®.
Friendship or relationship becomes thin if visits are infrequent.
EÓÄ® |m¦® £ÇUP® SøÓ¢uõÀ E°øµ CÇUS®.
People meeting in functions at various places renew the relationship but that will not replace a visit to home.
AiUPi ¸¢xPÎÀ \¢vzx¨ £ÇS£ÁºPÒ ÃmiØS AøÇUPõux® Esk.
Darcy is the future son-in-law for Lady Catherine.
hõº] ÷»i PõuŸÝUS Á¸[Põ» ©¸©Pß.
The colonel is a companion.
PºÚÀ ÷uõÇß.
The colonel brightens the place far more than Darcy.
hõº]ø¯ Âh PºÚÀ AøÚÁøµ²® EØ\õP¨£kzxQÓõº.
Darcy’s visit makes the house glum or gloomy.
hõº] Á¢uõÀ AøÚÁº •P•® ö\zx¨ ÷£õS®.
He is never articulate.
hõº] ÷£_ÁvÀø».
The greatest surprise for Darcy is Elizabeth there.
G¼\ö£z A[Q¸¨£x hõº]US Ba\›¯®.
So is the proposal a surprise to her.
G¼\ö£zvØS proposalBa\›¯®.
He proposed to her under the pressure of this surprise.
Ba\›¯® HØ£kzv¯ {º¨£¢u® AÁøÚ proposalöPõkUPa ö\´ux.
It is one reason for her refusal.
©Ö¨¦US Ax J¸ Põµn®.
His proposal was neither a burst of volcano nor the flowering of spring spreading fragrance.
Á\¢u® ©»º¢x ©n® Ã_ÁuõP proposal Aø©¯ÂÀø».
G›©ø»¯õP öÁiUPÂÀø».
 
 
8.        “they could not be necessary”.
AÁºPÒ A[÷P ÷uøÁ°Àø».
Invitation is not to fill up the table, it is to enjoy the company.
Tmh® ÷\µ AøǨ£vÀø». EÓøÁ Enº¢x µ]UP ¸¢x.
Only when the visitors are there invitation to Collins’ family is essential.
¸¢vÚº EÒÍö£õÊx Põ¼ßì Sk®£® AÁ]¯®.
Obviously Collins and Charlotte are invited because she is lonely.
÷»i PõuŸß uÛø©¯õÀ Põ¼ßì, åõº÷»õmøh AøÇUQÓõÒ.
Such an invitation is an insult.
A¨£i¨£mh AøǨ¦ AÁ©õÚ®.
There are inescapable social realities.
CøÁ |øh•øÓ°À uºUP •i¯õuøÁ.
It is ‘necessary’ to invite Collins and family because Darcy and the colonel are there.
hõº]²® PºÚ¾® C¸¨£uõÀ Põ¼ßì Sk®£zøu AøǨ£x AÁ]¯®.
Even to avoid a blatant offence the Lady does not invite them.
AÁ©õÚ©õÚ SøÓø¯z uºUPÄ® ÷»i PõuŸß AÁºPøÍ AøÇUPÂÀø».
It is not mercenary lack of culture but to assert it.
Ax £s£ØÓx ©mk©À», £s£ØÓ {ø»ø¯ ÁئÖzxÁx.
It is like people exhibiting their power of extortion.
Aizx¨ ¤k[S£Áº ö\´²® AvPõµ®.
What is socially, culturally, conscientiously necessary?
F¸US®, £s¤ØS®, ©Úa\õm]US® Gx \›?
One should be ashamed of a thought not to invite Collins as Darcy and Colonel are there.
hõº]²® PºÚ¾® C¸¨£uõÀ Põ¼ßøé AøÇUPõux uÁÖ GÚ ÷»i PõuŸÝUSz ÷uõßÓÂÀø».
Lady Catherine does not have any cultural sensibility.
£s¤ß |»® AÁÒ AÔ¯õux.
More than that Collins has no sensibility of neglect.
AøuÂhU Põ¼ßéüUS SøÓø¯ En¸® ö\õµøn°Àø».
To him as it is a privilege to be invited, so not to be invited is equally a privilege.
Põ¼ßéüUS AøǨ£x ö£¸ø©, AøÇUPõux® ö£¸ø©.
It is the characteristic of a born snob.
ö\õ¢u ¦zv÷¯õ ©›¯õøu÷¯õ CÀ»õuÁÝUS›¯ Sn® Ax.
Life will turn around and give its reward for this attitude.
ÁõÌUøP CÁØÔØöPÀ»õ® £»ÚõP¨ £›_ u¸®.
When the storm broke out, Collins received that reward.
G›©ø» öÁizux £›_.
Strength of social status is more than a reality.
A¢uìx ¯uõºzu®.
The King of England pardoned the gathering at Jallian Wallahbagh for protesting AND Mahatmaji appreciated the gesture of that pardon.
á¼¯ß Áõ»õ£õUQÀ Sʪ¯Áøµ C[Q»õ¢x Aµ\ß ©ßÛzuõß. Põ¢vâ |ßÔ TÔÚõº.
It is the mentality of the slave to praise the boss for killing you.
Gandhiji’s ahimsa, seen thus, is one of weakness not strength.
Eß ©UPøÍU öPõßÓÁøÚ¨ ÷£õØÖÁx Aiø© ©Ú¨£õßø©.
Põ¢vâ°ß Aî®ø\ Á¼ø©¯ØÓx, Á¼ø©²ÒÍvÀø».
 
 
9.        “they were honoured by such an attention”.
Cx ÷£õßÓ PÁÚ® ö£¸ø©¯Îzux.
It is not an honour, but dishonour.
Ax ö£¸ø©¯À», AÁ©õÚ®.
The slave always adored his Master for his mastery.
Aiø© BshõøÚ G¨ö£õÊx® ÷£õØÖÁõß.
The child receives total attention from the mother.
uõ´ SÇ¢øuø¯ •Êø©¯õPU PÁÛ¨£õÒ.
It is physical; a necessity of survival.
Ax Ehø»¨ ÷£qÁx, ÁõÇ AÁ]¯®.
The wife gives similar attention to the husband.
©øÚÂ PnÁøÚ Ax ÷£õÀ PÁÛUQÓõÒ.
It is vital, a necessity for her love.
Cx EnºÄ, AߤØS AÁ]¯®.
Such attention, when stopped, the lady dies.
AUPÁÚªÀ»õÂmhõÀ ö£s E°øµ CǨ£õÒ.
This is the truth behind Sati.
\v°ß Esø©°x.
Husbands not living morethan 6 months after the death of the wife is a social reality today.
©øÚÂUS¨ ¤ß 6 ©õuzvØS ÷©À PnÁß E°÷µõi¸¨£vÀø» Gߣx E»P® Psh Esø©.
Mental attention is good will.
|Àö»sn® ©Ú® u¸® PÁÚ®.
Spiritual attention is self-giving, love.
Aº¨£n®, Aߦ Bß«P PÁÚ®.
To receive that attention is a fulfilment to the giver.
Aßø£¨ ö£ÖÁx ö\¾zx£Á¸US §›¨¦.
Physical fulfilment is motherhood.
Ehø» PÁÛ¨£vÀ uõ´ø© §µn® ö£ØÓx.
Vital fulfilment is friendship.
|m¦ EnºÂÀ §µn® ö£ÖQÓx.
Mental fulfilment is expansive joy.
\¢÷uõåzøu öÁΰkÁx ©Ú® §µn® ö£ÖÁx.
Spiritual fulfilment is existence of the Spirit.
Bß«P §µn® Bz©õÂÀ EøÓÁx.
Existence seeks nothing but existence.
Bz©õ Aøuz uµ Gøu²® |õhÂÀø».
It is to be.
Bz©õÄUS Ax÷Á •iÄ.
Mind tries to know. It is good.
©Ú® AÔ¯ •¯ÀQÓx, Ax \›.
Body tries to do. It is better.
EhÀ ö\¯À£h •¯ÀQÓx, Ax AøuÂh |À»x.
The Being tries to be. It is the best.
ãÁß C¸UP •¯ÀQÓx, Ax÷Á Ea\Pmh®.
There is a further stage.
AøuU Ph¢u {ø»²sk.
It is Sri Aravindam.
Ax ÿ AµÂ¢u®.
It is to evolve.
Ax £›nõ©®.
Evolution makes delight lasting in Matter.
£›nõ©® áhzvÀ BÚ¢uzøu }iUPa ö\´QÓx.
It is given only to the Psychic.
Ax ø\zv¯ ¦¸åÝU÷P E›¯x.
2.         
The invitation was accepted of course, and at a proper hour they joined the party in Lady Catherine's drawing-room. Her ladyship received them civilly, but it was plain that their company was by no means so acceptable as when she could get nobody else; and she was, in fact, almost engrossed by her nephews, speaking to them, especially to Darcy, much more than to any other person in the room.
AøǨ¦ GßÚ÷Áõ HØÖU öPõÒͨ£mhx, ©ØÓÁºPÐhß, AÁºPÒ \›¯õÚ ÷|µzvØS ÷»i Põu›Ýøh¯ Áµ÷ÁØ£øÓ°À ÷\º¢x öPõshÚº. uS¢u ©›¯õøu²hß AÁÒ AÁºPøÍ Áµ÷ÁØÓõÒ. BÚõÀ ¯õ¸ªÀ»õu ö£õÊx AÁºPÐøh¯ xøn ÷uøÁ¯õP C¸¢u AÍÄ uØ\©¯® Ax AÆÁÍÁõP HØÖU öPõÒͨ£hÂÀø» Gߣx ©mk® öuÎÁõP¨ ¦›¢ux. AÁÒ uß ©¸©PßPÐhß •ØÔ¾©õP IUQ¯©õQ°¸¢uõÒ. AÆÁøÓ°À C¸US® ©ØÓ |£ºPÎh® ÷£]¯øuÂh SÔ¨£õP hõº]²hß ©mk÷© ÷£]U öPõsi¸¢uõÒ.
 
 
3.         
Colonel Fitzwilliam seemed really glad to see them; anything was a welcome relief to him at Rosings; and Mrs. Collins's pretty friend had moreover caught his fancy very much. He now seated himself by her, and talked so agreeably of Kent and Hertfordshire, of travelling and staying at home, of new books and music, that Elizabeth had never been half so well entertained in that room before; and they conversed with so much spirit and flow, as to draw the attention of Lady Catherine herself, as well as of Mr. Darcy. His eyes had been soon and repeatedly turned towards them with a look of curiosity; and that her ladyship, after a while, shared the feeling, was more openly acknowledged, for she did not scruple to call out –
PºÚÀ ¤mìÂÀ¼¯® AÁºPøÍU PshvÀ Esø©°÷»÷¯ AvP ©QÌa]¯øh¢uõº, ÷©¾® ÷µõê[êÀ Gx JßÖ® AÁ¸US Áµ÷ÁØPzuUP Âkuø»ø¯ AÎzux. ÷©¾® v¸©v. Põ¼ßêß AÇPõÚ ÷uõÈ AÁ¸øh¯ PÁÚzøu AvP® Dºzv¸¢uõÒ. AÁÒ A¸QÀ Á¢x A©º¢u AÁº, öPßøh¨£ØÔ²®, íºm÷£õºmå¯øµ¨£ØÔ²®, £¯n® ö\´Áøu¨ £ØÔ²®, ÃmiÀ C¸¨£øu¨£ØÔ²®, ¦v¯ ¦zuP[PÒ, Cø\ø¯¨£ØÔ²® HØÖU öPõÒЮ ÂuzvÀ AÇPõP ÷£]¯x, G¼\ö£zvØS AÆÁøÓ°À, Cx÷£õßÖ £õv¯ÍÄTh CuØS •ß¦ ö£õÊx ÷£õÚvÀø». AÁºPÒ EØ\õP©õPÄ®, \µÍ©õPÄ® ÷£]¯x ÷»i Põu›Ýøh¯ PÁÚzøu²®, hõº]°ß PÁÚzøu²®Th Dºzux. GßÚ ÷£_QÓõºPÒ GÚz öu›¢x öPõÒЮ BÁ¼À, EhÚi¯õP AÁß AÁºPøÍ v¸®¤¨ £õºzxU öPõsi¸¢uõß. C÷u Enºa]²hß C¸¢u ÷»i Põu›ß AÁºPøÍ ÷|õUQ ÂÁìøu CÀ»õ©À,
10.     Elizabeth has a striking personality. No wonder the Colonel liked her.
This is the evening in which Elizabeth shows Darcy (and his aunt) that she is good enough to be a mistress of Pemberley. This scene establishes her value just as Darcy's meeting with her aunt and uncle in Pemberley establishes theirs.
11.     At Rosings Darcy’s eyes were on Elizabeth.
÷µõê[êÀ hõº]°ß £õºøÁ G¼éö£z «x {ø»UQÓx.
12.     “Anything was a welcome relief”.
Gx Á¢uõ¾® {®©v.
Relief from pressure is a relief.
ö|¸UPi°¼¸¢x Âk£kÁx {®©v.
The higher joys are enjoyed by Man as lower relief.
E¯º¢u \¢÷uõåzøu ©Ûuß uõÌ¢u {®©v¯õP AÝ£ÂUQÓõß.
Human procreation is using relief as an instrument.
¤Òøͨ÷£Ö {®©vø¯U P¸Â¯õUSQÓx.
To travel in imagination from relief to joy is a progress of being.
ãÁß •ß÷ÚÓ {®©v¯õÚ \¢÷uõå® ö£Ó PØ£øÚ E»QÀ \g\õµ® ö\´QÓõß.
Education which is a process of mental joy is now sought as a degree that comes to him as relief from examination.
£i¨¦ ©Ú® ›¢x ö£Ö® \¢÷uõå®. Aøu¨ £mh©õP ÷ui £›mø\ GÊv {®©v ö£ÖQÓõß.
Relief is freedom from pressure in a lower plane.
{®©v uõÌ¢u ÁõÌÂÀ ö|¸UPi°ßÖ ÂkÂUQÓx.
Joy is the excessive energy pleasantly expanding in a higher plane.
E¯º¢u ÁõÌÂÀ E£›¯õÚ \Uv ©»º¢x £µÄÁx \¢÷uõå®.
Grace acts to give Man a spiritual boon unasked.
A¸Ò ©Ûuß ÷PmPõu Bß«P Áµ® u¸QÓx.
Man does not understand in what plane it acts and why.
G¢u ÷»õPzvÀ A¸Ò ö\¯À£kQÓx G¨£i ö\¯À£kQÓx GÚ ©Ûuß AÔ¯õß.
He looks at that incidence in his own plane, Mind or Body.
uß ©Ú®, ÁõÌÄ ÷|õUPzvÀ Âå¯zøu¨ ¦›¢x öPõÒQÓõß.
There it is seen as a relief from a problem.
¤µa]øÚ wºÁuõP AÁß AÔQÓõß.
He receives the relief and at once forgets it.
{®©v Á¢ux® ©Ó¢x ÂkQÓx.
He, in his conscious state, must see Grace acting.
öuÎÁõP A¸Ò ö\¯À£kÁøu AÔ¯ ÷Ásk®.
Gratitude is the right response to Grace.
|ßÔ¯ÔuÀ A¸ÐUS›¯x.
Such a response attracts the action of Supergrace if he weans himself away from his reliance on his capacities.
Ax ÷£µ¸øÍ DºUS®. AuØS AÁß ußøÚ |®£U Thõx.
Relief thus helps Man escape Grace as well as Supergrace.
{®©v A¸ÎÛßÖ®, ÷£µ¸ÎÛßÖ® AÁøÚ Â»USQÓx.
Man is in the grip of karma. He really enjoys that occupation.
©Ûuß Pº©zvß ¤i°¼¸UQÓõß. Ax AÁÝUS¨ ¤iUQÓx.
In a moment when he is free from Karma Grace acts.
H÷uõ J¸ ÷|µ® Pº©® Âkuø»¯ÎzuõÀ A¸Ò ö\¯À£kQÓx.
Nor is he aware of Grace catching him unawares.
Pº©zxÒ uõÛ¸¨£x öu›¯ÂÀø». A¸Ò AÁøÚ¯Ô¯õ©À ¤i¨£øu²® AÁÚÔÁvÀø».
Gratitude is the response of the Being to the Touch of God.
BshÁß ì£º\zvØS £vÀ |ßÔ¯ÔuÀ.
Gratitude thrills in the body.
|ßÔ Ehø»¨ ¦À»›UPa ö\´²®.
Gratitude and its thrill, becoming constant in the being and felt in the body constantly is a condition to take up this yoga.
A¨£i¨ ¦À»›¨£x ÷¯õP® £¼US® GÚU TÖQÓx.
 
 
13.     “Mrs. Collins’ pretty friend”.
åõº÷»õmiß AÇPõÚ ÷uõÈ.
A pretty face is an asset in a girl.
ö£sPÐUS AÇS ö\õzx.
The colonel was powerfully attracted by her pretty face.
PºÚÀ AÁÒ AÇPõÀ ªPÄ® PÁµ¨£mhõß.
It is actually her liveliness that attracts.
Esø©°À AÁÒ P»P»¨£õÚ _£õÁ® PÁº¢ux.
Handsome face is certainly a qualification for marriage.
v¸©n©õP AÇS {a\¯©õP EuÄ®.
But very rarely a marriage took place only on that qualification.
AÇSUPõP ©mk® v¸©n©õÚx A§ºÁ®.
Girls who are pretty are extremely conscious of it.
AÇPõÚ ö£sPÒ u[PÒ AÇøP •UQ¯©õPU P¸xÁº.
But the rule is only when she is unaware of it others will praise it.
uõ÷Ú AÇøPU P¸uÂÀø»ö¯ßÓõÀ uõß ¤Óº £õµõmkÁõºPÒ.
Where as wealth is a qualification for marriage.
£n® v¸©nzvØS EuÄ®.
Mere wealth accomplishing marriage is common experience.
£n® ©mk® •izu v¸©n® HµõÍ®.
Beauty attracts the Mind.
AÇS ©ÚzøuU PÁ¸®.
Wealth attracts the Vital.
£n® EnºøÁU PÁ¸®.
The vital is stronger than Mind to accomplish in life.
Põ›¯® \õvUP EnºÄUS ©ÚzøuÂh AvP £»•sk.
The attraction of the physical is lower but most powerful.
Eh¼ß PÁºa] uõÌ¢ux BÚõÀ £»® ªS¢ux.
Mr. Bennet was attracted in the physical by her beauty.
Mr.ö£ßÚm AÇQß PÁºa]UPõP ©n¢uõº.
Beauty can attract the mental, vital, physical or even the spiritual.
AÇS, ©Ú®, Enºa], Ehø»U PÁ¸®, Bz©õøÁ²® PÁ¸®.
Of these the physical and spiritual are most powerful.
CÁØÖÒ Eh¾®, Bz©õÄ® •UQ¯®.
Man’s attraction will be least felt by the woman.
Bs PÁµ¨£kÁx ö£sqUSz öu›¯õx.
The woman feeling the attraction is different from that of the Man.
ö£s PÁºa]ø¯ AÔÁx ÷ÁÖ.
The woman being attracted and her feeling his attraction are different.
uõß PÁµ¨£kÁx®, Bs PÁµ¨£kÁx® ÷ÁÖ.
Mrs. Bennet only knows she caught the Man.
Mrs. ö£ßÚmkUS ©õ¨¤ÒøÍ Qøhzux uõß öu›²®.
He was totally disillusioned by the marriage.
ö£ßÚmiØS v¸©n® ö£›¯ H©õØÓ®.
As he was attracted by a pretty face, Darcy was powerfully attracted by her fine eyes expressing her liveliness of temper.
uP¨£Úõº AÇPõÀ PÁµ¨£mhx ÷£õÀ hõº] AÁÒ PsPÍõÀ P»P»¨£õÚ _£õÁzuõÀ PÁµ¨£mhõß.
The colonel could have married her if there was some money.
£nª¸¢uõÀ PºÚÀ AÁøÍ ©n¢v¸¨£õß.
 
 
14.     “Darcy’s eyes had been soon and repeatedly turned towards them”.
hõº]°ß £õºøÁ Eh÷Ú AøuU Pshx.
Darcy’s love is one of passion.
hõº]°ß Aߦ £õ\zuõÀ ÷ÁP® ö£ØÓx.
A passionate lover cannot be physically away from his love.
PõuÀ ÷ÁP® GÊ¢u¤ß AÁÚõÀ ö£søn Âmk AP» •i¯õx.
It is physical proximity that relieves his passion.
A¸Q¼¸¢uõÀ uõß ÷ÁP® uo²®.
The next best is to fix his eyes on her.
AuØPkzu£i £õºøÁø¯ AÁÒ «x £v¨£x.
Once fixed, they know not to turn away.
£v¢u £õºøÁ »Põx.
How can Darcy be away from Elizabeth or not look at her.
G¨£i hõº]¯õÀ G¼\ö£zøu Âmk AP»•i²®, £õºøÁø¯ APØÓ •i²®.
As she is not a participant, his attraction is more powerful.
AÁÒ AÁß £õ\zøu AÔ¯õuuõÀ, AÁß £õºøÁUSz wµ® GÊQÓx.
Attraction is a movement of vital energy.
PÁºa] Enºa]°ß öÁΨ£õk.
As no energy consciously comes from her, his own energies are doubled.
AÁÎhª¸¢x ÷ÁP® ÁµõuuõÀ, AÁß ÷ÁP® CµmiUQÓx.
He is consciously attracted, she responds subconsciously.
AÁÝUS PÁºa], AÁÒ ußøÚ¯Ô¯õ©À PÁµ¨£kQÓõÒ.
He has spoken of his love only once.
uß Põuø» J¸ •øÓ AÁß ÷£]°¸UQÓõß.
It was to Caroline.
Ax Põµ¼Ûh® TÔ¯x.
The joy of speaking of his love he denied himself.
Põuø»¨ £ØÔ¨ ÷£] AÝ£ÂUP AÁß ©ÖUQÓõß.
But he carried all the symptoms of a lover.
PõuÀ SÔPÒ AøÚzx® AÁÛh® EÒÍÚ.
Only those who are looking for it can discern it.
PÁÛzuõÀ uõß öu›²®.
It was Charlotte, not even Caroline.
åõº÷»õm ©mk® PÁÛzuõÒ, Põµ¼ÝUS® öu›¯ÂÀø».
His hiding his love increased the intensity of his passion.
Põuø» ©øÓ¨£x wµzøu AvP¨£kzxQÓx.
There are several reasons for his proposal at Hunsford.
íßì÷£õºm proposalUS CøÁ Põµn®.
The attention of the colonel is one reason.
PºÚø»¨ ÷£õmi¯õP hõº] {øÚzuõß.
Anne’s presence is another reason.
Bß J¸ Põµn®.
Her living with her good angel Charlotte is a reason.
|Àö»sn•ÒÍ åõº÷»õm J¸ Põµn®.
The intensity of Collins is certainly another reason.
Põ¼ßì wµ® J¸ Põµn®.
The intensity of Lady Catherine to get Anne married to Darcy impels Darcy to move towards Elizabeth.
BÝUS hõº]ø¯ •iUP ÷»i PõuŸß wµ® hõº]°h® proposal BP öÁΨ£mhx.
Her own yearning for Jane’s marriage is yet another powerful reason.
Each time she takes up Jane’s letter, Darcy comes to her.
÷áÝUPõP AÁÒ E¸SÁx J¸ Põµn®.
÷áß Piu[PøÍ GkzuõÀ hõº] Á¸QÓõß.
 
 
15.     “with a look of curiosity”.
BºÁ©õÚ £õºøÁ÷¯õk
Curiosity is the eager interest of Mind.
©Ú® AUPøµø¯z wµ¨£kzvÚõÀ BºÁ©õS®.
Because his love is mental, the obstacles he met were mental.
hõº]°ß ©Ú® Bø\¨£kÁuõÀ, GÊ® uøhPÒ ©Úzv¼¸¢x GÊQßÓÚ.
As with Bingley at Netherfield, he is unable to stand the idea of the colonel in conversation with her.
ö|uº¥ÀiÀ ¤[¼ø¯ G¼\ö£z Bu›zx¨ ÷£_Áøu uõ[P •i¯õux ÷£õÀ PºÚÀ AÁÐhß ÷£_Áx ö£õÖUPÂÀø».
Lady Catherine sees in Darcy’s moving towards the colonel and Elizabeth a threat to Anne’s prospects.
hõº] GÊ¢x PºÚÀ G¼\ö£zvh® ÷£õÁx ÷»i PõuŸÝUSz uõ[PÂÀø». BÝUS B£zx GÚ {øÚUQÓõÒ.
More than such a threat, she could not stand the idea that in her presence another can be a centre of attraction.
÷»i PõuŸÝUS AkzuÁøµ GÁº |õkÁx® ö£õÖUPõx.
Darcy’s attitude is passionate.
hõº]°ß ÷|õUP® £õ\zvß ÷ÁP•øh¯x.
His idea is mental curiosity.
AÔÂß BºÁ® hõº]°ß ÷|õUP®.
The enormous sufferings issuing out of conflicts are to be imagined. Not much is described by Jane Austen.
C®©Ú¨ ÷£õµõmh® Gʨ¦® x¯µ® HµõÍ®.
÷áß Bìiß AÁØøÓ AvP©õP ÂÁ›UPÂÀø».

Elizabeth is the arena that helps save the aristocratic head from guillotine.
E¯ºSi ©UPÒ uø» xshõh¨£kÁøu ukUS® Aµ[P©õP G¼\ö£z Aø©QÓõÒ.
Behind him is the force of French Revolution.
¤öµg_¨ ¦µm] AÁøÚ E¢x® \Uv.
He is urged by the power of a 28 year old bachelor’s vital passion constantly overwhelming his activities.
28 Á¯x CøÍbÛß Á¼ø© AÁøÚ «Ô hõº]°À ö\¯À£kQÓx.
He is to dole them out through the capillary tube of mental curiosity pruning it to social etiquette.
C¨¤µÁõPzøu ©Úzvß BºÁ® GßÓ ö©À¼¯ SÇõ¯õÀ — E»P ÁÇUS — AÁß öÁΨ£kzxQÓõß.
In this precarious perch the colonel’s fluent flow of spirit and joy towards her is too much for Darcy.
AÁß C¨£iz uzuÎUS®ö£õÊx PºÚ¼ß ¤µÁõP©õÚ ö\õØö£¸US AÁÚõÀ ö£õÖUP •i¯ÂÀø».
Lady Catherine’s main interest is to him an irksome side issue of having to keep up appearances about Anne.
AÁß «x ]zv°ß AUPøµ AÁÝUS¨ ö£õ¸miÀø». BÝhß ©›¯õøu¯õP £ÇSÁxhß Ax •iQÓx.
The effusive solicitude of Collins in this context even if it is tithe of its original volume touches Darcy as lightning sparks.
Põ¼ßêß ö£¸ BºÁ® £zvö»õ¸ £[S öÁΨ£mhõ¾® hõº]ø¯ Ax ªßÚ»õPz uõUSQÓx.
Elizabeth holds out a taunting accusation of some magnitude. His curiosity survives all these forces.
G¼\ö£z \ÁõÀ ÂkÁx ÷£õÀ ö©ÍÚ©õP SøÓø¯ Gʨ¦Áx® hõº]ø¯¨ £õvUPÂÀø».
4.         
"What is that you are saying, Fitzwilliam? What is it you are talking of? What are you telling Miss Bennet? Let me hear what it is."
"¤mìÂÀ¼¯®, } GßÚ ÷£]U öPõsi¸UQÓõ´? Gøu¨£ØÔ ÷£]U öPõsi¸UQÓõ´? ªì. ö£ßÚmih® GßÚ ö\õÀ¼U öPõsi¸UQÓõ´? GßÚ GßÖ |õÝ® ÷PmQ÷Óß" GßÖ ÷PmhõÒ.
 
16.     Lady Catherine insists on being the only centre of attention. Seeing Fitzwilliam speaking to Elizabeth, she wants to know what it is.
uõÝÒÍ ChzvÀ AøÚÁ¸® ußøÚ ©mk÷© PÁÛUP ÷Ásk® Gߣx ÷»i PõuŸß \mh®. ¤mì ÂÀ¼¯®ì G¼éö£zxhß ÷£]¯ö£õÊx GßÚ ÷£_QÓõ´ GÚU ÷PmQÓõÒ.
17.     Lady Catherine wants to be the only centre of attraction.
5.         
"We are speaking of music, madam," said he, when no longer able to avoid a reply.
£vÀ ö\õÀÁøu CÛ uºUP •i¯õx GÝ® ö£õÊx, "|õ[PÒ Cø\ø¯¨£ØÔ ÷£]U öPõsi¸UQ÷Óõ®" GßÓõº.
18.     “when no longer able to avoid a reply”.
AÁÚõÀ £vÀ TÓõ©¼¸UP •i¯õx GßÓ ö£õÊx
Eagerness to speak is human relationship.
÷£\ Bø\¨£kÁx ©Ûu EÓÄ.
Eagerness to avoid speaking is blood relationship worn thin.
£õ\® ©øÓ¢u {ø»°À ÷£_Áøuz uº¨÷£õ®.
Unable to avoid reply any longer is a relationship of disgust.
öÁÖ¨£õÚ EÓÄ £vÀ TÓ ©ÖUP •i¯õu {ø».
Human relationship is vital No. 4, 5 & 6.
©Ûu EÓÄ EnºÂß EÓÄ No. 4, 5 & 6.
The vital’s positivity can be light or sweet.
EnºÄ CÛø©¯õÚõÀ Ax öu΢u ¤µPõ\©õS®.
Sweetness can find expression in the vital, mental, physical or spiritual.
©Ú®, E°º, EhÀ, Bß©õÂÀ CÛø© öÁΨ£k®.
Sweetness is the truth of love or love of truth.
Aߦ Esø©¯õÚõÀ, Esø© Aßø£ öÁΨ£kzvÚõÀ CÛø© GÊ®.
What is Lady Catherine’s truth or love in her vital?
÷»i PõuŸß EnºÂÀ GßÚ Esø©²ÒÍx?
Similarly we can describe her sweetness in the mental, physical and spiritual.
A÷u ÷£õÀ AÁÒ ©Úzvß Esø©ø¯U PnUQh»õ®.
Each of them have consciousness and substance.
EhÀ, Bß©õ¾® PnUQh»õ®. JÆöÁõßÖ® 㯮 ö£õ¸Ò GÚ¨ ¤›²®.
It is a long list worth tracing at least once.
Ax }sh £mi¯À, J¸ •øÓ¯õÁx GÊxÁx £¯ß u¸®.
Her truth is the truth of rank holding aristocracy.
£mh® ö£ØÓ £n® AÁÒ Esø©.
Its love is confined to her rank and family.
Auß Aߦ AÁÒ £mhzvØS®, Sk®£zvØS ©mk® E›¯x.
When they combine it becomes extreme solicitude to family members she is interested in.
AøÁ ÷\º¢x GÊ¢uõÀ AÁÐUS¨ ¤izu Sk®£zvÚ›h® BÌ¢u AߣõÚ £ØÖ GÊ®.
Its expression in consciousness is hospitality extended by aristocratic standards.
A¢uìvØS HØÓ E£\õµ ¸¢vÀ Ax 㯩õP öÁΨ£k®.
Its expression in substance comes when property rights are concerned.
ö\õzx›ø©°À Ax ö£õ¸ÍõP öÁΨ£k®.
Every activity of hers can be ranked according to this scale.
C¢u AÍÄ÷Põ¼À AÁÒ ö\¯ö»À»õ® ö£õ¸¢x®.
Where does her courtesy to Collins find its place?
Põ¼ßêh® EÒÍ BºÁ® G¢u {ø»°¾ÒÍx?
It is certainly not on the higher side, but on the lower side.
{a\¯©õP Ax ÷©÷»°Àø», R÷DzÒÍx.
Her solicitude for Anne is within the family.
©Pøͨ £ØÔ¯ P›\Ú® Sk®£zv¾ÒÍx.
Her enduring interest in Darcy is not mere crude selfishness.
hõº] «xÒÍ £ØÖ Buõ¯©õÚ _¯|»©mkªÀø».
Suppose we draw up a list of 96 or 192 and fix Darcy’s or Elizabeth’s activities, our study has a chance of being complete in that line.
96 AÀ» 192 BP _£õÁzøu¨ ¤›zx hõº], G¼\ö£z ö\¯ÀPøÍ ©v¨¤mhõÀ, •Ê¨£mi¯À Á¸®.
Let us take the 12 aspects of the Spirit, work out their combinations, if not fully, at least to a good number, say 24, and draw up a table of 1 to 9. Go on dividing it as consciousness and substance; surface and depth; higher and lower; strength and weakness; light and darkness.
Bß©õÂß 12 A®\[PøÍ Gkzx ÷PõºøÁPøÍU PÁÛ¨÷£õ®.
1 •uÀ 9 Áøµ _©õº 24 Áøµ J¸ £mi¯À u¯õ›¨÷£õ®.
¤ÓS 㯮, ö£õ¸Ò GÚ ¤›¨÷£õ®. 
÷©¾®, RÊ® GÚÄ® ¤›¨÷£õ®.
E¯º¢ux, uõÌ¢ux; Á¼ø©, £»ïÚ®; JÎ, C¸mk.

Proceed as long as you wish. Stop at any number 96 or 192 – 384, 768, etc.
•i¢uÁøµ öuõhµ»õ®. 96 (AÀ»x) 192 & 384, 768, Áøµ ö\À÷Áõ®.
Give each pigeon hole a number e.g. No. 4 is divided as 5 above.
                                                                                          6 below.
JÆöÁõßÔØS® J¸ |®£º u¸÷Áõ®.
(E.®.) 4B® |®£øµ  ÷©÷»& 5   GÚ¨ ¤›¨÷£õ®.
                            R÷Ç & 6
And the 5 is subdivided and on and on. Allot a number to each subdivided trait. Our characters will stay close to one or two numbers and will never soar high or sink low. Describe a dozen acts of one character and fix the appropriate numbers. Covering all the characters and events in the story exhaustively, we have the most refined tool for any criticism. Darcy’s ‘tolerable’ is in No. 4, not above but below. His fine eyes are a mental perception of No. 2 as it is a poetic appreciation. His decision in the consciousness to love her is in No. 3. In the beginning it is above. Later it moves down to substance
        Decision         (consciousness) 3 a
        determination     (substance)   3 b
÷©¾® 5 ø¯ Ax÷£õÀ ¤›¨÷£õ®. JÆöÁõ¸ £SvUS® J¸ |®£º u¸÷Áõ®. |® £õzvµ[PÒ HuõÁx J¸ |®£›¼¸¨£õºPÒ. ÷©÷»÷¯õ, R÷Ç÷¯õ ö\À» ©õmhõºPÒ. _©õº 12 ö\¯ÀPøÍ Gkzx £õzvµ[PøÍ ÂÍUQ GÀ»õ |®£ºPøͲ® GÊx÷Áõ®. 12 ö\¯ÀPøÍ Gkzx GÀ»õ £õzvµ[PøͲ® Cx÷£õÀ Bµõ´a] ö\´uõÀ |® ©º\ÚzvØS›¯ ]Ó¨£õÚ P¸Â Á¸®.
hõº]
£µÁõ°Àø» GßÓx 4 B® |®£›À Á¸®. ÷©÷»õ, R÷Çõ ÷£õPõx. ]Ó¢u PsPÒ Cµshõ® |®£øµa ÷\º¢ux. Ax AÔÄ TÖÁx. Ax Põ¯ |¯®. AÁøÍ Põu¼UP Gkzu •iÄ |®£º 3.
Bµ®£zvÀ ÷©÷»²® ÷£õP¨ ÷£õP ö£õ¸ÐUS R÷Dz® Á¸®.

                  •iÄ               &           㯮 3
a
               
wº©õÚ®            &              㯮 3 b
His determination to please her is idealistic emotion in No. 3 in the substance. [Each of the numbers 1 to 9 can be subdivided into 1 to 9 in the second round. They can be accordingly numbered as 3.1, etc. Darcy’s determination dividing into idealistic (1) emotion (2) under 3 substance can be numbered as 3 ½. Numbering cannot be a problem.] Thus the few thousand acts of the few dozen characters will fall into a few ten thousand subdivisions. To coordinate each one with every one is ideal. At least we can try coordination at a few hundred points nearly exhausting one way of classification.
AÁøÍz v¸¨v ö\´u •iÄ C»m]¯ Enºa] |®£º 3 ö£õ¸ÎÀ.
[1 •uÀ 9 Áøµ EÒÍ |®£ºPøÍ ÷©¾® 1 •uÀ 9 Áøµ ¤›UP»õ®.
AÁØÔØS 3.1 GÚ |®£º uµ»õ®. hõº]°ß wº©õÚ® C»m]¯® (1) Enºa] (2) GÚ 3 ö£õ¸øͨ ¤›zuõÀ AÁØøÓ 3,
b 1/2 GÚ |®£›h»õ®. |®£º u¸Áx ]µ©ªÀø».] Cx ÷£õÀ B°µ® ö\¯ÀPøÍ 40 AÀ»x 50 £õzvµ[PÎÀ £» B°µ® E£ ¤›ÄPÍõPU öPõÒÍ»õ®. JÆöÁõßøÓ²® ©ØÓxhß Cøn¨£x C»m]¯©õÚx. ]» ¡Ö £õ°smkPøͯõÁx öuõhº¦£kzv¨ £õºUP»õ®. £õS£õmøh J¸ ÁøP°À §ºzv ö\´¯ •i²®.
We have several references, each deeper than the previous one.
1)    Acts in the story.
2)    Thoughts in the story.
3)    Attitudes in the story.
4)    Motives in the story.
|õ® P¸u ÷Ási¯x £».
1) Pøu°À {PÌa]PÒ.
2) Gsn[PÒ.
3) ÷|õUP®.
4) BÌ¢u ÷|õUP®.
 
 
If the above references are to the story, we can move from story to society and continue our inquiry on the above 4 lines. Beyond the story and society lies life. So, the canvas expands into a three dimensional globe. Any act is one point there somewhere radiating in 360° touching other similar points to create responses or reactions in another 360° ad infinitum. They all can be named and numbered. The finer our classification, the greater is the revelation of the individual FACT. The Marvel can be the outermost or innermost circle between the two extremes. We can choose 10 or 100 or even 3 levels. Choose the level you are comfortable with. Go through all the possible definitions, work out the relationships exhaustively, coordinate them with benefit and complete the analysis at that level. Your knowledge is complete, if not perfect. To become perfect is left to one’s choice. It may not be necessary to accomplish at the world level. It is necessary for psychological accomplishment or further still in yoga. Test your findings in your own life circumstances. If you find them exact to the 10th decimal place you are right. The rest is an infinite world. We can wait for it. The test itself can have a dozen dimensions with yourself, with others, with Time, Space, events, etc.
C¢u A®\[PÒ Pøu°¼¸¢x \‰PzvØS®, AøuU Ph¢x Bµõ¯ EuÄ®. Pøu, \‰PzøuU Ph¢ux ÁõÌUøP. ]zvµzvøµ Áͺ¢x §÷»õP® •ÊÁx® £µÄQÓx. G¢u ö\¯¾® AvÀ J¸ ¦ÒÎ. 360 iQ›°À JÎ Ã] Akzu ¦ÒÎPøÍz öuõkQÓx. Ax 360 iQ›°À «sk® £µÄQÓx. AÁØÔØöPÀ»õ® ö£¯¸® |®£¸® uµ•i²®. G¢u AÍÄUS ~m£©õP¨ £õS£õk ö\´Q÷Óõ÷©õ, A¢u AÍÄUS ö\¯À ußøÚ öÁΨ£kzx®. Aئu® EÒÁmhzvØS® öÁÎÁmhzvØSªøh÷¯ GÊ®. 10 AÀ»x 100 AÀ»x 3 ö»ÁÀPøÍ GkUP»õ®. |©US¨ ¤izu ö»Áø» GkUP»õ®. A¢u AÍÂÀ öu›¢u GÀ»õ ÂÍUP[PøͲ® Gkzx, GÀ»õ öuõhº¦PøͲ® Psk, öuõhº¤ß £»øÚ¯Ô¢x, Bµõ´a]ø¯ •iUP»õ®. bõÚ® •Êø© ö£Ö®, ]Ó¨£øh¯õx, ]Ó¨ö£´xÁx |®ø©¨ ö£õ¸zux. E»PzuÍÂÀ •i¨£x AÁ]¯ªÀø». ÷¯õPzvØPõP (AÀ»x) ©ÚÁͺa]UPõP Ax AÁ]¯®. |® ÁõÌÂÀ Bµõ´a]ø¯ ÷\õuøÚ ö\´¯»õ®. 10 u\© ¦ÒÎUSa \›¯õÚõÀ |õ® \›. ÷©Ø£mhx AÚ¢u®. Ax ¤ÓS. ÷\õuøÚUS HµõÍ©õÚ A®\[PÐsk. |©US, ¤Ó¸US, Põ»zvØS, ChzvØS, \zv¯zvØS GÚ }Ю.
6.         
"Of music! Then pray speak aloud. It is of all subjects my delight. I must have my share in the conversation if you are speaking of music. There are few people in England, I suppose, who have more true enjoyment of music than myself, or a better natural taste. If I had ever learnt, I should have been a great proficient. And so would Anne, if her health had allowed her to apply. I am confident that she would have performed delightfully. How does Georgiana get on, Darcy?"
"Cø\ø¯¨£ØÔ¯õ! AÆÁõöÓÛÀ EµUP ÷£\»õ÷©. GÀ»õÁØøÓ²®Âh GÚUS ªPÄ® ¤izu Â寮 Cxuõß. }[PÒ C¸Á¸® Cø\ø¯¨£ØÔ ÷£_QÕºPÒ GßÓõÀ |õÝ® Eøµ¯õh¼À £[S öPõÒÍ ÷Ásk®. GßøÚÂh Cø\ø¯ Esø©¯õP÷Á µ]¨£ÁºPЮ, GßøÚU Põmi¾® C¯ØøP¯õÚ µ\øÚ²ÒÍÁºPЮ C[Q»õ¢vÀ ªPU SøÓÄ. |õß ©mk® Cø\ø¯ PØÔ¸¢uõÀ, ö£›¯ ÁÀ¾|º BQ°¸¨÷£ß. BÛ°ß EhÀ{ø» \®©vzv¸¢uõÀ, AÁЮ AÆÁõÖ BQ°¸¨£õÒ. AÁÒ ªP AÇPõP Áõ]zv¸¨£õÒ GߣvÀ GÚUS G¢uÂu \¢÷uP•ªÀø». áõºâ¯õÚõ Cø\°À G¨£i, hõº]?"
19.     She even announces she would have been proficient in music, which she has not learnt. She spares no space, even in imagination, from her domination. Even Miss Darcy who constantly practices is not spared. She is mean to invite Elizabeth to the servants’ part of the house.
uõß PØPõu Pø»°¾® ¤µ£»® ÷ukQÓõÒ ÷»i PõuŸß. PØ£øÚUS›¯ Ch[Pξ® AvPõµ® ö\¾zu ÂøÇQÓõÒ. CøhÂhõx £°¾® áõºâ¯õÚõøÁ²® AÁÒ Âmk øÁUPÂÀø». £o¨ö£sPÒ £SvUS G¼éö£zøu AøǨ£x AÁÒ P¯ø©.
20.     “I must have my share in the conversation”.
GÚUS® ÷£a]À £[S ÷Ásk®
This shows the extent of her authority or the extent she wishes to have.
AÁÒ AvPõµ® ö\ÀÁøu Cx PõmkQÓx. G¢u AÍÄUS AvPõµ® ÷Ásk® GÚ AÁÒ {øÚUQÓõÒ GÚU PõmkQÓx.
Her share of conversation is lion’s share.
AÁÐUS £[S GÛÀ •ÊÁx®.
The lion’s share is not three fourths, but full.
AÁÒ £[S •Ê¨£[S.
Sharing for her is a phrase, not an act.
£[S Gߣx ÷£a_, ö\¯»À».
Her inability to share Darcy for a few moments made her lose Darcy entirely to Elizabeth.
öPõg\ ÷|µ® hõº]ø¯ ÂmkU öPõkUP •i¯ÂÀø» GߣuõÀ AÁÒ hõº]ø¯ CÇ¢uõÒ.
Darcy has changed from a totally submissive Bingley to the colonel who is on his own very much.
•ÊÁx® Pmk¨£mh ¤[¼°hª¸¢x _u¢vµ©õ´ ö\¯À£k® PºÚ¼h® hõº] Á¢v¸UQÓõß.
The colonel shows Darcy at Hunsford will not meet a fawning Caroline, but an independent Elizabeth.
G¼\ö£z _u¢vµ©õÚÁÒ, uß Cèh¨£i ÁøͲ® Põµ¼ÛÀø» GÚ PºÚ»õÀ hõº] AÔQÓõß.
Lady Catherine claims proficiency in the music she has not learnt.
uõß PØÓÔ¯õu \[RuzvÀ uß vÓø©ø¯¨ £ØÔ ÷»i PõuŸß ÷£_QÓõÒ.
Her authority extends to the future, to determine the weather.
AÁÒ AvPõµ® GvºPõ»zvØS®, ÁõÛø»US® }ÒQÓx.
Elizabeth fully exposes Darcy here as a prelude to his proposal.
ProposalUS •ß AÔ¨£õP G¼\ö£z hõº] Smøh EøhUQÓõÒ.
 
 
21.     “enjoyment of music”.
\[Ruzøu Aݣ¨£x
To enjoy music one needs knowledge of
music.
\[Ruzøu AÝ£ÂUP \[Ru bõÚ® ÷Ásk®.
It needs an aesthetic artistic sense.
AuØS Pø»²nºÄ P»¢u Cø\ bõÚ® ÷Ásk®.
An uncultured person cannot enjoy music fully.
£s£ØÓÁµõÀ \[Ruzøu AÝ£ÂUP •i¯õx.
Enjoyment of music offers a social status.
\[Ru bõÚ® A¢uìx u¸QÓx.
Lady Catherine seeks music for status.
÷»i PõuŸß A¢uìvØPõP \[Ruzøu |õkQÓõÒ.
In extreme cases talent for music coexists with a lack of values.
A›uõP \[Ru bõÚ•® £s£ØÓ ©Ú{ø»²® ÷\º¢xÒÍÚ.
These people may lack social values, but will have spiritual values.
CÁºPmS \‰P¨ £s¤À»õÂmhõ¾® Bß«P¨ £s¦sk.
Enjoyment of music is felt as a nervous pleasure, but the pleasure is really felt by the Mind. Truly speaking it is felt by the soul in the Mind. The highest enjoyment can be received from music in the being in the soul in the vital as music comes as a sensation of sound.
Enºa] \[Ruzøu AÝ£ÂUQÓx. Esø©°À Aݣ¨£x ©Ú®. ÷©¾® ö\õßÚõÀ ©Úzvß Bß©õ AÝ£ÂUQÓx.
\[Ru® J¼°ß ÁiÁ® GߣuõÀ Bz©õÂß ãÁß \[Ruzøu EnºÁõÀ AÝ£ÂUQÓx.
 
 
22.     “Anne would have performed delightfully”.
Bß ]Ó¨£õP £õi°¸¨£õÒ.
Lady Catherine imagines how well her daughter would have performed had her health permitted her to learn music.
©PÐUS EhÀ |»ª¸¢x \[Ru® PØÔ¸¢uõÀ G¨£i¨ £õkÁõÒ GÚ ÷»i PõuŸß {øÚUQÓõÒ.
Here we see the acme of human self-esteem.
G¢u AÍÄ ©Ûuß ußøÚ E¯ºÄ£kzxÁõß GÚU PõsQ÷Óõ®.
Man constantly compares himself with others, especially the talented ones.
G¨ö£õÊx® ¤Ó¸hß ußøÚ ©Ûuß J¨¤kÁõß, vÓø©\õ¼²hß J¨¤kÁõß.
In this he directly chooses world famous personalities and assumes he presently has in potential a capacity to equal them.
E»P¨ ¤µ]zv ö£ØÓÁ¸hß J¨¤mk, uÚUS AzvÓø© Á¸® GÚ {øÚUQÓõß.
He enumerates all the weaknesses of that great personality.
¤µ£»©õÚÁ›ß SøÓPøÍU PnUQkQÓõß.
He assumes he himself does not have those weaknesses.
uÚUS AUSøÓPÎÀø» GÚ {øÚUQÓõß.
So in his imagination he excels the very best person.
uß PØ£øÚ°À E»P¨ ¤µ]zv ö£ØÓÁøµ ªg_QÓõß.
One man prayed for the Prime Ministership and promised a seat for Lok Sabha to the son of his Guru.
ußøÚ¨ ¤µu© ©¢v›¯õUQÚõÀ ö\´uÁº ©PÝUS ÷»õU \£õ iUPm u¸ÁuõP J¸Áº TÔÚõº.
Trollope wrote extensively about the British Cabinet, the House of Commons, British elections with consummate knowledge.
iµõ»¨ ¤›miè ÷P¤Úm, £õº¼ö©sm, G»UåøÚ¨ £ØÔ ÂÁµ©õP GÊvÚõº.
He stood for elections and was defeated.
G»UåÛÀ {ßÖ ÷uõØÓõº.
Action and the RESULT are the touchstones of efficiency.
ö\¯¾® £»Ý® vÓø©US Azuõm].
Human imagination soars higher than the gods.
©Ûu PØ£øÚ PhÄøÍU Ph¢ux.
Shiva who gave a boon to Basmasura was his victim.
£ì©õ`µÝUS Áµ® u¢u ]Áß AuØS £¼¯õÚõº.
Democracy stimulates human imagination and activates ambition. Aspiration degenerates like that into ambition. Five hundred years after Charles I was beheaded, Prime Ministers are treated with royal deference. That is the force of habit.
©UPÍõm] PØ£øÚø¯z ysi Bø\ø¯ ÁͺUQÓx.
BºÁ® uµªÇ¢x Bø\¯õQÓx.
\õº»ì &1 uø»ø¯ CǨ£x 500 BskPmS¨ ¤ß ¤µu© ©¢v›PøÍ µõáõÁõP |hzxQßÓÚº.
Cx £ÇUP®.
Selfishness given freedom instantaneously wants to destroy the benefactor who is a mountain against the molehill he is.
©ø» •ß¦ G¼ ÷£õßÓÁß _¯|»® _u¢vµ® ö£ØÓÄhß öPõkzuÁøµ AÈUP •¯ÀQÓõß.
All these problems are faced only by people of selfless good will.
_¯|»©ØÓ |Àö»sn•ÒÍÁºU÷P ¤µa]øÚ GÊQÓx.
The selfish man does not see any such problem.
_¯|»ªUS Ax ÷£õßÓ ¤µa]øÚ°Àø».
Guru, sishya, parent, child, intimate friend, spouse are not exempted from this. They are the worst specimens.
S¸, ]è¯, PnÁß, ©øÚÂ, ö£Ø÷Óõº, ¤ÒøÍPÒ, |s£º Âv»UQÀø».
CÁºP÷Í ÷©õ\©õÚ Euõµn[PÒ.
7.         
Mr. Darcy spoke with affectionate praise of his sister's proficiency.
ußÝøh¯ u[øP°ß vÓø©ø¯¨£ØÔ hõº], £õ\zxhß ¦PÌ¢x ÷£]Úõß.
23.     “Darcy spoke with affectionate praise of his sister’s proficiency”.
hõº] áõºâ¯õÚõøÁ¨ £ØÔ ¤›¯©õP ¦PÌ¢x ÷£]Úõß.
Darcy is almost a father to his sister.
hõº] u[øPUS uP¨£Úõº ìuõÚzv¼¸UQÓõß.
It is true human affection, but even that will not stand the test of time i.e. when the stakes are great.
Cx ¤›¯®, AxÄ® ÷|µ® Á¢uõÀ ÷uÓõx. Â寮 ö£›¯uõÚõÀ |õn¯® uõ÷Ú SøÓ²®.
Spiritual affection is self giving, is Good Will, is of spiritual value. 
It does not know the human contamination.
Bß«P¨ ¤›¯® Aº¨£n©õÚ |Àö»snzuõ»õÚx.
AuØS Bß«Pz uµ•sk.
Ax ÷|µ®, Põ»®, Âå¯zuõÀ AÁØÔß uµzuõÀ £õvUP¨£hõx.

Darcy refuses to accept any advice for his sister.
u[øPø¯¨ £ØÔ TÖ® Gøu²® hõº] HØPÂÀø».
It is lack of good manners just like Lady Catherine.
Ax ÷»i PõuŸøÚ¨ ÷£õÀ |À» £ÇUP® SøÓÁõÚøuU PõmkQÓx.
He asserts his sister’s superior practice not to need advice.
u[øP \õuP® ö\´ÁuõÀ GÁ¸® ¦zv©v TÓ÷Áshõ® GÚU TÖQÓõß.
He actually asserts his superior status.
uß A¢uìzøu Á¼²ÖzxQÓõß.
Thinking meanly of others readily comes into the family.
¤ÓøµU SøÓÁõP {øÚ¨£x C¯À£õP Á¸QÓx.
Selfishness is NAKED. Its exhibition is vulgar.
_¯|»® öÁmP©ØÓx. Aøu Á¼²ÖzxÁx A][P®.
The praise of selfish affection is valid only in that context.
_¯|»©õÚ ¤›¯zøu Ax ÷£õßÓ ChzvÀ ©mk® £õµõmh»õ®.
Selfish affection is prone to be attacked.
_¯|»©õÚ ¤›¯® uõUSu¾USm£k®.
Where self-giving is, there is no attack of any description.
Aº¨£n®, £µ|»® EÒÍ Chzøu GvºUP •i¯õx.
In the story we see true affection in Elizabeth for Jane.
Pøu°À Esø©¯õÚ ¤›¯zøu G¼\ö£zvh® & ÷áß «x & PõsQ÷Óõ®.
It is human, disinterested, pure, motiveless.
Ax ©Ûu _£õÁ®, y´ø©¯õÚx, Buõ¯©ØÓx, Gøu²® Gvº£õºUPõux.
Jane would not have suffered had she not trusted duplicity.
H©õØÖÁøu |®£õÂmhõÀ ÷áÝUS Á¸zuªÀø».
Human self-giving offers human strength which is weakness.
|õ® ö\´²® \©º¨£n® |©x Á¼ø©ø¯z u¸® & Ax £»ïÚ®.
Pure human self-giving must be not vitiated by human deficiency.
y´ø©¯õÚ Aº¨£n® £»ïÚzuõÀ ÷uõÀ¯øh¯U Thõx.
Elizabeth’s falling for Wickham hurt her affection for Jane.
ÂUPõ® «x G¼\ö£zvØSÒÍ ¤›¯® ÷áøÚ¨ £õvUQÓx.
Praise is the recognition of value.
¤Ó¸øh¯ £sø£ HØ£x £õµõmk.
Georgiana has talents, practises constantly and deserves Darcy’s praise.
She has the strength of a Darcy
áõºâ¯õÚõÄUSz vÓø©²sk, CøhÂhõx £°¾QÓõÒ, hõº]°ß £õµõmkUS›¯ÁÒ AÁÒ. hõº] Sk®£ Á¼ø© AÁÐUSsk..
It is turned to practising music.
Ax \[Ru¨ £°Ø]°À öÁΨ£kQÓx.
Lady Catherine is capable of Anne’s imaginative possibility with Georgiana’s present proficiency and finds Anne better.
áõºâ¯õÚõÂß vÓø©²hß Bß \[Ru® PØÔ¸¢uõÀ GßÚ vÓø© ö£ØÔ¸¨£õÒ Gߣx AvP® GßÖ ÷»i PõuŸß TÖQÓõÒ.
8.         
"I am very glad to hear such a good account of her," said Lady Catherine; "and pray tell her from me, that she cannot expect to excel if she does not practise a great deal."
"AÁøͨ£ØÔ |À» Â審õPU ÷Pm£vÀ GÚUS ªPÄ® \¢÷uõå®. AvP ÷|µ® \õuP® ö\´uõÀuõß |ßÓõP Áõ]UP •i²® GßÖ |õß TÔ¯uõPa ö\õÀ" GßÓõÒ ÷»i Põu›ß.
24.     By any definition, Lady Catherine is boorish, officious, ungainly in her manners.
25.     “Tell her from me, that she cannot expect to excel if she does not practise”.
vÚ\› £ÇPõÂmhõÀ ]Ó¨£õP Áõ]UP •i¯õx GÚ |õß TÖÁuõP AÁÎh® ö\õÀ.
A capacity urges for expression inevitably.
vÓø© öÁΨ£h •¯¾®.
It expresses even if there is no occasion.
\¢uº¨£ªÀ»õÂmhõ¾® Ax öÁÎ Á¸®.
It readily expresses even if no one wants it.
GÁ¸US® ÷uøÁ¨£hõÂmhõ¾® Ax öÁΨ£k®.
A skill is organised energy.
vÓø© \Uv P¸Â¯õP ©õÔ¯x.
A capacity is the essence of several mature skills.
vÓø©PÎß \õµ® ÷\º¢x vÓø©PÎß EØ£zv ìuõÚ©õQÓx.
It is like the Sun that rises not because there are people in earth.
E»QÀ ©UPÒ ÁõÌÁuõÀ `›¯ß Eu¯©õPÂÀø» Gߣx ÷£õßÓx.
Energy itself has the character of urging for expression.
\Uv C¸¢uõÀ Auß Sn® öÁΨ£h •¯¾®.
Energy – skill – capacity are the successive stages.
\Uv & vÓø© & vÓø©PÎß EØ£zv ìuõÚ® Gߣx Á›ø\.
It does not matter whether the capacity is positive or negative.
vÓø© ÷Ási¯uõ, ÷Áshõuuõ Gߣx ö£õ¸mhÀ».
The 20th century had overcome the need of wars.
20 B® ¡ØÓõsiÀ ÷£õ¸US ÷Áø»°Àø».
The physical urge for fighting in Europe called for wars.
÷£õº ö\´²® Eh¼ß Qͺa] I÷µõ¨¤À ÷£õøµ Áͺzux.
40 years of peace generated, a writer said, unbearable tension.
40 Bsk Aø©v uõ[P •i¯õu öhßåøÚ Qͨ¤¯x.
The two world wars were events where the world destroyed the very bodies where the habit of fighting had become a virtue.
÷£õ›k® EnºÄ ¦so¯©õPU P¸u¨£mh EhÀPøÍ AÈUP C¸ ö£¸® ÷£õºPÒ ‰shÚ.
They cannot be reversed or controlled by human will.
©Ú EÖv¯õÀ EhÀ Qͺa]ø¯ AhUP •i¯õx.
The spirits in those wills are capable of transforming them.
AUQͺa]°ß Bß©õ v¸Ä¸©õÓ ÁÀ»x.
Darcy’s reversal was one such.
hõº]°ß ©õØÓ® v¸Ä¸©õØÓ®.
It was the evolutionary force in his will that transformed him.
£›nõ© \Uv hõº]ø¯ ©õØÔ¯x.
Elizabeth was only the recipient of the Force.
G¼\ö£z Auß £¯øÚ¨ ö£ØÓõÒ.
She moved from the vital to the mental. There she stopped.
EnºÂ¼¸¢x AÁÒ ©Úzøu GmiÚõÒ. Azxhß {ßÓõÒ.
It is not reversal in the best sense of the word.
Ax ©õØÓzvß ]Ó¨£õÚ Euõµn©õPõx.
That is why she had a soft corner for Wickham to the end.
AuÚõÀ uõß ÂUPõ® «x ¤›¯zøu AÁÍõÀ Âh •i¯ÂÀø».
Habits, that too physically entrenched habits, cannot be changed.
£ÇUP®, Eh¼À FÔ¯ £ÇUP® ©õÓõx.
Mental habits entrenched in the brain refuse to change.
AÔÂß £ÇUP® ‰øÍ°À £v¢uõÀ ©õÓõx.
When they change knowledge becomes power.
Ax ©õÔÚõÀ AÔÄ \Uv¯õS®.
He won her, she allowed him to win her.
AÁß AÁøÍ •¯ßÖ ö£ØÓõß, AÁÒ Aøu AÝ©vzuõÒ.
The effort was his; she was only the beneficiary.
•¯Ø] AÁÝøh¯x, AÁÒ £»øÚ¨ ö£ØÓÁÒ.
9.         
"I assure you, madam," he replied, "that she does not need such advice. She practises very constantly."
"C¢u AÔÄøµUS AÁ]¯÷©°Àø», A®©õ, GßøÚ |®¦[PÒ, AÁÒ CøhÂhõx £°Ø] ö\´u Ásn® C¸¨£õÒ" GßÓõß.
26.     Elizabeth was brought there to see that Darcy too is uncultured.
27.     Darcy’s refusal of Lady Catherine’s advice to Miss Darcy is uncivil.
28.     “She does not need such advice”.
áõºâ¯õÚõÄUS A¢u ¦zv©v ÷uøÁ°Àø».
This is petulant, if not impertinence.
Cx Aºzu©ØÓ SuºUP®.
This is the spirit of contradiction.
©ÖUP ©Ú® ÂøDz®.
This is the irresistibility of the physical in the Mind.
©Ö¨¤ß ©Qø© GÚ»õ®.
As the urge in the seed cannot stop it by itself, a thought conceived once taking a form cannot refrain from coming out.
AÔÂÀ EhÀ ukUP •i¯õu BºÁzxhß ö\¯À£kÁx Cx.
Âøu •øͨ£øu Ax÷Á ukUP •i¯õx Gߣx ÷£õÀ Gsn® E¸ÁõÚõÀ Ax öÁΨ£kÁøuz ukUP •i¯õx.

One becomes a gentleman if he conquers this impulse.
Aøuz uk¨£Áß ¤µ¦, E¯ºSi¨ ¤Ó¢uÁß.
Manners is the capacity not to express in society.
£ÇUP® \‰PzvÀ |õ® {øÚzuøu öÁΰh ©Ö¨£x.
What manners suppress in one place, erupts in another place.
K›hzvÀ ©ÖzuõÀ, Akzu ChzvÀ Ax öÁÎÁ¸®.
AvPõµ® Cøu AhUS®.

Of course authority drives this exhibition out of the picture.
AvPõµ® Cx÷£õßÓ ÷£aø\ AhUS®.
Authority can suppress, cannot sublimate.
AvPõµ® ©ÖUS®, ©nUPõx.
This simple impulse in Darcy made him undergo a tortuous reversal of transformation.
Cx ÷£õßÓ J¸ Gsn® hõº]ø¯ ]zµÁøu ö\´ux.
£õµu¨ ÷£õøµ²® £Âzvµ©õÚ £USÁ® öÁÀ¾®.
u›zu P¸ u[Põx.
©Úzøu öÁÀ£Áº ©ÛuøÚU Ph¢uÁº.
£ÇUP® \‰PzvØS, |hzøu |©US.
AvPõµ® ö\À¾®, uÁÓõx ö\À¾®. AvPõµ® ©mk® ö\À¾®.
|mh Âøu •øÍUS®, {øÚzu ö\õÀ ÷£_®.
ö\õÀ£Áº £»º, ÷Pm£Áº C»º.

Advice is the essence of experience given to the inexperienced.
AÝ£Á® AÝ£Á©ØÓÁºUS¨ £¯ß£kÁx ¦zv©v.
Advice is sought, not offered.
|õi¯Áº ö£ÖÁx ¦zv©v, ÷PmPõ©À u¸ÁvÀø».
Advice does not issue out of imagination.
PØ£øÚ°À Pøu GÊ®, AÝ£Á® GÇõx.
Lady Catherine and Darcy rehearse here Longbourn and his proposal.
÷µõê[êÀ ÷»i PõuŸÝ®, hõº]²® »õ[£õºß proposal ø¯ JzvøP £õºUQßÓÚº.
10.      
"So much the better. It cannot be done too much; and when I next write to her, I shall charge her not to neglect it on any account. I often tell young ladies that no excellence in music is to be acquired without constant practice. I have told Miss Bennet several times that she will never play really well unless she practices more; and though Mrs. Collins has no instrument, she is very welcome, as I have often told her, to come to Rosings every day, and play on the piano forte in Mrs. Jenkinson's room. She would be in nobody's way, you know, in that part of the house."
"A¨£iö¯ÛÀ |À»x. £°Ø] Gߣx AvP÷© BP •i¯õx. GUPõµn® öPõsk® Cøu¨ ¦ÓUPoUPU Thõx GÚ Akzu Piu® GÊx® ö£õÊx EzuµÂh ÷£õQ÷Óß. K¯õu £°Ø]°ßÔ, Cø\°À GÆÂu ÷uºa]²® Aøh¯ •i¯õx GÚ |õß CÍ®ö£sPÎh® AiUPi TÖ÷Áß. ÷©¾®, £°Ø]ø¯ Pøh¨¤izuõÀuõß, Esø©¯õP÷Á |ßS Áõ]UP •i²® GßÖ ªì. ö£ßÚmih® £» •øÓ TÔ°¸UQ÷Óß. v¸©v. Põ¼ßêh® ¤¯õ÷Úõ CÀø»ö¯ßÓõ¾®, AÁÒ ÷µõê[êØS vÚ•® Á¢x v¸©v. öáßQßéß AøÓ°À EÒÍ ¤¯õ÷ÚõÂÀ Áõ]UP»õ® GÚ £» •øÓ TÔ°¸UQ÷Óß. Áµ÷Áئ AÁÐUS {a\¯® Esk. Ãmiß A¨£Sv°À AÁÍõÀ G¢u Cøhg\¾® C¸UPõx."
 
29.     Lady Catherine’s invitation to Elizabeth is an offence.
30.     “It cannot be done too much”.
£°Ø]US AÍÂÀø».
Knowledge of limit is a mark of wisdom.
AÍÄ öu›Áx AÝ£Á® •vº¢uvß •zvøµ.
Even if she is one who over does, this symptom of wisdom shows that the value of the aristocratic inheritance is there.
£Ç[Si¨ £s¦ |õ® ©Ó¢uõ¾® Ax AP»õx.
Practice cannot be done too much, not music.
\õuP® ö\´¯ AÍ÷Á°Àø», AxÄ® \[Ruzv¼Àø».
A method has a physical limit, not its essence.
•øÓUS •iÄsk, ‰»zøu |õk®ö£õÊx •iÂÀø».
Too much of practice makes it stale.
ö£õxÁõP AÍÄ Ph¢u £°Ø] A¾¨¦ u¸®.
Music is never too much as it is infinite.
\¼¨£x \[RuªÀø», BshÁß GÊ® Aئu®.
Even this knowledge is unavailable outside culture.
£s£ØÓÁ¸US CxÄ® öu›¯õx.
Sum of the parts becoming the whole is physical experience.
£SvPÎß öuõS¨ø£ •Êø©¯õPU öPõÒÁx AÔÁØÓ AÝ£Á®.
The whole is greater than the sum is metaphysics.
£Sv ÷\º¢x •Êø©¯õPõx Gߣx `m_© bõÚ®.
Practice cannot give knowledge.
Practice can refine the knowledge already acquired.
£°Ø] •vºa] ö£Óõx. ö£ØÓ bõÚ® £°Ø]¯õÀ ö©¸S ö£Ö®.
ö£Óõu bõÚ® ö£Ó £°Ø] EuÁõx.

Constant practice issuing out of interest will raise the level of music knowledge. Interest is knowledge in potential.
BºÁ® £°Ø]¯õÚõÀ £°Ø] \[Ru©õS®. BºÁ® bõÚzvØS |õØÓ[PõÀ.
Inner urge for music translates into Music.
Bz©õÂß BºÁ® AÚ¢uÝøh¯ \[Ru®.
11.      
Mr. Darcy looked a little ashamed of his aunt's ill-breeding, and made no answer.
ußÝøh¯ ]zv°ß £s£ØÓ ö\´øPø¯ Psk hõº] \Ø÷Ó AÁ©õÚ©øh¢uõØ÷£õÀ ÷uõßÔ¯x, £v÷»x® TÓÂÀø».
31.     Darcy has an occasion to be ashamed of his aunt in the presence of Elizabeth.
32.     “Darcy looked a little ashamed of his aunt’s ill-breeding.”
]zv°ß A|õPŸP©õÚ £ÇUPzøuU Psk hõº] öÁmP¨£mhõß.
To recognize her ill-breeding is good-breeding in Darcy.
AÁÒ ©mh©õÚ £ÇUPzøu E¯º¢u £ÇUP©õPU P¸xÁx hõº]°ß |õPŸP®.
The fact he is ashamed of her behaviour shows he can change.
AÁÒ |õPŸP® SøÓ¢ux hõº]US öÁmP©õP°¸¨£uõÀ hõº]US ©õÖ® Áõ´¨¦sk.
His accusations against Mrs. Bennet in his proposal are undermined by his knowledge of his aunt’s behaviour.
Proposal¼À Mrs. ö£ßÚmøh¨ £ØÔ ö\õÀ¼¯ SøÓPÒ ]zv°ß £ÇUPzøu {øÚUS® ö£õÊx AÁß ©Ú® _¸[SQÓx.
The fact he is ashamed of his aunt makes him vulnerable and prompts Elizabeth to accuse him.
]zvø¯U Psk hõº] öÁmP¨£kÁuõÀ AÁß £»ïÚÚõQÓõß. G¼\ö£z vmh •iQÓx.
Self-awareness of a weakness makes one vulnerable.
SØÓzøu Enº¢uÁß Gv› •ß £»® CǨ£õß.
SØÓzøu Enº¢uÁß Gv› •ß ©Ú® EøhÁõß.

By being ashamed, Darcy identifies with his aunt.
öÁmP¨£kÁuõÀ hõº]²® ]zv²® CønQÓõºPÒ.
This behaviour of his aunt when Darcy and Elizabeth are present makes her weak at the Longbourn encounter.
hõº]²® G¼\ö£zx® EÒÍö£õÊx ]zv°ß uµUSøÓÁõÚ |hzøu »õ[£õºß Á¸®ö£õÊx AÁÐUS Gvµõ°ØÖ.
SøÓø¯ {øÓ¯õPU Psh ©Ú® SøÓUS £¼¯õS®.
Lady Catherine not only has ill-breeding but is proud of the authority it gives.
÷»i PõuŸÝUS ©mh©õÚ £ÇUP® Esk. AxØS¨ ö£¸ø©¨£kQÓõÒ.
Gv› Psh SøÓ E›ø©°ß Á¼ø©ø¯²® FÖ ö\´²®.
When life reflects what you are inside, often it inflates the reflection.
|®ø©¨ ¤µv£¼US® ÁõÌÄ |® SøÓø¯ AvP¨£kzx®.
Aristocracy lives on assertion.
÷uõØÓzøu Á¼²Özvz x»[P •¯ÀÁx ö\ÀÁ®.
Had Elizabeth gone to Rosings to play the piano, she would have lost the later encounter.
AÁ©õÚzvß Buõ¯zvØS Bø\¨£mhõÀ E›ø©°ß Á¼ø© AȲ®.
There is no malice or machination at Rosings. It is only crude boorishness under ostentatious display.
÷µõê[QÀ öPmh Gsn® vÀ¾•À¾ CÀø».
£s£ØÓÁ›ß •µmkzuÚ©õÚ ÷£õUSÒÍx.
Aøu AvPõµ©õP Bh®£µ¨£kzxQßÓÚº.

He who displays weakness will erode his own natural strength.
SøÓø¯ Bh®£µ¨£kzvÚõÀ C¯À£õÚ E¯ºÄ Á¾ÂÇUS®.
12.      
When coffee was over Colonel Fitzwilliam reminded Elizabeth of having promised to play to him; and she sat down directly to the instrument. He drew a chair near her. Lady Catherine listened to half a song, and then talked, as before, to her other nephew; till the latter walked away from her, and moving with his usual deliberation towards the pianoforte, stationed himself so as to command a full view of the fair performer's countenance. Elizabeth saw what he was doing, and at the first convenient pause, turned to him with an arch smile, and said –
Põ¤ A¸¢v¯x®, uÚUS Áõ]zxU PõmkÁuõP ÁõUPÎzuøu PºÚÀ ¤mìÂÀ¼¯®, G¼\ö£zvØS bõ£P¨£kzvÚõº, AÁÒ ÷|µi¯õP Cø\U P¸Â°ß •ß A©º¢uõÒ. AÁ¸®, AÁ͸÷P Kº |õØPõ¼ø¯ CÊzx AvÀ A©º¢uõº. £õv £õmøh÷¯ ÷Pmh ÷»i Põu›ß AÁÐøh¯ ©ØöÓõ¸ ©¸©PÛh®, AÁß AÁÎhª¸¢x »Qa ö\À¾®Áøµ ÷£]U öPõsi¸¢uõÒ. ußÝøh¯ ÁÇUP©õÚ BÌ¢u ÷¯õ\øÚ²hß ¤¯õ÷ÚõøÁ ÷|õUQa ö\ßÖ Áõ]¨£ÁÎß AÇQ¯ •P® •ÊÁx©õPU PõnUTi¯ ChzvÀ hõº] ußøÚ {ÖzvU öPõshõß. AÁß GßÚ ö\´x öPõsi¸UQÓõß GßÖ PÁÛzu G¼\ö£z, HxÁõP Qøhzu •uÀ CøhöÁΰÀ J¸ ¦ßÚøP²hß AÁøÚ ÷|õUQU TÓ»õÚõÒ,
33.     A gentleman is one who delights those around him by his very presence.
34.     Elizabeth plays. Darcy stares at her. He is unable to tear himself from her. Not knowing that, Elizabeth tells him her courage rises when challenged. He is pleased by her affront. An abuse being more intense than an ordinary conversation, young men are pleased when abused by the girls they love.
G¼éö£z ¤¯õ÷Úõ Áõ]UQÓõÒ. hõº] AÁøÍ÷¯ EØÖ¨ £õºzxU öPõsi¸UQÓõÒ. AÁøÍ ÂmhP» AÁß ©Ú® Cø\¯ÂÀø». Aøu¯Ô¯õ©À G¼éö£z AÁÛh®, GßøÚ ªµmh •¯ßÓõÀ GÚUS AvP øu›¯® Á¸® GßQÓõÒ. AÁøÚ Gvºzx¨ ÷£_Áx AÁÝUS ¸¨£©õP C¸UQÓx. ÷Põ£©õPz vmkÁx ÷ÁP©õÚ ö|¸UP® GߣuõÀ BsPmS AÁº ¸®¦® ö£sPÒ ÷Põ£¨£kÁx ¤iUS®.
35.     He is unable to see what she speaks is her own opinion. He brushes it aside.
AÁÒ ÷£_Áøu AÁÒ A¤¨¤µõ¯ªÀø» GÚ AÁß TÖQÓõß.
36.     He tries not to see a blemish in her.
AÁÎh® SøÓ°¸UP •i¯õx Gߣx AÁß wº©õÚ®.
37.     Again, she is anxious to poke fun at his expense and provoke him exposing him to his cousin. It is her feminine initiative to forge the relationship of marriage.
«sk® AÁøÚU QshÀ ö\´x BzvµzøuU Qͨ£ •¯ÀQÓõÒ. Cx ‰ßÓõ® •øÓ.
¤mì ÂÀ¼¯® AÁøÚ ©mh©õP {øÚUS® AÍÄUS hõº]ø¯ A®£»¨£kzu •¯ÀQÓõÒ. ö£s BønU PÁ¸® •øÓPÎÀ CxÄ® JßÖ.
38.     The characteristic of her courage is to rise when challenged.
39.     It is the character of all things great.
40.     Particularly, it is the character of infinity – to grow when spent.
41.     “Colonel Fitzwilliam reminded Elizabeth of having promised to play to him”.
PºÚÀ G¼\ö£zøu Áõ]UPa ö\õßÚõß.
It is a recognition of her talents, a symbol of her worth.
AÁÒ vÓø©ø¯ AÁß HØ£uõS®. Ax AÁÐUS ©›¯õøu.
An invitation is recognition.
AøǨ£x HØ£x.
Mary is anxious to display. So, she is not fully recognized.
÷©›US £õh Bø\. GÚ÷Á GÁ¸® AÁøÍ HØPÂÀø».
Colonel Fitzwilliam recognizes Elizabeth’s value for the Darcy family.
PºÚÀ ÂÀ¼¯® G¼\ö£zøu HØ£x hõº] Sk®£® HØ£uõS®.
Any event is symbolically indicated earlier.
Á¸Áuß •ß öu›Â¨£x ÁõÌUøP°ß ÁÇUP®.
The colonel is eager to expose Darcy.
hõº]ø¯ A®£»¨£kzu PºÚ¾US BºÁ®.
Later the colonel almost exposed Darcy to Elizabeth.
¤ÓS PºÚÀ hõº]°ß SøÓø¯ G¼\ö£zvh® öÁΰkQÓõß.
He seems to enjoy teasing by mild innocuous exposure.
÷»\õÚ ¦s£kzuõu ÷P¼¯õÀ hõº]ø¯ ^skQÓõß.
The colonel is under Darcy’s conveniences.
PºÚÀ hõº]USU Pmk¨£mhÁß.
Therefore he indulges in exposing Darcy indirectly.
©øÓ•P©õP hõº]ø¯ A®£»¨£kzxQÓõß.
Pº© £»ß uµõu Põ›¯® CÀø».
AvPõµ® ö\´uÁß AvPõµzvØSm£hz uÁÔ¯vÀø».
÷P¼ ö\´uÁß ÷P¼°hª¸¢x u¨¤¯vÀø».
ushøÚ ÂvzuÁß ushøÚø¯ H©õØÓ •i¯õx.

Life seeks equilibrium in energy, justice, rewards, initiatives, reactions, irritations and everything.
J¸ Põ›¯zøu ¸®¤a ö\´uÁß AUPõ›¯® ußøÚ ÷|õUQ ¸¨£©õP Á¸ÁøuU Põnõ©¼¸UP •i¯õx.
The innocent act of Darcy walking away from his aunt and cousin to the colonel and Elizabeth is more than innocent. It indicates his walking away from Anne to Elizabeth. It may look a stretch. The mighty powers of life emerging at infinitesimal points are inescapably seen in such points all over in the story.
hõº] Gøu²® P¸uõ©À Bß, ]zv°hª¸¢x GÊ¢x PºÚÀ G¼\ö£zvh® ÷£õÁx, BøÚ Âmk G¼\ö£zøu |õkÁx, APsh® Pshzvö»ÊÁx, Pøu°ß ‰»U P¸ y]°¾® GÊÁøuU Pøu •ÊÁv¾® Põn»õ®.
 
 
42.     “Lady Catherine listened to half a song, and then talked”.
£õv £õmøhU ÷Pmk, ÷»i PõuŸß ÷£\ Bµ®¤zuõÒ.
Lady Catherine is really not interested in music. She is only interested in talking.
÷»i PõuŸÝUS¨ £õmiÀ AUPøµ°Àø», ÷£\ Bø\.
Talking is ingrained and irresistibly comes out.
Eh÷»õk ¤Ó¢ux ÷£a_, Aøu ÷»i PõuŸÚõÀ ukUP •i¯õx.
C¯ØøP¯õÚx CßÔ¯ø©¯õux.

There is no exercise of power in listening to music.
£õmk ÷Pm£uõÀ AvPõµ® ö\´¯ •i¯õx.
Power lies in human relationship.
AvPõµ® EÓÄUS›¯x.
To Lady Catherine, life means power, power of domination.
AvPõµ® AÁ¸US Aºzu ¦èi¯õÚx.
Pø» P¸zøuz öuõhÂÀø».
÷£_ÁvÀ EÒÍ BºÁ® £õmøhU ÷Pm£v¼Àø».

Inherited abilities act; acquired characteristics are lifeless.
EhߤӢuuØS EÒÍ ÷ÁP® PØÖU öPõshuØQÀø».
ãÁÛß BÇzv¾ÒÍuØS ãÁß Esk.

Lady Catherine is more physical than vital.
÷»i PõuŸß 㯮 áh©õÚ ã¯®.
Her listening to half a song is because of the visitors.
£õv £õmk ÷Pmhx® ¸¢uõi¯õÀ.
Half educated people starting to speak in English break out into Tamil in the third word.
B[Q»zvÀ ÷£\ Bµ®¤zuõÀ uªÌ ußøÚ «Ô Á¸QÓx.
Music is playing to the gallery; talking is native ability.
£õºøÁUS¨ £õmk, EÒÍx K¯õx ÷£_Áx.
One’s culture is in evidence in travel and when visitors arrive. The true colours are then out.
EÒÍx öÁÎ÷¯ Áµ ¤µ¯õn® AÁ]¯®.
¸¢uõi Á¢uõÀ ö\õ¢u £ÇUP® öÁÎ Á¸®.

Culture that is an appearance is no culture.
÷uõØÓ® £s£À».
 
 
43.     “Stationed himself so as to command a full view”.
•Êø©¯õPU PõqªhzvÀ EmPõº¢uõß.
It is not a conscious act. He moves involuntarily.
Ax öu›¢x ö\´ÁvÀø», C¯À£õP |h¨£x.
Being in love, one acts as a somnambulist.
Põu¼À P¸zøu°Ç¢uÁß HÁÀ ö\´¯¨£mhx ÷£õÀ |h¨£õß.
Love disregards appearances, has no social shame.
ø©¯¼À EÒÍÁß ©¯UPzv¾ÒÍÁß.
{ø»°Ç¢uÁß {uõڪǢuÁß.

Darcy ‘informs’ his aunt that he is going away from Anne to Elizabeth.
BøÚ Âmk »SÁuõP hõº] ]zvUS AÔÂUQÓõß.
He seeks her presence; his being demands a full view.
G¼\ö£zøu |õkQÓõß. AÁß ãÁß AÁøÍ •Êø©¯õPU Põn ÂøÇQÓx.
Consciously she is oblivious of his attention.
AÁß ußøÚU PÁÛ¨£øu AÁÒ AÔ¯õÒ.
Subconsciously she is in her elements. To provoke Darcy is her privilege as he has abused her.
EÒÍzvÀ AÁÒ E°÷µõi¸UQÓõÒ. hõº] AÁøÍz vmi¯uõÀ AÁøÚU Qͨ¦® E›ø© AÁÐøh¯x.
PsoÀ £hÂÀø»ö¯ÛÝ® P¸zøu AÁÒ BmöPõshõÒ.

He moves to have a full view of her. In fact, he wants her to have a full view of him.
AÁøÍ •Êø©¯õPU Põq®£i¯õÚ ChzvÀ EmPõ¸QÓõß.
AÁÒ ußøÚ •Êø©¯õP Põn ÂøÇQÓõß.

Thought can wait, not passion.
©Ú® ö£õÖUS®, Enºa] Eh÷Ú ö\¯À£k®.
Enºa]¯Ô¯õux ö£õÖø©.
©Ú® ©ØÓøu AÔÁx, Enºa] EÒÍx.

Lady Catherine and Darcy are Mrs. Bennet and Collins.
ÃmkUS Ãk Áõ\À£i.
EÒÍx Ehß Á¸®.

Love knows no compromise; it goes the whole hog.
G›²® uÇÀ Gøu²® P¸uõx.
Põu¼À ö£ØÓx ö£›x, ö£Ó¨÷£õÁx AÚ¢u®.
AÚ¢u® Aئu©õÁx PõuÀ PÛ¢x ©»ºÁx.
AÁß |õkÁx PõuÀ, AÁÒ ÷ÁskÁx PÀ¯õn®.
 
 
44.     “Turned to him with an arch smile”.
CÛUS® SÖ®¦a ]›¨¦hß AÁøÚ ÷|õUQÚõÒ.
An arch smile cannot offend.
SÖ®£õÚ ]›¨¦ ©Úzøu¨ ¦s£kzuõx.
A combination of archness and sweetness is incapable of offence.
SÖ®¦® CÛø©²® ÷\º¢x ]›¨£õP öÁΨ£mhõÀ ¦s£h ÁÈ°Àø».
She has not cursed anyone, Caroline, Darcy, Bingley, Lydia, Collins, Wickham. Nothing in her has learnt to curse. At best she can complain.
AÁÍõÀ GÁøµ²® \¤UP •i¯õx. Põµ¼ß, hõº], ¤[¼, Põ¼ßì, ¼i¯õ, ÂUPõ® GÁøµ²® \¤UPÂÀø». \õ£® AÁÎhªÀø». AvP £m\® SøÓ ö\õÀÁõÒ.
She is ready to expose him.
hõº]ø¯ A®£»¨£kzu AÁÒ u¯õº.
Her first words are a taunt.
AÁÒ •uÀ ö\õÀ \ÁõÀ.
She detests Lady Catherine.
AÁÐUS ÷»i PõuŸß P\¨¦.
She cannot stand Collins.
Põ¼ßì uõ[Põx.
Charlotte’s enjoyment of the Parsonage is an eyesore to her.
åõº÷»õm Põ¼ßì Ãmøh Aݣ¨£x AÁÍõÀ ö£õÖUP •i¯ÂÀø».
She is unable to relate to Sir Lucas or Maria.
©øµ¯õ, \º. ¿Põéühß AÁÍõÀ £ÇP •i¯ÂÀø».
Anne is more than an object of pity.
Bß £›uõ£zvØS›¯ÁÒ.
Still no curse escaped her mouth.
C¸¢x® \õ£® GÇÂÀø».
A personality is attractive for many reasons or no reason. Quiet, uncomplaining nature, a smiling face, natural pleasantness, passivity in temper, positive vibration, pleasing manners, strong character, endearing behaviour, psychic sweetness, excellent social skills, attractive appearance, striking dress, wealth, status, etc. Elizabeth is lively. She is always playful actively loving absurdities. She has loves and hates but as her love finds expression in active spirits, her hates do not formulate themselves as temperament. She is always cheerful. If she departs from it, she quickly revives. She has an ever-present pleasantness. It is impossible for her to love one like Darcy.
J¸Áº _£õÁ® G¢u PõµnzvØPõPÄ® ¤iUS®. PõµnªßÔ²® ¤iUS®. Aø©v¯õP SøÓ TÓõuÁº, ]›zu •P®, CÛø©¯õÚ _£õÁ®, ©Úzvsø©, {uõÚ©õÚ Sn®, |À» ußø©, Bß«P CÛø©, öuÎÁõÚ £ÇUP®, PÁºa]¯õÚ •P®, £Îaö\ßÓ Eøh, ö\ÀÁ®, A¢uìx BQ¯øÁ ©UPøÍU PÁ¸®. G¼\ö£z P»P»¨£õÚÁÒ, G¨ö£õÊx® ÂøͯõmhõP¨ £ÇSÁõÒ, Aºzu©ØÓøu BºÁ©õP Aݣ¨£õÒ, ¤izuøÁ, ©ØÓøÁ AÁÐUSsk. P»P»¨£õÚ ö\¯¼À uß ¤›¯zøu öÁΰkQÓõÒ. öÁÖ¨¦ Sn©õP öÁÎ Á¸ÁvÀø». G¨ö£õÊx® P»P»¨£õP C¸¨£õÒ. Ax ©õÔÚõÀ, Eh÷Ú «sk® ©õÖ®. Cøh¯Óõu Cߣ©õÚ CÛø©²sk. hõº] ÷£õßÓÁøµ AÁÍõÀ ¸®£ •i¯õx.
13.      
"You mean to frighten me, Mr. Darcy, by coming in all this state to hear me? But I will not be alarmed though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me."
"C®©õv› |õß Áõ]¨£øuU ÷PmP Á¢x GßøÚ £¯•Özu»õ® GÚ {øÚUQÓõ¯õ, hõº]? EßÝøh¯ \÷Põu› |ßÓõP Áõ]¨£ÁÍõP C¸¢uõ¾®, |õß £¯¢x ÷£õ´ Âh©õm÷hß. ©ØÓÁºPÒ GßøÚ £¯•Özu {øÚzuõ¾® GßÛh® EÒÍ J¸ ¤iÁõu® AuøÚ ö£õÖzxU öPõÒÍõx. GßøÚ £¯•Özua ö\´²® JÆöÁõ¸ •¯Ø]°¾®, GßÝøh¯ øu›¯® G¨ö£õÊx® AvP›US®."
45.     “I will not be alarmed though your sister does play so well”.
Eß u[øP |ßÓõP¨ £õiÚõ¾®, |õß Avºa]¯øh¯ ©õm÷hß.
The skill of one person matters to another in the profession.
J¸ £õhP¸US Akzu £õhP›ß vÓß •UQ¯®.
Elizabeth has no temperament that can be alarmed by anything.
GøuU Psk® £¯¨£k® Sn® G¼\ö£zvØQÀø».
Alarm arises out of weakness.
Avºa] £»ïÚ®.
Weakness arises out of ignorance.
£»ïÚ® AgbõÚ®.
She is fully knowledgeable for her age about everything that concerns her.
AÁÒ Á¯vÀ AÁøͨ £õvUS® AzuøÚø¯²® AÔ²® AÔÄ AÁÐUSsk.
The basis for fear, insecurity, poverty, ignorance is not there in her.
HÌø©, AÔ¯õø©, {ø»¯õø© £¯zvØSU Põµn®. AøÁ GxÄ® AÁÛhªÀø».
Aristocratic children generally won’t have fear.
ö\ÀÁzvÀ Áͺ¢uÁºUS¨ £¯ª¸UPõx.
She has a temperament that rises in strength in any encounter.
Gx GvºöPõshõ¾® AÁÒ _£õÁ® AuÚõÀ Á¾¨£k®.
It is the touch of infinity.
Ax ¤µ®©zvß A®\®.
It is the characteristic of infinity not to decrease by expenditure.
ö\»ÁõÀ SøÓ¯õux ¤µ®©zvß _£õÁ®.
A higher characteristic of it is to increase with every effort to spend.
ö\»ÁõÀ AvP›¨£x Aøu²® Ph¢ux.
Vali had a boon that any of his enemies would lose half his strength to him. It is vital. It can be mental or spiritual.
Gv›°ß £»zvÀ £õvø¯ ö£Ö® Áµ® Áõ¼ ö£ØÓx. Ax E°¸US›¯x. Ax÷Á ©ÚzvØS®, Bß©õÄUS® Esk.
She gets it because of the total freedom her father gave all at home.
uP¨£Úõº AøÚÁ¸US® •Êa_u¢vµ® AÎzuuõÀ AÁÐUS C¢u _£õÁ® Á¢ux.
Wealth can give that trait in freedom to one who is disciplined.
Pmk¨£õhõÚÁºUS ö\ÀÁ® C¢u _u¢vµzøuz u¸®.
The family is always cheerful, no one is depressed.
ö£ßÚm Sk®£® P»P»¨£õÚx, GÁ¸® PÁø»°À ÷uõ´¢uvÀø».
Wealth and freedom can give many things depending upon the receiving instrument.
ö\ÀÁ•® _u¢vµ•® Gøu²® uµÁÀ»x. ö£Ö£Áøµ¨ ö£õ¸zux £»ß.
It gave her mother the capacity to spend all the money on fineries.
uõ¯õº Aa_u¢vµzøu¨ £hõ÷hõ£©õP ö\»Ä ö\´¯¨ £¯ß£kzvÚõº.
Lydia, the last child, got from that atmosphere capacity for self-destruction.
Pøh]U SÇ¢øu ¼i¯õ Ca_u¢vµzuõÀ ußøÚ¯ÈzxU öPõshõÒ.
Jane acquired the great capacity of not complaining.
SøÓ TÓõu Snzøu ÷áß Cuß ‰»® ö£ØÓõÒ.
She got an ever-increasing strength of playful liveliness.
G¼\ö£z {z¯PÀ¯õo¯õP P»P»¨£õÚõÒ.
It is not she who will be alarmed by his coming all in state.
hõº] P®¥µ©õP Á¸ÁuõÀ £¯¨£k£ÁÒ AÁÎÀø».
Only he will be alarmed by the encounter as at no time Darcy can handle her effectively unless she is determined to be self-controlled.
AÁøÍ \¢v¨£uõÀ hõº]USz uõß Avºa] Á¸®. AÁÚõÀ AÁøÍ \©õÎUP •i¯õx. AÁ÷Í ußÚhUP® £°ßÓõ»ßÔ •i¯õx.
14.      
"I shall not say that you are mistaken," he replied, "because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know that you find great enjoyment in occasionally professing opinions which in fact are not your own."
"} ö\õÀÁx uÁÖ GßÖ |õß ö\õÀ» ©õm÷hß. EßøÚ £¯¨£h øÁUS® vmh® GxÄ® GßÛh® CÀø» GÚ EßÚõÀ |®£ •i¯õx. AÆÁ¨÷£õx EÚUS ö\õ¢uªÀ»õu P¸zxUPøÍ ö\õÀÁvÀ EÚUS AvP \¢÷uõå® QøhUQÓx Gߣøuz öu›¢x öPõÒЮ AÍÂØS EßÛh® GÚUS £ÇUP® Esk."
 
46.     While she is challenging him, he is praising her which is lost on her.
47.     All her opinions that offend him he is willing to take, not her own.
48.     A true lover.
15.      
Elizabeth laughed heartily at this picture of herself, and said to Colonel Fitzwilliam, "Your cousin will give you a very pretty notion of me, and teach you not to believe a word I say. I am particularly unlucky in meeting with a person so well able to expose my real character, in a part of the world where I had hoped to pass myself off with some degree of credit. Indeed, Mr. Darcy, it is very ungenerous in you to mention all that you knew to my disadvantage in Hertfordshire -- and, give me leave to say, very impolitic too -- for it is provoking me to retaliate, and such things may come out as will shock your relations to hear."
ußøÚ¨£ØÔ¯ C¢u A¤¨¤µõ¯zøuU ÷Pmk G¼\ö£z ©Úuõµ ]›zuõÒ. PºÚÀ ¤mìÂÀ¼¯ªh® "E[PÐøh¯ \÷Põuµß E[PÎh® GßøÚ¨£ØÔ ªPÄ® AÇPõÚ J¸ P¸zøuU TÖÁõº, |õß ö\õÀ¾® J¸ Áõºzøuø¯Th |®£ ÷Áshõ® GßÖ ö\õÀ¼U öPõk¨£õº. H÷uõ J¸ AÍÄ ©›¯õøu²hß C¸¢x Âmk¨ ÷£õP»õ® GßÖ |õß {øÚzv¸¢u E»Pzvß C¨£Sv°À GßÝøh¯ Esø©¯õÚ Snzøu ªP |ßÓõP öÁÎa\©õUS® J¸Áøµ |õß \¢vzuvÀ |õß xµvºèh\õ¼uõß. hõº], íºm÷£õºm寛À GÚUS £õuP©õP |h¢u EÚUSz öu›¢u Âå¯[Pøͨ£ØÔ TÔ¯x EßÝøh¯ SÖQ¯ ©Ú¨£õßø©ø¯ Põs¤UQÓx. GßøÚa ö\õÀ» AÝ©v öPõkzuõÀ&&£s£ØÓuõPzuõß C¸US®&&HöÚÛÀ GßøÚz v¸¨¤¨ ÷£\ øÁUQÓx, |õß HuõÁx ÷£_®£i BQÂk®. CuÚõÀ CøuU ÷PmS® Eß EÓÂÚºPÐUS Avºa] EshõS®."
49.     She exposes him mercilessly.
AÁøÚ A®£»¨£kzxQÓõÒ.
50.     To put a man who seeks her on his defence is a feminine strategy.
ußøÚ |õiÁ¸® Bøn uµUSøÓÁõUSÁx ö£sø©.
51.     The psychological fulfillment he seeks in the woman translates itself this way in human relationship.
Bs ö£soh® Aß¤ß BuµøÁz ÷ukQÓõß. Ax |øh•øÓ°À C¨£i ©õÖQÓx.
52.     She recognizes her particular luck, describing it as unlucky.
53.     “Elizabeth laughed heartily at this picture of herself”.
ußøÚ¨ £ØÔ hõº] {øÚ¨£øu AÔ¢x Áõ´Âmka ]›zuõÒ.
She only needs an occasion or excuse to laugh.
AÁÐUSa ]›UP J¸ \¢uº¨£® ÷uøÁ.
Her normal state is overflowing subconscious mirth.
BÌ ©Ú® \¢÷uõåzuõÀ {µ®¤ ÁÈÁx AÁÒ ö£õxÁõÚ {ø».
It waits for an occasion to flow out in joy.
Ax \¢÷uõå©õP¨ ö£õ[Q ÁȲ® ÷|µ® Áµ ÷Ásk®.
It can be any occasion, even one of inoffensive offence.
GÁøµ²® ¦s£kzuõu Pkgö\õÀ»õPÄ® Ax C¸UP»õ®.
His comment is capable of some temperaments to take an exception.
ö\õÀÁøu HØPõu ©Ú{ø»¯õPĪ¸US®.
She not only laughs but makes it an occasion to expose him.
]›¨£xhß AÁøÚ A®£»¨£kzxQÓõÒ.
His early comment of tolerable is live in her ready to emerge.
£µÁõ°Àø» GßÖ TÔ¯x AÁÒ ©ÚzvÀ £_ø©¯õP C¸UQÓx.
She mercilessly exposed him to the colonel.
PºÚÀ öÁmP¨£k®£i AÁøÚ A®£»¨£kzxQÓõÒ.
Darcy took no offence from her accusation.
hõº] SØÓa\õmøh¨ ö£õ¸m£kzuÂÀø».
She was tolerable to his eyes. He is not even tolerable to her.
AÁÒ AÁÝUS¨ £µÁõ°Àø». AÁß AÁÐUS AxĪÀø».
She directly accuses him of unpardonable behavior for a gentleman.
¤µ¦Âß ©ßÛUP •i¯õu £ÇUPzøu AÁÝUSU PؤzxÒÍõÒ.
No gentleman will offend all the ladies in the assembly as he did.
Aö\®¤Î°À G¢u ¤µ¦Ä® ö£sPøÍ A¨£i AÁ©õÚ¨£kzv¯vÀø».
She brought out that for no fault of his.
GUPõµn•ªÀ»õ©À Aøu GkzxU TÔÚõÒ.
That which most hurt him was her calling him ungentlemanly.
¤µ¦ÁõP¨ £ÇPÂÀø» GÚU TÔ¯x AÁøÚ AvP©õP¨ ¦s£kzv¯x.
Her accusation in his proposal commences here.
Proposal¼À AÁÒ SØÓ® \õmi¯x C[S Bµ®¤UQÓx.
Her accusation of spoiling Jane’s marriage did not touch him on that score. As he behaved as no gentleman would behave – employed a ruse – it went home.
÷áøÚz ukzux AÁÝUS¨ ö£›uÀ».
G¢u¨ ¤µ¦Ä® ö\´¯õux & v¸©nzøuU öPkzux & ö|gø\z öuõmhx.

Elizabeth can reach anyone at his most valuable point as she did with Lady Catherine at Longbourn.
÷»i PõuŸÝUS¨ £vÀ TÔ¯x ÷£õÀ GÁº ©Úzøu²® öuõk®£i AÁÍõÀ ÷£\ •i²®.
What Elizabeth laughed at, is not one at which everyone will laugh.
G¼\ö£z ]›zx HØÖU öPõshøu GÁ¸® HØÖU öPõÒÍ ©õmhõºPÒ.
Darcy’s innate nature is offensive from its crudeness.
hõº]°ß Pkø©¯õÚ Sn® ©Úzøu¨ ¦s£kzx®.
As he said it with a smile, it might be less cruel.
AÁß ]›zx¨ ÷£]¯uõÀ Pkø© SøÓÄ.
In describing others, Man discloses himself.
¤Óøµ ©º]US® ©ÛußußøÚ öÁΨ£kzxÁøu AÔ¯õß.
No man can speak without letting his character emerge.
_£õÁzøu öÁΰhõ©À ©ÛuÚõÀ ÷£\ C¯»õx.
 
 
54.     “hoped to pass myself off with some degree of credit”.
H÷uõ |À» ö£¯¸hß ÷£õP»õ® GÚ {øÚz÷uß.
Man’s credit lies in his hiding the true personality.
ö\õ¢u _£õÁzøu ©øÓzx¨ ö£ÖÁ÷u |À» ö£¯º.
Credit is outside, credibility is inside.
|®¤UøP GÊÁx |kÃmiÀ, E»P® AÔÁx ¦Óz÷uõØÓ®.
People of excellent manners are popular outside their region.
E¯º¢u £ÇUPzøu FøµU Ph¢u E»P® ÷£õØÖ®.
Ãk ö\´²® ©º\Ú® ÂsnÁ¸® HØ£x.
Wickham cannot be this popular at Lambton.
»õ®¨hÛÀ ÂUPõ® ¤µ£»©õP C¸UP •i¯õx.
Darcy is unpopular even in Meryton.
hõº] ö©›mhÛ¾® |À» ö£¯º ö£ÓÂÀø».
Darcy is held up high at Pemberley.
ö£®£º¼°À hõº]ø¯U PhÄÍõP¨ ÷£õØÖQßÓÚº.
Lady Catherine cannot be adored even at Rosings.
÷»i PõuŸÝUS ÷µõê[ê¾® |À» ö£¯›Àø».
It is true inner worth matters.
EÒÍx ÷£_® Gߣx Esø©.
It is equally true pleasant exterior matters outside your area.
|À» £ÇUP® öÁÎ E»QÀ ö\À¾® Gߣx Esø©.
But real popularity eludes both.
Esø©¯õÚ ¤µ£»® Cµsøh²® Ph¢ux.
A good man can be unpopular.
|À»ÁÝUSU öPmh ö£¯›¸UP»õ®.
A bad man can be popular.
öPmhÁß ¤µ£»©õP»õ®.
Which excels which determines what you are in public.
Gx GøuU Ph¢ux Gߣx E»P® EßøÚU P¸xQÓx Gߣøu¨ ö£õ¸zux.
E»P® TÖÁx •iÁõÚ Esø©.
The public perception is ultimately unfailing.
EÒÍøu¯Ô¯ Fº uÁÖÁvÀø».
It is not easy to expose a man outside his own sphere.
ö\õ¢u F¸US öÁΰÀ J¸Áøµ A®£»¨£kzxÁx GÎvÀø».
The cardinal service is done by journalism.
£zv›øP uº©® £µ©Ý® ÷£õØÖÁx.
£zv›øP°ß Auº©zv¼¸¢x £µ©Ý® u¨£ •i¯õx.
uº©® uø» PõUS® & u¸© ¦zvµøµ÷¯ Ax PõUPÂÀø».
ö£ßÚm Sk®£zøu AÁº Sk®£ uº©® Põ¨£õØÔ¯x.

This pleasant encounter is the prelude to the unpleasant encounter at his proposal.
Proposal ¼À GÊ¢u P\¨ø£ C¢u CÛø©¯õÚ Eøµ¯õhÀ •ßTmi AÔÂUQÓx.
 
 
55.     “It is very ungenerous in you to mention”.
CøuU TÖÁx ö£¸¢ußø©°Àø».
Having spoken this, she does something ungenerous to him.
Cøua ö\õÀ¼¯¤ß Aøu÷¯ hõº]US ö\´QÓõÒ.
The hurt received from “tolerable” impels her to do so.
Ph¢u ö\¯ÀPÒ Psi¨£õPz ußøÚ {øÓ÷ÁØÔU öPõÒЮ.
|õ® ©ÓUP»õ®, ö\¯À ©ÓUPõx.

She does exactly the thing she wants him not to do.
AkzuÁøµz ukzx Aøu÷¯ |õ® ö\´Áx _£õÁ®.
 
 
56.     “will shock your relations to hear”.
Eß EÓÂÚºPÒ AvºÁõºPÒ.
Darcy’s behaviour will certainly shock his cousin and aunt.
hõº]°ß |hzøu ]zvUS® PºÚ¾US® Avºa] u¸®.
Vast difference in social behaviour shocks people.
£ÇUP® AvP©õP ©õÖ£mhõÀ Avºa].
Such a shock is a symptom of social stratification.
\‰P® £» {ø»PÎÀ EÒÍøu CÆÁvºa] PõmkQÓx.
Should the difference be on the positive side, it will be a surprise.
Avºa] |À»uõÚõÀ Ba\›¯®.
It takes a gentleman to cause such a pleasant surprise.
¤µ¦ A¨£i¨£mh Avºa]ø¯ HØ£kzxÁõº.
Maybe his relations here are used to such behaviour of his.
AÁß EÓÂÚºPÐUS Cx £ÇUP® ÷£õ¾®.
Maybe to them it is not a shock but a point of social pride.
Cx Avºa] uµõ©À ö£¸ø© uµ»õ®.
In fact, the colonel was not shocked by her report.
PºÚ¾US Ax Avºa] uµÂÀø».
It is not commendable in her to offer to expose Darcy.
©mh©õÚ £ÇUP® ©Ú® ¦s£k® Avºa] u¸®.
J¸Áº Smøh öÁΨ£kzvÚõÀ AÁº Smk Eh÷Ú Eøh²®.
Two things happened: 1) In a few days Darcy exposed her family, 2) In a few months she was fully exposed.
Cµsk |h¢uÚ :
1) ]» |õmPÐUSÒ hõº] AÁÒ Sk®£zøu A®£»¨£kzvÚõß.
2) ]» ©õuzvÀ Sk®£® •ÊÁx® A®£»©õ°ØÖ.

The initiative was hers. She pays for her initiative.
AÁ©õÚ¨£kzxÁx {¯õ¯©õÚõ¾®, Auß ©Ö £»ß uÁÓõx Á¸®.
£mh AÁ©õÚzøu¨ ö£õÖzxU öPõÒÁx ÁõÌÂß {¯õ¯®.
Life wants you to absorb the humiliation, not react.
AÁ©õÚ® HØP¨£h ÷Ásk®, G›a\À Qͨ£UThõx.
Her exposure was small, his exposure is great.
AÁÒ ö\´ux ]Ô¯x, AÁß ö\´ux ö£›¯x.
Life’s exposure was a disastrous calamity.
ÁõÌÄ A®£»¨£kzvÚõÀ Ax \ºÁ |õ\®.
She provokes him who is to save her from its repercussions.
¯õº AÁøÍ B£zv¼¸¢x Põ¨£õØÓ¨ ÷£õQÓõ÷Úõ AÁøÚ Bzvµ‰mkQÓõÒ.
16.      
"I am not afraid of you," said he smilingly.
"|õß EÚUS £¯¨£hÂÀø»" GßÓõß hõº] ]›zuÁõÖ.
57.     He draws her into a conversation even when he knows what was coming will not be to his taste.
58.     “I am not afraid of you”.
GÚUS EßÛh® £¯ªÀø».
He certainly is not afraid of her exposure as he is oblivious of his unpardonable, ungentlemanly behaviour.
©ßÛUP •i¯õu, ¤µ¦ÄUS¨ ö£õ¸¢uõu £ÇUPª¸¨£øu÷¯ AÁß AÔ¯ÂÀø»ö¯ß£uõÀ, A®£»¨£kzxÁøu AÁß ö£õ¸m£kzuÂÀø».
His was not fear of her, but attraction of her.
AÁøÍU Psk £¯¨£hÂÀø», AÁÒ «xÒÍ PÁºa] «x £¯®.
He certainly has nothing to be afraid of her in the wider scheme of things.
E»QÀ AÁß {ø» AÁøÍU Psk £¯¨£kÁvÀø».
This is the friendliest meeting between Darcy and Elizabeth. It is here she exposes him most.
hõº]²® G¼\ö£zx® |À»Âu©õP \¢v¨£x Cx. C[S AÁøÚ AvP©õP A®£»¨£kzxQÓõÒ.
Darcy, perhaps because he is in love, is not so close to Elizabeth as the colonel.
hõº] ¤›¯zuõÀ AÁÎh® PºÚø»¨ ÷£õÀ ö|¸[P •i¯ÂÀø».
The freedom of the colonel is because of the freedom of his emotions.
PºÚÀ ©ÚvÀ ÷ÁÖ GsnªÀ»õuuõÀ öuÎÁõP¨ ÷£\ •iQÓx.
Emotional engagement hampers a Man totally.
EÒÍ® Dk£mhõÀ, EÓÂÀ öuθUPõx.
17.      
"Pray let me hear what you have to accuse him of," cried Colonel Fitzwilliam. "I should like to know how he behaves among strangers."
"AÁß÷©À GßÚ SØÓ® \õmh¨ ÷£õQÓõ´ GÚU ÷PmP |õß BÁ¾hß C¸UQ÷Óß. •ß¤ß öu›¯õuÁºPÎh® AÁß G¨£i |h¢x öPõÒQÓõß GÚ AÔ¯ ¸®¦Q÷Óß" GßÓõº PºÚÀ ¤mìÂÀ¼¯®.
 
 
18.      
"You shall hear then -- but prepare yourself for something very dreadful. The first time of my ever seeing him in Hertfordshire, you must know, was at a ball -- and at this ball, what do you think he did? He danced only four dances! I am sorry to pain you -- but so it was. He danced only four dances, though gentlemen were scarce; and, to my certain knowledge, more than one young lady was sitting down in want of a partner. Mr. Darcy, you cannot deny the fact."
"A¨£iö¯ÛÀ ÷PmkU öPõÒÐ[PÒ&&BÚõÀ ªP ÷©õ\©õÚ ]» uPÁÀPÐUS E[PøÍ u¯õº£kzvU öPõÒÐ[PÒ. •uß •u¼À |õß AÁøÚ \¢vzux íºm÷£õºm寛À J¸ |hÚzvÀ&&A¢u |hÚzvÀ CÁß GßÚ ö\´uõß GßÖ {øÚUQÕºPÒ! |õß÷P |õßS |hÚ[PÒuõß BiÚõß! GÚUS E[PøÍ Pèh¨£kzu Á¸zu©õPzuõß EÒÍx&&BÚõÀ Axuõß Esø©. AÁß |õßS |hÚ[PÒ ©mk®uõß BiÚõß, BsP÷Í A[S SøÓÁõP C¸¢uõ¾®; GÚUSz öu›¢uÁøµ ÷\º¢x BkÁuØS xønø¯ ÷ui JßÖUS® AvP©õP¨ ö£sPÒ A[S A©º¢v¸¢uÚº. hõº] } Cøu ©ÖUP •i¯õx."
59.     She openly, but pleasantly, accuses him.
60.     At the Netherfield dance and now here, she draws him into a quarrel.
61.     She fully repays him for his ‘tolerable’.
62.     “I am sorry to pain you”.
E[PÐUS Á¸zu® uµ |õß Á¸zu¨£kQ÷Óß.
She who has caused pain will feel sorry.
Á¼ u¸£Áº Á¸zu¨£kÁõº.
Elizabeth plans to cause pain and feels sorry in advance.
Á¼ uµ •iÄ ö\´x •ß Tmi Á¸zu¨£kQÓõÒ.
Sorrow is an emotion; pain is a sensation.
Á¸zu® Enºa], Á¼ ¦»ß ö£Ö® Enºa].
Planning to cause sensational pain, she offers emotional sorrow.
¦»ÝUS Á¼ uµ •¯ßÖ Enºa]¯õÀ Á¸zu¨£kQÓõÒ.
Actually later she was sorry to have pained him now.
•iÂÀ C¢u Á¸zu® öPõkzuuØS Á¸zu¨£kQÓõÒ.
63.     “More than one young lady was sitting down in want of a partner”.
£õºmÚ›À»õ©À ö£sPÒ EmPõº¢v¸¢uõºPÒ.
Regard for women in public was great even if she had no property rights or vote.
Kmk›ø© ö\õzx›ø©°À»õÂmhõ¾® ö£õx ChzvÀ ö£sPÐUS ©›¯õøu²sk.
Women were given that social status because Mind was born in England.
C[Q»õ¢vÀ AÔÄ (Mind)öuÎÄ ö£ØÔ¸¢uuõÀ ö£sPmS \‰PzvÀ A¢uìxsk.
The progress and prosperity of Europe and England was due to the freedom given to women.
I÷µõ¨£õÄ® C[Q»õ¢x® •ß÷ÚÔ¯uØS ö£sPÒ ö£ØÓ _u¢vµ® •UQ¯ Põµn®.
Freedom to anyone is prosperity to everyone.
GÁº _u¢vµ® ö£ØÓõ¾® AøÚÁ¸US® _¥m\•sk.
©Ú® ö£Ö® _u¢vµ® ÁõÌÄ ö£Ö® _¥m\®.
The lower the person respected, the higher the nation rises.
Aiø©¨ ö£soß Bß«P _u¢vµ® Bsø©°ß ÁõÌÂß ©»ºa].
 
 
64.     “Mr. Darcy, you cannot deny the fact”.
hõº]¯õÀ Cøu ©ÖUP •i¯õx.
Perhaps she expected him to deny it lying.
ö£õ´ ö\õÀ¼ hõº] ©Ö¨£õß GÚ Gvº£õºzuõÒ ÷£õ¾®.
To her he is so low as to lie.
ö£õ´ ö\õÀ¾® AÍÄUS AÁß ©mh® GÚ {øÚUQÓõÒ.
The truth is she believed Wickham’s lies.
ÂUPõ® ö£õ´ø¯ AÁÒ |®¤¯÷u Esø©.
As Wickham himself lied, she expects Darcy to lie.
ÂUPõ® ö£õ´ ö\õßÚuõÀ, hõº]²® ö£õ´ ö\õÀÁõß GÚ Gvº£õºUQÓõÒ.
Darcy is not one capable of lying, though capable of a ruse.
÷áøÚ¨ £ØÔ¯ Âå¯zøu ©øÓzuõ¾®, hõº]¯õÀ ö£õ´ ö\õÀ» •i¯õx.
To indulge in what is possible, makes the impossible negative possible.
•i²® Gߣøu \õuP©õPU öPõshõÀ •i¯õx GßÓ £õuP® GÊQÓx.
•i²® GߣuõÀ •ÊÁx® Aݣ¨£x, •i¯õu ]µ©zøu •i²ö©ßÓõUS®.
She takes initiative to offend Darcy.
hõº]ø¯ ÷Áskö©Ú¨ ¦s£kzxQÓõÒ.
Darcy takes silent initiative to undo what offence she had done to herself.
AÁÒ uÚU÷P ö\´u £õuPzøu »UP hõº] ö©ÍÚ©õPa ö\¯À£kQÓõÒ.
He was crude but benevolent.
•µmkzuÚ©õÚõ¾® |À»x ö\´¯ •¯ÀQÓõß.
She was lively but vengeful.
AÁÒ P»P»¨£õP C¸UQÓõÒ. BÚõÀ £È Áõ[SQÓõÒ.
Vengeance is for God. Man, rightfully resorting to it will be crushed under the winepress of life.
£È Áõ[SÁx BshÁÝUS. ©Ûuß Aøu GÎuõPa ö\´QÓõß.
A¨£i ö\´uõÀ ö\UQÀ ©õmi AÈÁõß.

Ai£mhÁÝUS® £È Áõ[S® E›ø©°Àø».
usiUS® E›ø© ©ÛuÝUQÀø».
usiUP •¯ßÓõÀ ö£¸® ushøÚ Á¸®.
ushøÚø¯ HØÖ, Auß £»øÚ¨ ö£ÖÁx Phø©.
ushøÚ ÁõÌÂß AÔÄøµ.
ushøÚ ö£Ó ÂøDz® AP¢øu usiUP •ß Á¸®.

Pleasant behaviour comes from inability for vengeance.
£È Áõ[S£ÁÝUS CÛø©¯õÚ £ÇUPªÀø».
Her meeting him at Rosings is a step towards Pemberley.
÷µõê[QÀ hõº]ø¯ \¢vzux ö£®£º¼US •ß÷Úõi.
The determinant is not our choice but our urges.
|õ® ö\´Áøu Âh |® ÷|õUP® •UQ¯®.
[She chooses not to go to Hunsford. The urge to meet Darcy determines that she should go.]
[íßì÷£õºkUS Áµ ©ÖUQÓõÒ. hõº]ø¯¨ £õºUS® E¢xuÀ ÷£õPa ö\õÀQÓx.]
19.      
"I had not at that time the honour of knowing any lady in the assembly beyond my own party."
"GßÝhß Á¢uÁºPøÍz uµ, A[S Ti°¸¢uÁºPÎÀ ÷ÁÖ GÁøµ²® Aa\©¯® GÚUSz öu›¯õx. "
 
 
20.      
"True; and nobody can ever be introduced in a ball room. Well, Colonel Fitzwilliam, what do I play next? My fingers wait your orders."
"Esø©uõß; |hÚ AøÓ°À ¯õøµ²® AÔ•P¨£kzuUTh •i¯õx. \› PºÚÀ ¤mìÂÀ¼¯® Akzux |õß GßÚ Áõ]¨£x? GßÝøh¯ µÀPÒ E[PÐøh¯ EzuµÄUPõPU Põzv¸UQßÓÚ".
 
 
21.      
"Perhaps," said Darcy, "I should have judged better had I sought an introduction; but I am ill qualified to recommend myself to strangers."
"J¸÷ÁøÍ AÔ•P¨£kzua ö\õÀ¼ |õß ÷Pmi¸¢uõÀ, GÚUS CßÝ® \›¯õP ©v¨¤h •i¢v¸US®. AÔ•PªÀ»õuÁºPÎh® |õß GßøÚ÷¯ ]£õ›_ ö\´x öPõÒÁvÀ AÆÁÍÄ ]Ó¢uÁß AÀ»" GßÖ hõº] TÔÚõß.
65.     Darcy, in many words, says he is not well-bred.
66.     “I am ill qualified to recommend myself to strangers”.
¦v¯Á›h® £ÇP GßÚõÀ •i¯õx.
This ill-qualification is an implicit high qualification.
ußøÚ E¯º¢uÁß GÚ {øÚ¨£øu uÚUS •i¯õx GÚU TÖQÓõß.
To him, anyone outside his family is a stranger.
Sk®£zvØS¨ ¦Ó®£õÚÁº AÁÝUS A¢{¯º.
By strangers he means people beneath his status.
A¢{¯º Gߣx uõÌ¢uÁº GÚUöPõÒÁx.
To the aristocrat, non-aristocrats are strangers.
¤µ¦UPmS ¤µ¦ AÀ»õuÁº AøÚÁ¸® uõÌ¢uÁ÷µ.
Darcy cannot bring himself to recommend to anyone else other than his family.
E¯º Si¨ ¤Ó¢uÁß E»SUS›¯Áß, E»øP Âmk »Q¯ÁÛÀø», ¸®¤ »Q¯øu ÁõÌÄ Â¸®¤ |õha ö\´²®.
The qualification in the society is everyone comes pleasantly to one.
AøÚÁ¸® ¸®¤ |õkÁx ÁõÊ® uSv.
Darcy could recommend himself only to his family.
E»P® £õµõmk® Sk®£® E¯º¢ux. |õ÷© |®ø©¨ £õµõmiU öPõÒÁvÀø». ußøÚz uõ÷Ú £õµõmiU öPõÒÁx uØö£¸ø©. £õµõmhõPõx. CÛø©¯õÚ £ÇUP® Cu©õÚ EÓÄ.
He could not recommend himself to strangers, but he could propose marriage to one who is more than a stranger.
A¢{¯¸hß £ÇP ©õmhõß, A¢{¯›¾® A¢{¯ ö£sqUS proposal u¸QÓõß.
Even here he comes to her on his own, recommending himself.
Cv¾® AÁß AÁøÍz ÷ui Á¸QÓõß.
Man speaks what he does not believe.
{øÚÄ ÷ÁÖ, ö\¯À ÷ÁÖ.
His description condemns every gentleman.
|À»Áº AøÚÁ¸® uÁÖ GÝ® |hzøu |hzøu¯õPõx.
One who is so ill qualified should keep away from the assembly.
Having come there to keep aloof is to demonstrate one’s aloofness.
E¯º¢uÁß GߣuØS Aøh¯õÍ® E»P® AÁøÚ |õh ÷Ásk®. |õi¨ ÷£õ´ Jx[Q {Ø£ÁøÚ E»P® JxUS®.
JxUP¨£mhÁß ©Ú® ©õÔÚõÀ E¯º¢uÁøÚ²® Ph¢x E¯ºÁõß.
22.      
"Shall we ask your cousin the reason of this?" Said Elizabeth, still addressing Colonel Fitzwilliam. "Shall we ask him why a man of sense and education, and who has lived in the world, is ill qualified to recommend himself to strangers?"
"Eß \÷PõuµÛh÷© CuØPõÚ Põµnzøu |õ® ÷PmP»õ©õ? £SzuÔÄ®, PÀ¯ÔÄ® EÒÍ J¸Áß, CÆÄ»QÀ ÁõÌ¢u J¸Áß, Hß •ß¤ß AÔ¯õuÁºPÎh® ußøÚ £›¢xøµUP uSv°À»õ©À C¸UQÓõß GßÖ |õ® ÷PmP»õ©õ?" GßÖ G¼\ö£z PºÚÀ ¤mìÂÀ¼¯ø©¨ £õºzxU ÷PmkU öPõsi¸¢uõÒ.
67.     She pointedly tells him he is not sensible, not well educated.
68.     “Shall we ask your cousin the reason of this?”
hõº]ø¯ CuØS›¯ Põµn® GßÚ GÚU ÷PmP»õ©õ?
Elizabeth acquires an upper hand for an English girl of that time.
A¢u Põ»zvÀ J¸ B[Q»¨ ö£sqUS ©Ûuß ¤i£k® {ø»ø¯ G¼\ö£z ö£ÖQÓõÒ.
It is taken as liveliness, though it has a tinge of impertinence.
Ax xkUPõÚ {ø», P»P»¨£õPU öPõÒÁõºPÒ.
She does feel superior to him in her personality.
AÁøÚ Âh E¯º¢u _£õÁ® GÚ AÁÒ ußøÚ¨ ¦›¢x öPõÒQÓõÒ.
Sri Aurobindo says all great men know they are great.
ö£›¯ ©Ûuß ußøÚ AÔÁõß GÚ £PÁõß TÖQÓõº.
At our own level Man knows if he has a marked superiority in any aspect.
|õ•ÒÍ {ø»°À G¢u A®\zvÀ uÚUS ]Ó¨¤¸¢uõ¾® ©Ûuß AÔÁõß.
She very quickly proves the defect is in him, not in others.
SøÓ AÁÛh®, ¤Ó›¼Àø», GÚ Eh÷Ú PõmkQÓõÒ.
The most effective way of offending a man is to make him see his own defects.
AÁß SøÓø¯ AÁøÚ AÔ¯a ö\´Áx ¤Óøµ {a\¯©õP¨ ¦s£kzx®.
GÁº SøÓø¯ AÁº AÔ¯ EuÂÚõ¾® AÁº öáß© Â÷µõv¯õQ ÂkÁõº.
Knowledge does not stop knowing and it is not conducive to human relationship.
AÔÄUS •iÂÀø». Ax |õ®AÔÁøu ¸®£ÂÀø».
The pleasant colonel is a shock absorbing buffer between Elizabeth and Darcy.
hõº]US® G¼\ö£zvØS® Cøh÷¯ GÀ»õ Avºa]PøͲ® uõ[SÁx CÛø©¯õÚ PºÚÀ.
Without him in the middle it would have become a confrontation as at the Netherfield dance.
|kÂÀ AÁº CÀ»õÂmhõÀ ö|uº¥Àm ÷£õ» \søh GÊ®.
The colonel represents the gentlemanly atmosphere of the aristocratic Rosings.
Ch® `m_©•øh¯x. ©Ûuß Auß ]Ó¨ø£ ©ÖUP •i¯õx.
The women seek a relationship that is power.
E›ø© uÁÖÁx EÓÄ. G¼\ö£z v¸©n©õS•ß E›ø©ø¯z uõ÷Ú GkzxU öPõÒQÓõÒ.
23.      
"I can answer your question," said Fitzwilliam, "without applying to him. It is because he will not give himself the trouble."
"AÁøÚU ÷PmPõ©÷»÷¯ GÚUS CuØS £v»ÎUP •i²®. HöÚÛÀ AÁß ußøÚzuõ÷Ú Á¸zvU öPõÒÍ ©õmhõß" GßÖ ¤mìÂÀ¼¯® £v»Îzuõº.
69.     The Colonel calls Darcy supercilious.
70.     “Because he will not give himself the trouble”.
AÁº A®•¯Ø]ø¯ GkUP ©õmhõº.
No one can stop learning if he is not to be dropped from the society.
Fº JxUS® GÛÀ ©Ûuß öuõhº¢x AÔ¯ •¯ÀÁõß.
Those who think they have all refuse to learn.
G¢u ÂÍUSUS® ysk÷PõÀ ÷Ásk®.
Maintenance is as important as the original making.
¤Ó¨¦ ÷£õÀ Áͺ¨¦® •UQ¯®.
People like Darcy will not learn until the society rejects them.
hõº]ø¯¨ ÷£õßÓÁº Fº JxUPõÂmhõÀ Gøu²® AÔ¯ ©õmhõº.
Wickham is pleasant and agreeable as he will not be admitted into any society without that exterior.
C¢u CÛ¯ £ÇUPªÀ»õÂmhõÀ, ÂUPõø© GÁ¸® ÷\ºUP ©õmhõº. £ÇUP® \‰P® Pmhõ¯¨£kzxÁx. £s¦ uõ÷Ú Â¸®¤ •¯ßÖ ö£ÖÁx. ö£›¯ Sk®£® ¤ÒøÍPmS¨ £sø£ C¯À£õPz u¸QÓx. £n® EÒÍ ö£õÊx ©Ú® £sø£ |õhõx.
PØÖU öPõÒÁx SøÓÄ uõ÷Ú ö£ØÖU öPõÒÁx ö£›x.

One acquires culture only when he values it for its own sake.
£s¤ß ö£¸ø©ø¯ AÔ¢uÁ÷µ £sø£¨ ö£Ó •i²®.
Culture blunts the brute inside us.
EÒ÷ͲÒÍ ª¸P® £s£õÀ Pmk¨£k®.
The gentleman is not born overnight.
¤µ¦ÁõP J¸ |õÒ ©õÓ •i¯õx.
Wealth is acquired sooner than culture.
£sø£ Âh £n® ö£ÖÁx GÎx.
One cannot be trained in culture as in a skill.
vÓø© Á¸Áx ÷£õÀ £s¦ Áõµõx.
Culture is the skill of spiritual values.
Bß«P¨ £s¤ß vÓß £s¦.
It forms in the crucible of life.
ÁõÌÁõÀ Aøu¨ ¦h® ÷£õmk¨ ö£Ó ÷Ásk®.
Abundant prosperity is an absolute necessity to acquire culture.
ö\ÀÁa ö\Ȩ¤ßÔ £s¦ ÷\µõx.
The presence of the colonel sets Darcy off.
PºÚ»õÀ hõº]ø¯ |ßÓõP |õ® AÔ¯»õ®.
24.      
"I certainly have not the talent which some people possess," said Darcy, "of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done."
"•ß¤ß £õºzvµõu ©ÛuºPÐhß ]» ÷£¸US C¸¨£øu¨÷£õÀ, \µÍ©õP¨ ÷£_® vÓø©, {a\¯® GßÛh® CÀø». |õß AÁºPøͨ÷£õÀ ÷£\Ä® •i¯õx AÀ»x AÁºPÐøh¯ ÂÁPõµ[PÎÀ AUPøÓ C¸¨£x÷£õÀ Põs¤zxU öPõÒÍÄ® •i¯õx. Cøuzuõß GÀ÷»õ¸® AiUPi ö\´Áøu |õß £õºUQ÷Óß" GßÖ hõº] TÔÚõß.
71.     “I certainly have not the talent which some people possess”.
£»º ÷£õ» GÚUS AzvÓø©°Àø»
It is a sincere confession.
EÒÍ£i AÁß uß SøÓø¯ HØQÓõß.
Sincerity is welcome but even sincerity cannot pardon the sin.
Esø© (sincerity) |À»x. AxÄ® £õÁzøu AÈUPõx.
Talent is the saturation of a skill with the energy of the capacity.
vÓø© ö£¸¢vÓø©¯õQ J¸ vÓø©ø¯ Ax E¯ºzx®.
To talk to strangers with ease is certainly a talent.
¦v¯Á›h® \µÍ©õP¨ ÷£_Áx Kº vÓø©.
Those who are shy are incapable of it.
öÁmP¨£k£Á¸US Cx CÀø».
Pride will prevent people from discoursing freely.
¤Ó›h® ÷£\ ö£¸ø© SÖUQk®.
Even when one is inclined, lack of habit will stand in the way.
÷£\ •¯ßÓõ¾® ö£¸ø© £ÇUPªÀ»õ©À ö\´¯ •i¯õx.
One who feels instinctively happy in another’s presence can easily do it.
¤Óøµ \¢vUP¨ ¤›¯¨£k£ÁºUS Ax GÎx.
One needs a fund of social information to keep it up.
•P® ©»¸® Sn® £»¸hÝ® CÛø©¯õP¨ £ÇS®.
Social accomplishment largely depends on this talent.
\‰PzvÀ \õvUP Cx AÁ]¯©õÚ vÓø©.
Wickham was able to ruin Darcy as he is a direct psychological complement to Darcy.
ÂUPõ® hõº]US ©Ö¦Ó® GߣuõÀ hõº]ø¯ AÁÚõÀ AÈUP •i¢ux.
Life compels Darcy to acquire the captivating softness of Wickham.
ÂUPõ® ÷£õÀ PÁºa]¯õÚ ª¸xÁõÚ £ÇUP® ö£Ó hõº]ø¯ ÁõÌUøP Pmhõ¯¨£kzxQÓx.
Life compels Darcy to acquire voluntarily what Wickham acquired out of a necessity of poverty.
ÂUPõ® HÌø©¯õÀ Á¾UPmhõ¯©õP¨ ö£ØÓøu hõº] ¸®¤¨ ö£Ó ÷Ásk®.
To the end Wickham is able to remain in touch with Darcy because Darcy needs to acquire those qualities.
|©USz ÷uøÁ°¸¨£x |®ø© Âmk AP»õx.
Bø\¨£mh ö|g\® Bø\ø¯ ©Ó¢uÔ¯õx.
Bø\ FÔ¯ ö|g]À Aßø£ HØS® £õ[QÀø».

Love cannot be born in the heart that is charmed by falsehood.
ö£õ´°ß PÁºa] ö|g\zøu Aߦ FÖÁvÛßÖ ukUS®.
To enter freely into conversation, one must at least respect the other, if not love.
Eøµ¯õh¾US AkzuÁøµ ©vUP ÷Ásk®, •i¢uõÀ ÷|]UP ÷Ásk®.
 
 
72.     “catch their tone of conversation”.
Eøµ¯õhÀ öuõÛø¯ Enµ
Without genuine interest in the other, the tone of conversation will elude.
AkzuÁº «x Esø©¯õÚ |m¤À»õ©À ÷£a]ß öuõÛ ¤i£hõx.
Sµ¼ß |¯® ©ÚzøuU S¯a ö\´²®.
To take interest in their affairs is social self-giving.
¤Óº Âå¯zøu {øÚÄ£kzv¨÷£\ Aº¨£n® \‰PzvØS›¯uõP C¸UP ÷Ásk®.
Social skill is the ability to express the gregarious instinct.
©ÛuøµU PshõÀ GÊ® ¤›¯® ©ÛuÚõS® uSv u¸®.
Conversation is an intercourse of each appreciating the other.
J¸Áøµ J¸Áº EnºÁõÀ E¯ºÁõPU P¸xÁx Eøµ¯õhÀ.
It is not the ear that catches the tone of conversation.
÷Pm£x PõvÀø», ©Ú® En¸® ¤›¯® ö\õÀ¼ß |¯zøu HØQÓx.
But it is the outgoing interest of the mind.
Ax ©Úzvß öÁΨ£k® Bø\.
Social existence, that too a successful pleasant existence to be beneficial, one must have a sense of society.
\‰PzvÀ ÁõÇ, AøÚÁ¸US® £¯ß£k®£i ÁõÇ, \‰Pzøu EnºÁõÀ HØÖ¨ ÷£õØÓ ÷Ásk®.
Society will eject him who does not really care for it.
\‰Pzøu HØPõuÁøÚ \‰P® HØPõx.
The language of social intercourse is pleasant expansiveness.
\‰P Eøµ¯õhÀ J¸Áº AkzuÁ¸hß P»¢xnºÁx.
Darcy is concentrated in himself.
hõº] ußøÚ÷¯ {øÚzxU öPõsi¸UQÓõß.
The colonel is spread all over and enters into anybody.
EÒÍzøu Fk¸ÄÁx F¸hß EÓÁõkÁx.
The other man’s point of view is supramental.
¤Óøµ AÔÁx ¤µ£g\zøu AÔÁx.
Diffusion of energy dissolves differences.
\Uv öÁΨ£mk¨ £µÂÚõÀ P¸zx ÷ÁØÖø© Pøµ²®.
People gravitate towards him who loves to interact.
£ÇP ¨ ¤›¯¨£k£Á›h® £»¸® Âøµ¢x ¸®¤ Á¸Áº.
¤›¯® Gߣx EnºÂÀ GÊ® BÚ¢u®.
¤›¯® ¤›¯ AÝ©vUPõx.
It is a wonder Lady Catherine allowed this much conversation between Darcy and Elizabeth.
hõº]°ß PõuÀ ÷»i PõuŸß PsoÀ £mk® u¨¤zux A§ºÁ®.
25.      
"My fingers," said Elizabeth, "do not move over this instrument in the masterly manner which I see so many women's do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault -- because I would not take the trouble of practising. It is not that I do not believe my fingers as capable as any other woman's of superior execution."
"{øÓ¯ ö£s©oPÒ |ßÓõP Áõ]¨£øu¨ £õºzv¸UQ÷Óß, GßÝøh¯ µÀPÒ C¢u ¤¯õ÷ÚõÂß÷©À AÆÁÍÄ vÓø©¯õP |Pµ©õm÷hß GßQÓx. AÁºPÐøh¯x÷£õÀ AÆÁÍÄ Á¼ø©²®, ÷ÁP•® CÀø». Aøu¨÷£õßÓ |¯zøu²® öPõsk Áµ •iÁvÀø». |õß £°Ø] ö\´¯ •¯Ø] Gk¨£vÀø», AuÚõÀ Cx GßÝøh¯ uÁÖ Gß÷Ó GsqQ÷Óß. AvP vÓø© Áõ´¢u ö£s©oPÎß Áõ]¨ø£¨÷£õÀ |õÝ® Áõ]UP •i¯õx GÚ |õß {øÚUPÂÀø»."
 
73.     She mounts the offensive by destroying his own defence.
uÚUS¨ ¦x ©Ûu›h® ÷£\ Áµõx GÚ hõº] HØÖU öPõsh ¤ßÝ® AÁÒ AÁøÚ ÂkÁuõP CÀø».
26.      
Darcy smiled and said, "You are perfectly right. You have employed your time much better. No one admitted to the privilege of hearing you can think anything wanting. We neither of us perform to strangers."
"} TÖÁx ªP \›" GßÖ ]›zuÁõ÷Ó TÔ¯ hõº], "} Eß ÷|µzøu CßÚ•® ]Ó¢u •øÓ°À £¯ß£kzv°¸UQÓõ´. } Áõ]¨£øuU ÷PmS® £õUQ¯® EÒÍÁºPÒ AvÀ G¢u SøÓ²® EÒÍuõP {øÚUP ©õmhõºPÒ. |õ® C¸Á¸÷© A¢{¯ºPÐUS GxÄ® ö\´x Põs¤UP ©õm÷hõ®."
74.     He is not offended by her affronts.
75.     Still, he finds it possible to praise her.
76.     In his disqualification, he takes her in.
77.     Darcy in defending himself includes her in his type.
£vÀ TÖ®ö£õÊx G¼éö£zx® uõÝ® J÷µ ÁøP¯õÚÁº GÚ hõº] TÖQÓõß.  
78.     “you are perfectly right”.
} ö\õÀÁx •ÊÁx® \›.
It is a lover’s commendation, not a value judgement.
AÁÒ Áõ°¼¸¢x GÊÁx AøÚzx® \›.
He gives an explanation to her statement as to how she employed her time.
AÁÒ TØøÓ AÁß AÝ£Á©õP ÂÍUSQÓõß.
Courtship is a period when the lover strains to discover the truth of what she says or does.
v¸©nzvØS •ß AÁÒ ö\õÀ¾US® ö\¯¾US® Aºzu® PؤUP AÁß •øÚQÓõß.
Without that attitude, courtship will have no energy.
C¢u ÷|õUPªÀ»õÂmhõÀ ö£sønz öuõhµ •i¯õx.
Energy comes from the enthusiasm of the attitude.
÷|õUP® u¸® EØ\õP÷© öu®¦.
It is not adoration if there is no ready approval in him of her chastisement.
AÁÒ Psi¨£øu Eh÷Ú HØPõÂmhõÀ, Aߦ {øÓ £õµõmk GÇõx.
That is what he expects anyone else to know of her.
A¨£i÷¯ AøÚÁ¸® AÁøÍ HØP ÷Ásk® GÚ AÁß {øÚUQÓõß.
He feels it a privilege to be admitted to know her.
AÁøÍ A¨£i J¸Áº ¦›¢x öPõÒÁx £õUQ¯® GÚ AÁß {øÚUQÓõß.
In his eyes she wants nothing.
He joins her in her disqualification.
AÁÎh® SøÓ÷¯xªÀø» GÚ {øÚUQÓõß. AÁÐøh¯ SøÓø¯ AÁß Cu©õP HØQÓõß.
There is an endeavour to express tenderness.
ö©ßø©²® CÛø©²® Põu¾nºÂß P¸zx.
She is not merely right, but perfectly right.
AÁÒ \› Gߣx ©mk©À», •ÊÁx® \›.
To see perfection even in her faults is given to a lover.
AÁÒ SøÓ°À {øÓø¯U Põs£x ¤›¯®.
Darcy is not merely attracted to her. He is dedicated to her.
hõº]US PÁºa] ©mkªÀø», AÁøÍ Aߦzöu´Á©õP HØQÓõß. PÁºa] Põu»õPõx. AÁÒ AߣõÀ AÁß BmöPõÒͨ£mhx AÁß ö\õØPÎÀ öu›QÓx.
His is no love that can be disillusioned later.
AÁß PÁºa] ©õÖ® ©õø¯°Àø».
Rather his love is one that can increase with time.
Põ»® P¸zøu EnºÁõUS® PõuÀ AÁÝøh¯x.
hõº]°ß PõuÀ P¸zöuõ¸ªzuvÀø». P¸zx wµ©õP ÷ÁÖ£mhx.
27.      
Here they were interrupted by Lady Catherine, who called out to know what they were talking of. Elizabeth immediately began playing again. Lady Catherine approached, and, after listening for a few minutes, said to Darcy–
A¨ö£õÊx ÷»i Põu›ß AÁºPøÍ SÖUQmk GßÚ ÷£_QÓõºPÒ GÚ ÂÚÂÚõÒ. G¼\ö£z Eh÷Ú «sk® Áõ]UP Bµ®¤zuõÒ. ÷»i Põu›ß A¸QÀ Á¢x ]» {ªh[PÒ AÁÒ Áõ]¨£øuU ÷Pmh¤ß hõº]°h®,
79.     Lady Catherine is jealous about Darcy.
80.     Elizabeth is more than satisfied that there is no Darcy in the direction of Anne.
81.     Lady Catherine, had she been watchful, could have seen Darcy’s interest in Elizabeth.
82.     Again, Lady Catherine interferes.
÷»i PõuŸÝUS GÁ¸® ußøÚz uµ ©ØÓÁøµU PÁÛUPU Thõx.
83.     “Here they were interrupted by Lady Catherine”.
 C¨ö£õÊx ÷»i PõuŸß SÖUQmhõº.
Life interrupts when the conversation enters impermissible intensities.
\mhzøu «Ô ©Ú® ö|¸[QÚõÀ, ÁõÌUøP SÖUQk®.
Darcy’s interruption of the music was followed by the Lady’s interruption – an act of repetition.
£õkÁøu hõº] SÖUQmhuõÀ, ÷£_Áøu ÷»i PõuŸß SÖUQkQÓõÒ & v¸®£ Á¸QÓx.
Elizabeth does not want any further scope to tease Darcy.
hõº]ø¯ ÷P¼ ö\´Áøu CuØS ÷©À Gkzxa ö\À» G¼\ö£z ¸®£ÂÀø».
Darcy himself would welcome a termination of Elizabeth’s taunting.
G¼\ö£z \ÁõÀ {ßÓõÀ ÷£õx® Gߣx hõº] {ø».
Darcy has exhausted his energies to reply her.
AÁÐUS ÷©¾® £vÀ ö\õÀ» AÁÝUSz öu®¤Àø».
Rosings does not permit more than one conclave.
÷µõê[êÀ J¸Áº Bm] ©mk® |hUS®. PõµnªÀ»õ©À Põ›¯® |hUPõx. Põµn® Gߣx |®ªh® EØ£zv¯õÁx.
We can analyse this meeting as a subconscious prelude to the proposal.
|õ® EØ£zv ö\´¯õux |©US Áõµõx.
A¸Ò Á¸®ö£õÊx ]Ô¯x AȲ® ö£›¯x Á͸®.
BÌ ©Ú® AÔÁøu ©Ûuß ¤Ó›À PõsQÓõß.

When principles meet the wider absorbs the smaller.
ö£›¯ uzxÁ® ]Ô¯ uzxÁzøu ÂÊ[S®
The wider principle moves around absorbing the smaller ones.
ö£›¯ uzxÁ® ]Ô¯ uzxÁ[PøÍ «Ô Á͸®.
Aristocracy invites equality to destroy it.
÷|µ® Á¢uö£õÊx ö£›¯x ußøÚ AÈUPa ]Ô¯øu AøÇUS®.
¦µm] ©»ºa]¯õS® ÷|µ® ]Ô¯x ö£›¯uõS® ö£›¯x AȲ®.
]Ô¯x® ö£›¯x® ÷\º¢x ¦v¯x ©»¸®. ¦µm] AÈUS® ©»ºa] ©nUS®. ö\ÀÁ® ]Ó¨¤ß AìvÁõµ®.
28.      
"Miss Bennet would not play at all amiss if she practised more, and could have the advantage of a London master. She has a very good notion of fingering, though her taste is not equal to Anne's. Anne would have been a delightful performer, had her health allowed her to learn."
ªì. ö£ßÚm CßÝ® AvP £°Ø] ö\´x, J¸ »shß B]›¯›h® PØÖU öPõshõÀ, Áõ]¨£vÀ G¢u uÁÖ® C¸UPõx. AÁÒ ÂµÀ Aø\ÄPÒ vÓø©¯õP C¸¢uõ¾®, Bß AÍÂØS AÆÁÍÄ µ\øÚ CÀø». BßÝøh¯ EhÀ {ø» ©mk® AÁøÍ PØÖU öPõÒÍ AÝ©vzv¸¢uõÀ, AÁÒ J¸ ]Ó¢u Cø\U Pø»bº BQ°¸¨£õÒ."
84.     She constantly sings the praise of her daughter, a praise that would be her due had she learnt music.
uß ©PÒ £õmk PØÖU öPõsi¸¢uõÀ AøÚÁøµ²® ªg_ÁõÒ GÚ «sk® TÖQÓõÒ.
85.     Physical people dream of achieving by speaking.
÷£]÷¯ öá°UP»õ® Gߣx ©hø©°ß ²Uv.
86.     “Miss Bennet would not play at all amiss if she practiced more, and could have the advantage of a London Master”.
£õmk Áõzv¯õ›¸¢uõÀ ªì ö£ßÚm |ßÓõP Áõ]¨£õÒ.
To recognise another’s talent is generosity of high order.
¤Óº vÓø©ø¯¨ £õµõmkÁx ö£¸¢ußø©°ß Ea\Pmh®.
Everyone is generous, only that we see it as other traits.
GÀ÷»õ¸US® ö£¸¢ußø©²sk.
©ØÓ u¸n[Pøͨ ÷£õÀ Aøu²® PõsQ÷Óõ®.

What we see as miserliness is generosity inverted.
P¸ªzuÚ® ö£¸¢ußø©°ß ©Ö¦Ó®.
Lady Catherine recognises the potentials of Elizabeth’s talents.
÷»i PõuŸß G¼\ö£zvß vÓø©ø¯ HØQÓõÒ.
Recognising one’s capacities, those capacities will dominate you.
GÁº vÓø©ø¯ HØÓõ¾® Ax |®ø© BЮ.
Recognition or refusal to recognise is a relationship.
HØ£x® ©Ö¨£x® EÓÄ.
Relationships work or reveal according to their rules.
]» \mh[PÒö\¯À£k® AÀ»x u®ø© öÁΨ£kzx®.
Some of these rules are
        1) Energy flows from strength to weakness.
           Á¼ø©°¸¢x öu®¦ GÎø©US¨ ÷£õS®.
        2) Energy in such a flow tries to organise itself into skill.
           A¨£i¨ ÷£õS® öu®¦ vÓø©¯õS®.
        3) Relationships are attractions of Being of the Non Being.
            EÒÍx® CÀ»õux® JßøÓö¯õßÖ |õkÁx EÓÄ.
        4) They conflict, compromise or contradict.
            EÓÄ Gvºzx, •µs£mk¨ ÷£õµõk®.
        5) All of them are various levels of harmony.
           CøÁ _•Pzvß {ø»PÒ.     
        6) Energy flows from all directions to one point and flows out of that point in all directions. We see one direction of the flow.
           GÀ»õz vø\PÎÛßÖ® GÚºâ J¸ ChzvØS¨ ÷£õ´ A[Q¸¢x GÀ»õ Ch[PmS® ÷£õS®. |©USz öu›Áx JßÖ.
It is Mr. Bennet who sought Mrs. Bennet.
ö£ßÚm uõß ©øÚÂø¯ |õiÚõº.
Examine it from Being seeking Non-Being.
EÒÍx CÀ»õuøuz ÷ukÁuõP AøuU P¸x÷Áõ®.
Being accomplishes by construction.
EÒÍx BUP»õÀ \õvUS®.
Non-Being accomplishes by dissolution.
CÀ»õux AÈzx \õvUS®.
Lady Catherine, Darcy, Mrs. Bennet are various versions of the Non-Being moving towards Being for the purposes of making the Being accomplish evolutionarily at the fullest level.
÷»i PõuŸß, hõº], Mrs. ö£ßÚm BQ¯Áº CÀ»õux EÒÍøu |õkÁuõS®. EÒÍx Ea\ PmhzvÀ \õvUP AÁºPÒ EuÄQÓõºPÒ.
Can we concede or conceive that Mrs. Bennet ‘arranged’ for Darcy to marry Elizabeth by her subconscious urge of invisible reversal?
hõº] G¼\ö£zøu ©nUP AÁÒ uõ¯õº BÌ©Ú ©õÖu»õÀ •¯ÀQÓõÒ GÚU TÓ»õ®.
29.      
Elizabeth looked at Darcy to see how cordially he assented to his cousin's praise; but neither at that moment nor at any other could she discern any symptom of love; and from the whole of his behaviour to Miss De Bourgh she derived this comfort for Miss Bingley, that he might have been just as likely to marry her, had she been his relation.
hõº] G¢u AÍÂØS j £ºQÝøh¯ ¦PøÇU ÷Pmk ©Ú¨§ºÁ©õP Aøu B÷©õvzuõß Gߣøu AÔ¯ G¼\ö£z AÁøÚ¨ £õºzuõÒ. BÚõÀ A¢u \©¯zvÀ ©mk©À»õx Ga\©¯zv¾® Põu¾UPõÚ G¢u Aøh¯õÍ•® AÁÛh®, AÁÐUSz öu›¯ÂÀø». ªì. ¤[Q¼ ©mk® AÁÝøh¯ EÓÂÚÍõP C¸¢v¸¢uõÀ; AÁøÍ v¸©n® ö\´x öPõÒÍ C÷u AÍÄ Áõ´¨¦ C¸¢v¸US® GßÖ AÁß ªì. j £ºU&Ch® |h¢x öPõsh Âuzv¼¸¢x ¦›¢x öPõshõÒ.
87.     “Elizabeth looked at Darcy to see how cordially he assented”.
GÆÁÍÄ £USÁ©õP HØQÓõß GÚ hõº]ø¯ {ªº¢x £õºzuõÒ.
She looks to find his response to Anne.
BøÚ G¨£i µ]UQÓõß GÚ¨ £õºzuõÒ.
This is an innocent or innocuous look.
PÒÍ® P£h©ØÓ £õºøÁ¯x GÚ AÔ¢uõÒ.
Darcy’s look, on the other hand, aims at identifying with her.
AuØS ©õÓõP hõº] AÁÐhß IUQ¯©õS® £õºøÁ²øh¯ÁÒ.
Mrs. Gardiner looked at Elizabeth to know her interest in Wickham.
ÂUPõ® «x AÁÐUSÒÍ Bø\ø¯ PõºiÚº AÁÎÀ PshõÒ.
Collins may be looking anywhere but his look is focused on himself inside.
Põ¼ßì £õºøÁ G[Q¸¢uõ¾® ©Ú® hõº] «v¸¢ux.
At Longbourn Lady Catherine looked down on Elizabeth to overpower her by her own personality.
»õ[£õºÛÀ uß £õºøÁ¯õÀ G¼\ö£zøu ÷»i PõuŸß BÍ •¯ßÓõÒ.
Jane’s look never expressed her participation in Bingley’s feelings.
¤[¼°ß Bø\ø¯ HØ£uõP ÷áß £õºøÁ Põmi¯vÀø».
Darcy’s averted look from Elizabeth gave her to Wickham.
hõº] G¼\ö£zøu Âmk AP» •¯ßÓx ÂUPõ•US Ch® öPõkzux.
Look can express all that one is.
£õºøÁ AøÚzøu²® öÁΰk®.
Collins at Longbourn ‘looked’ at no one and spoke to Elizabeth as if he has seen nothing there.
Põ¼ßì »õ[£õºÛÀ G¼\ö£z uµ Gøu²® PõnÂÀø».
A look can be devouring.
£õºøÁ ÂÊ[S®.
Critics say Pride and Prejudice is a novel of looks.
©º\Ú® ö\´£Áº Pride and Prejudice £õºøÁ©¯©õÚ Pøu GßQÓÚº.
Elizabeth fixed Darcy’s look on her at Pemberley.
ö£®£º¼°À G¼\ö£z hõº]°ß £õºøÁø¯ (£h®) uß «x £vzuõÒ.
The whole story can be reviewed from the various looks.
Pøu •ÊÁøu²® £õºøÁ¯õÀ ©º\Ú® ö\´¯»õ®.
It is the author’s inlook that produces the story.
B]›¯º ©Ú¨£õºøÁ Pøu.
The evil eye is after all one look by such a person.
PsnõÖ Gߣx J¸ £õºøÁ.
Caroline’s look at Elizabeth made Lydia run away.
Põµ¼ß £õºøÁ ¼i¯õøÁ Kha ö\´ux.
Enºa]ø¯ öÁΨ£kzx® EÖ¨¦ Ps ©mk÷©.
P¸zøu²® öu›ÂUS® Ps £õºøÁ.
PsoÀ £hÂÀø»ö¯ß£x ©ÚzvÀ £hÂÀø» GߣuõS®.
In a crowd the look of the lover first catches the love.
TmhzvÀ Põu»ß £õºøÁ Põu¼ ÷©À Eh÷Ú £k®.
The eyes are more eloquent than the tongue.
EåõµõÚÁºUS Eh®ö£À»õ® Ps.
At Lambton Elizabeth in half an hour was able to see Bingley had no regard for Georgiana.
»õ®¨hÛÀ Aøµ ©o°À ¤[¼US áõºâ¯õÚõ «x A¤¨¤µõ¯ªÀø» GÚ G¼\ö£z AÔ¢uõÒ.
 
 
88.     “could not discern any symptom of love”.
Bß «x £ØÖÒÍ AÔSÔ Gøu²® AÁÒ hõº]°h® PõnÂÀø».
It is not love that does not show itself in symptoms.
AÔSÔPÍõP öÁΨ£hõu Aߦ AߤÀø».
Love whose symptoms are suppressed is unmitigated passion.
Aß¤ß AÔSÔPøÍ ©øÓzuõÀ Ax wµ©õÚ £õ\©õS®.
It is more than a girl’s interest to know of Darcy’s love for Anne.
hõº]US Bß «xÒÍ AUPøµø¯ AÔ²® BÁÀ ö£õxÁõÚx ©mk©À».
It is her own subconscious interest in him.
©Úzvß BÇzvÀ AÁÐUS AÁß «xÒÍ £ØÖ Ax.
Symptoms of love can be sensed by interested persons.
Aߤ¸¢uõÀ AxÄ® PõuÀ ÷ÁP©õÚuõÚõÀ, AÔ¯ •¯À£Á¸US öu›²®.
Lady Catherine keeps the theme of Anne’s marriage uppermost in her consciousness and thus in the atmosphere so that it goes out of every other mind.
÷»i PõuŸß ©Ú® Bß v¸©nzuõÀ {µ®¤, `Çø» BmöPõÒÁuõÀ ©ØÓÁº ©Úzøu Âmk Ax APÀQÓx.
A marriage, apart from being so many essential things is a movement of energy. We see no energy except that of Lady Catherine.
v¸©n® £» A®\[PÍõ»õÚx. •UQ¯©õP Ax |hUP \Uv ÷uøÁ.
÷»i PõuŸß uµ ÷ÁÖ GÁº ©Úzv¾® Ax CÀø».

The novel does not give us one clue about Anne’s interests.
BøÚ¨ £ØÔ Pøu |©US Gøu²® TÓÂÀø».
Nor is it mentioned directly or indirectly by the colonel.
PºÚÀ Aøu ÷|µi¯õP÷Áõ ©øÓ•P©õP÷Áõ SÔ¨¤hÂÀø».
Except Wickham, no one in the story ever mentioned it.
ÂUPõø©z uµ ÷ÁÖ GÁ¸® Aøu¨ £ØÔ¨ ÷£\ÂÀø».
A thing not mentioned at all by persons or events is no wonder, non-existent.
GÁ¸® ÷£\õux, GxÄ® SÔ¨¤hõux, E°º ö£Óõux Ba\›¯ªÀø».
The excessive arrogance of Lady Catherine seems to have fully neutralised the value of her wealth for purposes of an alliance.
÷»i PõuŸÝøh¯ AÍÄ Ph¢u PºÁ® v¸©nzøu¨ ö£õ¸zuÁøµ AÁº ö\õzvØS ©v¨¤À»õ©À ö\´x Âmhx.
As Wickham is a dying or a dead star, the very mention of Anne’s name by him removed her from the active scene of the novel.
ÂUPõ® ©øÓ²® `›¯ß. AÁß BøÚ¨£ØÔ¨ ÷£]¯uõ÷»÷¯ Bß ãÁøÚ CÇUQÓõÒ.
Lady Catherine’s life came into existence in the story only to enable Darcy to meet Elizabeth.
hõº]²® G¼\ö£zx® \¢vUP ÷»i PõuŸß Pøu°À Á¸QÓõÒ.
One thing Lady Catherine serves. She provides us a full background to the arrogance, conceit, meanness and selfishness of Darcy.
P¯ø©, PºÁ®, vªº, CÖ©õ¨¦, _¯|»® hõº]°ß ¤ßÚo°¼¸¨£øu öuÎÄ£kzu ÷»i PõuŸß £¯ß£kQÓõÒ.
30.      
Lady Catherine continued her remarks on Elizabeth's performance, mixing with them many instructions on execution and taste. Elizabeth received them with all the forbearance of civility, and, at the request of the gentlemen, remained at the instrument till her ladyship's carriage was ready to take them all home.
G¼\ö£zvß Áõ]¨ø£ ©›\Ú® ö\´u Ásn® C¸¢u ÷»i Põu›ß GÆÁõÖ ÷|ºzv¯õP Áõ]¨£x, µ\øÚ²hß Áõ]¨£x Gߣx £ØÔ¯ SÔ¨¦PÒ öPõkzxU öPõsi¸¢uõÒ. ©›¯õøuU Põµn©õP AøÁPøÍ G¼\ö£z ö£õÖø©²hß HØÖU öPõshõÒ. AÆÁ®ø©¯õ›ß Ási, AÁºPøÍ ÃmiØS AøÇzxa ö\À» u¯õµõP Á¸®Áøµ BhÁºPÎß ÷Ásku¾US Cn[Q ¤¯õ÷ÚõÂÀ Áõ]zxU öPõsi¸¢uõÒ.
89.     Lady Catherine gives enough occasions to Elizabeth to practice self-restraint. This is the preparation for her to receive her onslaught later.
÷»i PõuŸÝøh¯ ö£¸® uõUSuø»z uõ[P •ßTmi G¼éö£z AÝ£Á¨£kQÓõÒ.
90.     “forbearance of civility”.
©›¯õøuUS›¯ ö£õÖø©
Politeness is personal, civility is social.
©ÚzvØS›¯ ©›¯õøu ÷ÁÖ, £ÇUPzvØS›¯x ÷ÁÖ.
Patience is individual, forbearance is patience of another.
ö£õÖø© |®ø©¨ ö£õ¸zux, ¤Ó¸UPõP ö£õÖzxU öPõÒÁx ÷ÁÖ.
A company that calls for forbearance is no company.
ö£õÖzxU öPõsk £ÇSÁx £ÇUP©À».
You do not invite people to your house to practise forbearance.
ö£õÖø©ø¯ Pøh¨¤iUP ¸¢øu ÁµÁøǨ£vÀø».
Elizabeth was fully rewarded for her forbearance and civility.
G¼\ö£zvß ö£õÖø©US¨ ö£›¯ •Ê¨£›_ Qøhzux.
Receiving insults does not go unrewarded.
Pk®ö\õÀø» HØ£x Ãs ÷£õPõx.
Her rewards at first came as further occasions for civility.
AÁÒ ö£ØÓ •uØ £›_PÒ AvP¨ ö£õÖø©ø¯U öPõkzuÚ.
With Lady Catherine she allowed her to cross the limits.
÷»i PõuŸß Âå¯zvÀ AÁÒ ]Ôx GÀø»ø¯U Ph¢uõÒ.
With Darcy, she stopped him when he crossed it.
hõº] GÀø» «Ô¯Ähß {Özv ÂmhõÒ.
Even for a proposal he was not allowed to cross the limit.
ProposalUPõPÄ® AÁÒ Ch® uµÂÀø».
No love can be made by referring to one’s defects.
PõuÀ EÓÂÀ SøÓUS ChªÀø».
Love is not born when defects are perceived.
SøÓ PsoÀ£k® Áøµ PõuÀ ¤ÓUPõx.
Lady Catherine is one who enjoys intensity.
÷»i PõuŸÝUS wµ® Bø\.
Her intensity is expressed by her dwelling on her own virtues.
uß ]Ó¨ø£ Áºo¨£vÀ AÁÒ wµ® PshõÒ.
Clearly Darcy’s infirmities were of his mother.
hõº]°ß SøÓPÒ AÁß uõ¯õ¸øh¯x GÚz öu›QÓx.
Life did give her an occasion to practise forbearance if not civility.
G¼\ö£z ö£õÖø©ø¯U Pøh¨¤iUS® ÷|µ® Á¢ux.
It is Elizabeth who persuaded Darcy to invite her to Pemberley so that she might practice civility.
©›¯õøuø¯z uõß Pøh¨¤iUP G¼\ö£z uß ©Ú©õØÓzuõÀ hõº]ø¯z ußøÚ¨ ö£®£º¼US AøÇUPa ö\õßÚõÒ.
Age commands respect even in England.
C[Q»õ¢v¾® Á¯vØS ©›¯õøu²sk.
To practise forbearance, one must be strong inside.
ö£õÖø© §n ©Ú EÖv ÷uøÁ.
Elizabeth’s prior knowledge of the Lady and her cousin and her penetration helped her to survive.
HØPÚ÷Á hõº]ø¯²®, ÷»i PõuŸøÚ²® AÁÒ AÔ¢v¸¢ux®, AÁÒ Tºzu ©v²® ¤øÇUP EuÂÚ.
A lesser instrument than Elizabeth might have been crashed or
 broken like a reed.
A¢u AÍÄ öu®¤À»õuÁøµ \¢uº¨£® Põ¼À ÷£õmk ªvzx Âk®.
Maria needed no forbearance or civility as all the Lady’s words passed over her head.
©øµ¯õÄUS |h¨£x GßÚ GßÖ öu›¯ÂÀø» GߣuõÀ ö£õÖø© ÷uøÁ¨£hÂÀø».



book | by Dr. Radut