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Volume II Chapter 04: Elizabeth Leaves for Hunsford

Chapter 4: Elizabeth Leaves for Hunsford

ஹன்ஸ்போர்டுக்கு எலிசபெத் செல்லுதல்

 

Summary: (March 1812) Elizabeth prepares to visit Charlotte with Sir William and Maria, Charlotte’s sister. On the way to Kent, they stop in London and visit Jane and the Gardiners. Mrs. Gardiner informs Elizabeth that Jane is often quiet thinking about Bingley. Elizabeth accepts an invitation to accompany the Gardiners on a tour.

©õºa ©õu Sκ Põ»zvÀ, SÔ¨¤k®£i¯õP GxÄ® |hUPÂÀø». \õºö»miß \÷Põu›PÎÀ J¸zv¯õÚ ©›¯õÄhÝ®, \º ÂÀ¼¯•hÝ®, \õºö»møh¨ £õºUP G¼\ö£z u¯õµõQÓõÒ. öPßiØS¨ ÷£õS® ÁÈ°À, AÁºPÒ ÷áøÚ²®, v¸©v. PõºiÚøµ²® £õº¨£uØPõP, »shÛÀ ¤µ¯õnzøu {ÖzxQßÓÚº. ÷áß £õº¨£uØS B÷µõUQ¯©õP C¸¢uõ¾®, ¤[Q¼ Sk®£zvÚøµ {øÚzx AÁÒ ªPÄ® ©Ú•øh¢x ÷£õ°¸¨£uõPÄ®, ªì. ¤[Q¼²hß ÷£_Á÷u°Àø» GßÖ® v¸©v. PõºiÚº öu›ÂUQÓõÒ. ÷PõøhPõ»zvÀ, J¸ _ØÖ»õÂØPõP, PõºiÚº u®£vPÒ ÂkUS® AøǨø£, G¼\ö£z HØÖU öPõÒQÓõÒ.

1.                     
With no greater events than these in the Longbourn family, and otherwise diversified by little beyond the walks to Meryton, sometimes dirty and sometimes cold, did January and February pass away. March was to take Elizabeth to Hunsford. She had not at first thought very seriously of going thither; but Charlotte, she soon found, was depending on the plan, and she gradually learned to consider it herself with greater pleasure as well as greater certainty. Absence had increased her desire of seeing Charlotte again, and weakened her disgust of Mr. Collins. There was novelty in the scheme, and as, with such a mother and such uncompanionable sisters, home could not be faultless, a little change was not unwelcome for its own sake. The journey would, moreover, give her a peep at Jane; and, in short, as the time drew near, she would have been very sorry for any delay. Everything, however, went on smoothly, and was finally settled according to Charlotte's first sketch. She was to accompany Sir William and his second daughter. The improvement of spending a night in London was added in time, and the plan became perfect as plan could be.
Cøuzuµ ÷ÁÖ G¢u ö£›¯ \®£Á[PЮ »õ[£ºß Sk®£zvÀ |hUPÂÀø». ö©›hßÁøµ |h¨£x ©mk÷© ]Ôx ©õØÓzøuz u¢ux. ]» |õmPÒ ÁÈö¯À»õ® ÷\ÓõPÄ®, ]» |õmPÒ SεõPÄ® áÚÁ›, ¤¨µÁ› ©õu[PÒ PÈ¢uÚ. ©õºa ©õu® G¼\ö£z íßì÷£õºkUS QÍ®¦ÁuõP C¸¢ux. A[S ÷£õÁuØS, •u¼À AÁÒ AÆÁÍÄ wµ©õP {øÚUPÂÀø». BÚõÀ \õºö»m ªPÄ® Gvº£õºUQÓõÒ Gߣøu AÔ¢x, uõÝ® ö©xÁõP C¨¤µ¯õnzøu \¢÷uõå©õP HØÖU öPõshõÒ, wº©õÚ©õPÄ® C¸¢uõÒ. ¤›Ä, AÁÐUS \õºö»møh «sk® £õºUP ÷Ásk® GßÓ Bø\ø¯ AvP›zux. Põ¼ßì «xÒÍ öÁÖ¨ø£²® SøÓzux. ÷uõÇø©°À»õu \÷Põu›PÒ ©ØÖ® C¨£i¨£mh J¸ uõ´ C¸US® CÀ»zvÀ SøÓPÒ CÀ»õ©À C¸UP •i¯õx. AuÚõÀ J¸ ]Ô¯ ©õÖuÀ Áµ÷ÁØPzuUPuõP C¸¢ux. C¢u vmh•® A¸ø©¯õÚ J¸ vmh©õPz öu›¢ux. ÷©¾® C¨£¯nzvÀ ÷áøÚ²® Gmi¨ £õºUP»õ®. |õÒ ö|¸[P ö|¸[P G¢uÂu uõ©u•® CÀ»õ©À C¸UP ÷Ásk® GÚ Â¸®¤ÚõÒ. GÀ»õ® _•P©õP |h¢÷uÔ¯x, CÖv¯õP \õºö»m •u¼À vmhªmh£i ¤µ¯õn® wº©õÛUP¨£mhx. \º ÂÀ¼¯•hÝ®, AÁµx CµshõÁx ©PÐhÝ® AÁÒ ö\À» •iÁõ°ØÖ. »shÛÀ Kº CµÄ u[P •iöÁkUP¨£mhx. CÆÁõÖ Czvmh® ]Ó¢u J¸ vmh©õP ÂÍ[Q¯x.
1.     A lull of two months was needed for the disquiet of Elizabeth to settle down.
2.     Man hesitates, is irritated, refuses when luck moves towards him.
3.     It was Charlotte who was serious in bringing Elizabeth to her home.
4.    Charlotte was a source of good will to Elizabeth.
5.     Darcy abused Elizabeth because she was unwilling to go to Hunsford to him. Elizabeth’s dynamism was in the abuse which she delighted in. Elizabeth resents getting a favour at Collins’ place, through Charlotte from one who abused her.
6.    The proposal viewed from Time, Space, person, attitude, relative position is abhorrent to Elizabeth though it is a miracle in her life.
7.    The next proposal is after Jane’s engagement, at Longbourn, after her rebuttal of Lady Catherine, in soft tones, for her own merits of having abused him. She is rewarded for her strength to abuse which is acceptable to her when she considers she brought Bingley to Jane.
8.    All this was possible when Wickham is moved away once for all from her mind and environment.
9.      Elizabeth was not enamoured of travel, though we are not told she travels a lot.
10.  Outside her house she can be ill at ease, especially to receive a proposal at a defenceless moment.
11.   Elizabeth’s desire to see Charlotte is indirectly a desire to respond to Darcy.
åõº÷»õmøh G¼éö£z £õºUP Bø\¨£kÁx hõº]ø¯ HØS® ©Ú{ø».
12.     Charlotte’s invitation gains momentum by the circumstances at home. This is how the atmosphere is prepared.
åõº÷»õm AøǨ¦ Ãmk `Ì{ø»¯õÀ `k ¤iUQÓx. `ÇÀ E¸ÁP® ö£ØÖ Põ›¯zøu •iUS® £õo Cx.
13.   Note Darcy could propose at Hunsford, not at Meryton.
hõº] íßì÷£õºiÀ G¼éö£zøuz ußøÚ HØS®£iU ÷Pmhõß. ö©›mhÛÀ CÀø». íßì÷£õºiÀ EÒÍ |Àö»sn® ö©›mhÛ¼Àø».
14.  His second proposal was given at Meryton, outside their house. By that time Jane’s good will is strongly established, Lydia neutralized, Bingley’s strength added to the family.
Cµshõ® •øÓ hõº] ö©›mhÛÀ G¼éö£zøuU ÷Pmhõß. AuØSÒ ÷áÝøh¯ |Àö»sn® E¸ÁP® ö£ØÓx, ¼i¯õ v¸©n® •i¢x `ÇÀ |À»uõP ©õÔ Âmhx.
15.   With no greater events”.
The movement started by the arrival of Bingley exhausted itself by reversing itself.
ö£›¯ Põ›¯® GxĪÀ»õ©À
¤[¼ Á¢uvÚõÀ Bµ®¤zu ÷Áø»PÒ v¸®¤ •i¢x ÂmhÚ.

It is seen in Charlotte going away.
åõº÷»õm ÷£õÚvÀ Ax öu›QÓx.
It is seen in Wickham’s energy petering out.
ÂUPõ® ÷\õº¢x Âmhx® AøuU PõmkQÓx.
Originally it was no tide.
Bµ®£zvÀ Ax ÷£µø»¯õP CÀø».
It is a short eddy which played out in a dumb romance.
Ax J¸ ]Ö GÊa]. ãÁÚØÓ PõuÀ GÊ¢x Ah[SÁvÀ Ax K´¢ux.
For it to gain momentum again Darcy had to undergo penance and Mr. Bennet’s family was to be struck by tragedy.
«sk® AuØS E°º Áµ hõº] uÁ® ö\´¯ ÷Ási°¸¢ux.
Mr. ö£ßÚm Sk®£zvÀ ÷£›i ÂÇ ÷Ási°¸¢ux.
Tragedy was there because of the low consciousness of Mrs. Bennet.
Mrs.
ö£ßÚmiß AÀ£ Sn® B£zøu ÁµÁøÇzux.
Excitement exhausts.
£µ£µ¨¦ öu®ø£ AÈUQÓx.
Steady patient enthusiasm supports the growth.
{ø»¯õÚ ö£õÖø©¯õÚ EØ\õP® Áͺa]US BuµÄ.
16.     “Otherwise diversified by… the walks”.
E»õÁ¨ ÷£õÁuõÀ £µõUS PõmkÁx ÷£õ¼¸¢ux.
In the heat of the hour as well as in sober moments life does have this diversification.
`hõÚ ÷|µzv¾®, {uõÚ©õÚ ÷|µzv¾® ö£õÊx ÷£õUSUS AÁ]¯® Esk.
There is no life that is merely unidimensional.
J÷µ ÷£õUPõP¨ ÷£õS® ÁõÌUøP°Àø».
The walk to Meryton absorbs the excited energy otherwise.
ö©›hÝUS |h¢x ÷£õÚõÀ E£› öu®¦ ö\»ÁõS®.
17.   "Charlotte… was depending on the plan”.
åõº÷»õm Czvmhzøu |®¤°¸¢uõÒ.
It is “Charlotte’s insistence” that took her to Hunsford.
åõº÷»õm ÁئÖzv G¼\ö£zøu íßì÷£õºkUS AøÇzx¨ ÷£õÚõÒ.
 
 
18.     “Gradually learned to consider it herself.”
öPõg\® öPõg\©õP uß {ø»ø¯U P¸vÚõÒ.
Gradualness is an important aspect of life.
£i¨£i¯õP |PºÁx ÁõÌÂß •UQ¯ A®\®.
Bitter drinks taken regularly are appreciated for their taste.
P\¨£õÚ £õÚ[PøÍ öPõg\® öPõg\©õP \õ¨¤mhõÀ CÛUP Bµ®¤US®.
Body is immunized by small doses of poison so that in the end the body is immune to poison. A king by that habit was eating 20 lbs. of food. It is said the cobra that bites him would die.
Âå® ]ÔuõP ÷\º¢x EhÀ ÂåzuõÀ £õvUP¨£hõu {ø»US Á¢x Âk®.
J¸ Aµ\ß Cx ÷£õÀ 8 Q÷»õ \õ¨£õk \õ¨¤mhõß. AÁøÚU PiUS® |À» £õ®¦ CÓ¢x Âk®.

What one is used to is right for him, not what is right.
J¸ÁÝøh¯ £ÇUP® AÁÝUSa \›, \› GÚ BPõx.
Total tyranny will be indispensable if one is used to it.
Á¸® öPõkø© £ÇUP©õQ ÂmhõÀ AÁ]¯® ÷uøÁ¨£k®.
Human life is so acclimatized to ignorance.
©Ûu _£õÁ® Ax ÷£õÀ AgbõÚzøu µ]UQÓx.
 
 
19.     “Greater pleasure as well as greater certainty”.
{a\¯® AvP©õÚõÀ, AvP \¢÷uõå®.
Darcy began to like her tolerable face by this method.
£µÁõ°Àø» GßÓ •P®, Cx ÁÈ £µÁ\‰mk® •P©õ°ØÖ.
Ideals accepted even if bitter come to look acceptable like this.
P\¨£õÚ C»m]¯[PЮ HØÖU öPõshõÀ P\¨ø£ CÇUS®.
At an advanced age, a couple depends upon each other like this.
Á¯uõÚ ö£õÊx u®£vPÒ Cx ÷£õÀ J¸Áøµ J¸Áº HØÖU öPõÒQÓõºPÒ.
Still, sincerity is offended by falsehood some time or other.
ö£õ´ Esø©ø¯¨ £õvUS®, HuõÁx J¸ ÁøP°À £õvUS®.
 
 
20.     “Weakened her disgust of Mr. Collins”.
Põ¼ßì HØ£kzv¯ öÁÖ¨¦ SøÓ¢x”.
Over the centuries detestable superstitions becomes lovable habits.
öÁÖ¨¦US›¯ ‰h |®¤UøP ¡ÓõsiÀ ¸®£zuUP £ÇUP©õS®.
Man who grew warlike could not overcome it except by death.
õõ÷Á\® £øhzu ©Ûuß Aøu CÇUP E°º Âh ÷Ásk®.
The rationale of the two wars of the 20th century is this truth.
Cµsk E»P¨ ÷£õ¸® |©US Aøu EnºzxQßÓÚ.
What begins as disgust ends as a dear habit.
öÁÖ¨¦® P\¨¦©õP Bµ®¤zux CÛ¯ £ÇUP©õS®.
All physical habits are of this character and tenacity.
Eh¼ß £ÇUP® Cx ÷£õßÓ Á¾ÁõÚ _£õÁ©õS®.
 
 
21.     “There was novelty in the scheme”.
Czvmh® Â÷Úõu©õÚx.
Ninety percent of infatuation of the past was due to the novelty of women.
ö£sPÐhß A¢u |õmPÎÀ \µÍ©õP¨ £ÇP •i¯õuuõÀ ÁõÌ÷Á |Áµ\©õ°ØÖ.
All existing schemes have novelty as their attraction.
PÁºa]¯õÚ vmh[PÒ AøÚzx® CUPõµnzuõÀ PÁºa] ö£ØÓøÁ.
Samadhi is the most powerful novelty known.
Â÷Úõu©õÚ PÁºa]°ß Ea\ Pmh® \©õv.
Spirit coming to the surface is a compelling novelty.
Bz©õ öÁÎÁ¸Áx ÁõÌøÁ Aئu©õUSÁx.
Corruption spread in India because a bundle of currency was a novelty.
PmhõÚ £n® PÁºa]¯õP C¸¨£uõÀ »g\® £µÄQÓx.
Adventure renews the novelty at every further step.
JÆöÁõ¸ Pmhzv¾® õa ö\¯ÀPÒ PÁºa]ø¯ AvP›UQßÓÚ.
The idealist seeks what is novel for the world.
C»m]¯Áõv E»SUS›¯ PÁºa]ø¯ |õkQÓõß.
All skill acquired first gives this sense of novelty.
¦xz vÓø© ö£Ö®ö£õÊx PÁºa] GÊ®.
Spiritual skills in a website will keep up the novelty.
Bß«Pz vÓø©ø¯U PؤUS® web site PÁºa]ø¯ {µ¢uµ©õUS®.
Finding novelty in pleasant relationships matures into romance.
CÛø©¯õÚ EÓÂÀ GÊ® PÁºa] Põu»õPU PÛ²®.
Novelty being the ideal of existence romance comes to stay.
PÁºa]÷¯ ÁõÌÂß C»m]¯©õÁuõÀ PõuÀ {ø»¯õS®.
One reason for the popularity of revolutions is novelty.
¦µm] ¤µ£»©õÁuØS J¸ Põµn® PÁºa].
Fashions spread fast by the sensation of novelty.
£õåß ÂøµÁõP¨ £µÄÁuß Põµn® PÁºa]²nºÄ.
Novelty is the experience of freshness of existence.
ÁõÌÂß ¦xø©ø¯ ÁÍ©õP Aݣ¨£x PÁºa].
Essence of novelty is the essence of being a complement.
PÁºa]°ß \õµ® JzxøǨ£Á›ß (complement) \õµ®.
Novelty is spiritual.
PÁºa] Bß«P®.
In a state of Marvel no habit will be employed.
Aئu® {ø»¯õÚõÀ £ÇUP® AØÖ¨ ÷£õS®.
Variety and novelty are the savour of life. They make the harlot divine in her life.
PÁºa]²® ©õÖ® µP•® ÁõÌÂß ¦xø©. Ax £\õ›°ß ÁõÌøÁ¨ ¦Ûu©õUS®.
 
 
22.     “Home could not be faultless”.
Ãk SøÓ¯ØÓuõPõx.
Home gives what society cannot give.
Fº uµ •i¯õuøu Ãk u¸®.
Maximum opportunity and temptation combined in marriage makes it popular -- Shaw.
v¸©nzvÀ AvP£m\ Áõ´¨¦®, Bø\²® P»¢x Á¸QÓx & ö£ºÚõºm åõ.
For the same reason marriage is a wonderful institution.
A÷u PõµnzuõÀ v¸©n® Aئu©õÚ ìuõ£Ú®.
Not to be tempted by opportunity is to civilize oneself.
Áõ´¨¦ Bø\ø¯U QÍÓõ©¼¸¨£x |õPŸP®.
To conserve energy is to make the energy shine.
öu®¦ ÷\Pµ©õÚõÀ, öu®¦ £Í£ÍUS®.
To be an object of temptation is exciting.
Bø\US £¼¯õÁx BºÁ® {øÓ¢u ö\¯À.
Not to use the temptation of oneself is to indulge the other.
Bø\ø¯z uÚUS¨ £¯ß£kzuõÂmhõÀ ¤Ó¸US Bø\ø¯ Qͨ£¨ £¯ß£k®.
Self-restraint and indulgence in self-giving is noble.
Pmk¨£õk®, ¤Ó¸US Eu ö\´Áx® E¯º¢u Sn®.
The idea that I am a source of enjoyment for the other is self-giving.
¤Óº \¢÷uõå® GßÛÀ GÊQÓx Gߣx Aº¨£nzvß Bµ®£®.
An act which is not enjoyed does not rise to maximum intensity of joy.
•Êø©¯õP AÝ£ÂUPõu ö\¯À wµ©õÚ Cߣzøu Gʨ£õx.
To allow the maximum joy to issue out of an act without self-aggrandizement is an art of self-giving for its own sake.
AP¢øuø¯ Á¾¨£kzuõ©À J¸ ö\¯¼À AvP£m\ Cߣ® GÊÁx Aº¨£nzvß C»m]¯®.
Elizabeth’s interest in her sister has that characteristic.
G¼\ö£zvØS ÷áß «xÒÍ ¤›¯® AzuøP¯x.
Vedas took enjoyment to the maximum. Sri Aurobindo took it a step further.
÷Áu® BÚ¢uzvß Ea\ Pmhzøu Gmi¯x. £PÁõß Akzu Pmh® ö\ßÓõº.
Elizabeth practises selfless self-giving with Jane.
_¯|»©ØÓ Aº¨£n® G¼\ö£z ÷áß EÓÄ.
Her good will is not tinged with the opposite as Charlotte.
AÁÒ |Àö»snzvØS åõº÷»õm ÷£õ» ©Ö ¦ÓªÀø».
 
 
23.     “She would have been very sorry for any delay”.
Põ»® uõÌzu AÁÒ ©Ú® \®©vUPõx.
What was disgusting became attractive.
öÁÖ¨£õÚx PÁºa]¯õ°ØÖ.
This passage contains the process of contradiction becoming complement.
•µs£õk EhߣõhõS® ö\õÀ Cx.
Every act has this element.
GÀ»õa ö\¯¾US® CUSn® Esk.
Every act has all the elements of creation.
G¢ua ö\¯¾® ]¸èi°ß ]Ö A®\®.
Within the same plane its character is different.
Ax EÒÍ {ø»°À Auß A®\® ©õÖ®.
Rising to the next plane its character reverses.
Akzu {ø»°À Ax uø» RÌ ©õÖ®.
To see the character of the next plane in this plane is Marvel.
Akzu {ø» A®\zøu C¢{ø»°À Põs£x Aئu®.
That is why to save oneself from friends is difficult.
|s£›hª¸¢x u¨¦Áx PiÚ® Gߣx AuÚõÀ uõß.
One act fully understood is life fully understood.
J¸ ö\¯ø» •Êø©¯õP AÔÁx ÁõÌøÁ •Êø©¯õP AÔÁx.
In that sense an act is the unit of life.
AU÷PõnzvÀ ö\¯À ÁõÌÂß AiUPÀ.
 
 
24.     “The plan became perfect as plan could be”.
vmh® GÆÁÍÄ ]Ó¨£õP •i²÷©õ AÆÁÍÄ ]Ó¨£õP Aø©¢ux.
This is one reason why it initiated Elizabeth’s marriage.
Czvmh® G¼\ö£z v¸©nzvÀ •i¢ux J¸ Põµn®.
Nothing can become perfect without accomplishment issuing out of it.
Põ›¯® •i¯õ©À J¸ vmh® ]Ó¨£õP Aø©¯õx.
Accomplishment has several units in it.
Põ›¯® •iÁuØS¨ £» A®\[PÒ EÒÍÚ.
Here the proposal was perfectly accomplished and subconsciously completed.
Proposal ]Ó¨£õP •i¢ux. BÌ ©Ú® •iUP •iÄ ö\´ux.
2.                     
The only pain was in leaving her father, who would certainly miss her, and who, when it came to the point, so little liked her going, that he told her to write to him, and almost promised to answer her letter.
uÚx u¢øuø¯ ¤›¢x ö\ÀÁx ©mk÷© AÁÐUS ÷ÁuøÚø¯ AÎzux. ÷£õÁx GÚz wº©õÛUP¨£mh¤ß, AÁ¸US AÁÒ ö\ÀÁx ¤iUPÂÀø». AÁº Psi¨£õP AÁÒ CÀ»õuøu EnºÁõº. uÚUS Piu® GÊx®£i ÷PmkU öPõshõº, uõÝ® AÁÒ PiuzvØS £v»Î¨£uõP HÓUSøÓ¯ ÁõUPÎzuõº.
25.     Elizabeth’s personality is shaped by her father. Therefore she feels the pain of going away from him which Jane had not felt in leaving for London.
26.     Mr. Bennet’s promise to reply Elizabeth is extraordinary in his indolent position.
27.     “The only pain was in leaving her father”.
uP¨£Úõøµ Âmk¨ ÷£õÁx ©mk÷© SøÓ.
Hers is a unique relationship with her father.
uP¨£Úõ¸US® G¼\ö£zvØS® EÒÍ EÓÄ E»QÀ»õux.
It is less biological and more psychological.
ö£ØÓÁº Gߣøu Âh ÁͺzuÁº Gߣx •UQ¯®.
Her vast elevation was due to his interest in her.
AÁÒ ö£®£º¼ Áøµ E¯º¢ux uP¨£ÚõµõÀ.
In an ideal situation children who happily receive the influence of positive parents have no limits to rise to.
C»m]¯©õÚ `ǼÀ ö£Ø÷Óõ¸øh¯ |À» Sn[Pøͨ ö£Ö® SÇ¢øuPÒ E¯µ AÍ÷Á°Àø».
Nehru is an example.
÷|¸ J¸ Euõµn®.
In transition stages as in India, all those who rise sky high will certainly have this element in them.
C¢v¯õ ÷£õÀ ©õÖ® `ǼÀ ÁõÚÍõÁ E¯¸£Áº ÁõÌÂÀ C¢u A®\® CÀ»õ©¼¸UPõx.
Ramakrishna did that to Vivekananda.
Cµõ© Q¸ènº Â÷ÁPõ|¢u¸US Aøua ö\´uõº.
One Man can raise the whole world like that.
E»Pzøu÷¯ J¸Áº A¨£i E¯ºzu»õ®.
Parental love, an ideal, a philosophy, a guru’s blessings can do it.
ö£Ø÷Óõº Aߦ, C»m]¯®, uzxÁ®, S¸ B^ºÁõu® Cøua ö\´²®.
3.                     
The farewell between herself and Mr. Wickham was perfectly friendly; on his side even more. His present pursuit could not make him forget that Elizabeth had been the first to excite and to deserve his attention, the first to listen and to pity, the first to be admired; and in his manner of bidding her adieu, wishing her every enjoyment, reminding her of what she was to expect in Lady Catherine de Bourgh, and trusting their opinion of her -- their opinion of everybody -- would always coincide, there was a solicitude, an interest, which she felt must ever attach her to him with a most sincere regard; and she parted from him convinced that, whether married or single, he must always be her model of the amiable and pleasing.
AÁÐUS® ÂUPõ•US® Cøh÷¯ |h¢u Âøhö£ÖuÀ ªS¢u |m¦hß ]Ó¨£õP |h¢ux. AÁß AvP ÷uõÇø©²hß Âøh öPõkzuõß. AÁøÚ Enºa]Á\¨£høÁzuÁЮ, AÁÝøh¯ PÁÚzøu PÁº¢u •uÀ ö£sq® G¼\ö£zuõß. AÁß TÔ¯ÁØøÓ GÀ»õ® ö\©kzuÁЮ AÁÒuõß, £›uõ£¨£mhÁЮ AÁÒuõß, ªPÄ® µ]zu ö£sq® AÁÒuõß Gߣøu uØö£õÊx AÁß C¸US® {ø»ø© AÁÝUS bõ£P¨£kzv¯ Ásn® C¸¢ux. AÁÐUS Âøh öPõkUS® ö£õÊx \¢÷uõå©õP GÀ»õÁØøÓ²® AÝ£ÂUP ÁõÌzvÚõß. ÷»i Põu›ß, j £ºU £ØÔ¯ u[PÐøh¯ A¤¨¤µõ¯•® ©ØÓ GÀ÷»õøµ¨ £ØÔ¯ u[PÐøh¯ A¤¨¤µõ¯•® G¨ö£õÊx® J÷µ ©õv›¯õPzuõß C¸US® Gߣx AÁÝUSz öu›²® GߣuõÀ ÷»i j £ºU&Chª¸¢x GßÚ Gvº£õºUP •i²® Gߣøu bõ£P¨£kzvÚõß. CÆÁõÓõP AÁß Põmi¯ AUPøÓ²® PÁÚ•® AÁøÍ ªPÄ® £õvzuuõÀ AÁÛh® ªS¢u ©›¯õøu²hß uõß GßÖ® C¸UP ÷Ásk® GÚ {øÚzuõÒ. AÁÝUS v¸©n® BÚõ¾®\›, uÛ¯õÍõP C¸¢uõ¾® \› AÁßuõß CÛø©US®, ¸®£zuUPÁÚõP C¸¨£uØS® •ß Euõµn©õP C¸¨£õß GßÓ |®¤UøP°À AÁøÚ Âmk ¤›¢uõÒ.
 
28.     Wickham, at parting, after deserting her for Miss King, addresses her on all her concerns till she looks upon him as the one Man to be adored. He is a consummate rascal.
Miss. Q[øP |õi¯ ¤ß, G¼éö£z íßì÷£õºiUS¨ ¦Ó¨£k®•ß AÁÒ ©ÚzvÀ SiöPõsi¸¢u AzuøÚ A¤»õøåPøͲ® BºÁ©õP Bu›zx AÁÐUS E»QÀ AÁß ©mk÷© Bsø©°ß C»m]¯® GßÓ AÍÄUS¨ ÷£_QÓõß.   £µ© A÷¯õUQ¯ß.
29.     On her journey, her mind dwells only on Wickham.
¤µ¯õnzvÀ AÁøÚ÷¯ {øÚ¢x¸SQÓõÒ. »QÚõ¾® AÁ÷Ú |õ¯Pß.
30.     “There was a solicitude”.
Cx Aߦ GÊ® P¸øn.
Wickham did like Elizabeth as an agreeable woman.
|À» ö£sönÚ ÂUPõ® G¼\ö£zøu ¸®¤Úõß.
31.     “He must always be her model of the amiable and pleasing.”
CÛ¯Áß, |À»Áß GߣuØS ÂUPõ® ]Ó¢u Euõµn®.
Wickham’s exterior is truly pleasant.
ÂUPõ® ÷£a_ CÛø© Gߣx ©ÖUP •i¯õux.
It was not all put on, much agreed with him inside.
AÆÁÍÄ® |i¨¤Àø», KµÍÄ Esø©²sk.
He was anxious to acquire the very best of Pemberley.
ö£®£º¼°¼¸¢x E¯º¢u Sn[PøÍ •¯ßÖ AÁß ö£ØÖU öPõsi¸UQÓõß.
Darcy never had the social pressure for that.
A®•¯Ø] ö\´¯ hõº]USU Pmhõ¯ªÀø».
Lack of values renders the existing good qualities prominent.
£s¤À»õÂmhõÀ EÒÍ ÷Áø»ø¯U PÁÛUP ÷|µ® \›¯õP C¸US®.
Even in such consummate cases of agreeable pretension, to the sensitive observer his falsity is not unseen.
CÛ¯ |i¨¤À ]Pµ©õÚ ÂUPõ® ÷£a_® Tº¢x PÁÛ¨£Á¸US GvµõÚ Sn[PøÍU Põmi Âk®.
Not that Elizabeth could not perceive it.
G¼\ö£zvØS AøÁ öu›¯ÂÀø» GߣvÀø».
She did later recollect those touches of inveterate falsehood.
BÌ¢x ö£õ¸¢v¯ A¨ö£õ´°ß _ÁkPøÍ AÁÒ ¤ßÚº {øÚÄ Tº¢ uõÒ. 
32.     Wickham does not hesitate to do any heinous act, nor can he emotionally suffer for that. He is shameless, free from conscience or compunction.
33.     No one has taken notice of it till his elopement.
34.     Elizabeth was the first to listen to him. She had done so as she was aware of the fact that Wickham brings news of Darcy.
35.     He made the greatest impression on her and wants to maintain it.
36.     On Page 136 in her description of Wickham and on P.199 in her description of her own genius, Elizabeth is at her psychological best.
37.     She was prepared to admire him even after his marriage.
4.                     
Her fellow-travellers the next day were not of a kind to make her think him less agreeable. Sir William Lucas, and his daughter Maria, a good-humoured girl, but as empty-headed as himself, had nothing to say that could be worth hearing, and were listened to with about as much delight as the rattle of the chaise. Elizabeth loved absurdities, but she had known Sir William's too long. He could tell her nothing new of the wonders of his presentation and knighthood; and his civilities were worn out, like his information.
©ÖvÚ® AÁÐhß £¯n® ö\´uÁºPÒ, ÂUPõø©÷¯ HØÖU öPõÒÍU Ti¯ÁÚõP {øÚUPøÁUS® ußø©²øh¯ÁºPÒ. \º ÂÀ¼¯® ¿PõêØS®, |À» ö£snõP C¸¢uõ¾® AÁÐøh¯ u¢øuø¯¨ ÷£õ»÷Á •mhõÍõP C¸¢u ©›¯õÂØS®, ö\õÀÁuØS JßÖ® C¸UPÂÀø», AÁºPÐøh¯ ÷£a_, Svøµ Ási°ß \zu® GßÚ \¢÷uõåzøuU öPõkzu÷uõ A÷u \¢÷uõåzøuuõß AÎzux. AºzuªÀ»õu ÷£a_ ¤iUS® GßÓõ¾® \º ÂÀ¼¯®ø© AÁÐUS }sh Põ»©õPz öu›²® GߣuõÀ AÁ¸US AÁÎh® ußÝøh¯ ö\¯À£õmkz vÓø©£ØÔ²® \º £mh® Áõ[Q¯x SÔzx® ¦vuõP ö\õÀÁuØS JßÖ® C¸UPÂÀø». AÁ¸øh¯ ©›¯õøuPЮ AÁº u¸® £øǯ uPÁÀPøͨ÷£õÀ ÷u´¢x ÷£õ°¸¢uÚ.
38.     Elizabeth’s playfulness comes out of her love of absurdities.
39.     It is one reason Collins proposes to her.
40.     Love of absurdity attracts an absurd proposal from Darcy.
41.     One can enjoy absurdities, not its repetition ad infinitum.
42.     An empty head comes alive when there is an occasion for its absurdity to find expression.
43.     What delights him is the mental sensation of speaking.
44.     Elizabeth loved absurdities as they are occasions for causeless joy.
E͸Áøu G¼éö£z £õµõmkQÓõÒ. EÍÓÀ ¦øu¢xÒÍ ¦vøµ öÁÎU öPõn¸®.
45.     “Her fellow- travellers…”.
AÁÐhß ¤µ¯õn® ö\´£ÁºPÒ ”.
Fellow traveler is one who is with you only in the travel.
¤µ¯õnzvÀ ©mk® Ehß Á¸£ÁºPÒ Ehß ¤µ¯õn® ö\´£ÁºPÒ.
The most intimate person is only a fellow traveler in your life.
ö|¸UP©õÚÁº ÁõÌÂÀ J¸ \P ¤µ¯õo÷¯
At an intense moment of life we see the depth of character of one person in the family.
ö|¸UPi GÊ¢uõÀ Ãm÷hõº Sn® öÁΨ£kQÓx.
Over the years we see each person is a whole hidden world not seen in daily living.
vÚ\› ÁõÌÂÀ Põnõuøu, J¸Áº ©Úzvß BÇzøu _£õÁzvß ö£¸ öÁίõPU PõsQ÷Óõ®.
This is psychological life partly known to him partly unknown to him.
Cx ©Ú® ÁõÊ® ÁõÌÄ, KµÍÄ Eøh¯Á¸USz öu›²®, ö£¸®£õ¾® öu›¯õx.
Beyond the psychological life is the subtle life.
`m_© ÁõÌÄ ©Ú® ÁõÊ® ÁõÌøÁU Ph¢ux.
Part of subtle life peeps out of the psychological life.
`m_© ÁõÌÂß £Sv ©Ú® ÁõÊ® ÁõÌÂÀ Gmi¨ £õº¨£xsk.
There is the occult life not seen if its occasion does not arise.
£õºøÁUS® ©ÚzvØS® Gmhõu `m_© ÁõÌÄsk. Auß ÷|µ® Á¢uõÀuõß ö\¯À£k®.
Spiritual life, psychic life, supramental lives too are there.
Bß«P ÁõÌÄ, ø\zv¯ ÁõÌÄ, \zv¯ 㯠ÁõÌÄsk.
As Man is a universal and transcendental personality, the whole world is there in him.
©Ûuß ¤µ£g\zvØS›¯Áß, ¤µ®©zvØS›¯Áß GߣuõÀ, §µn ÷»õP•® AÁÝÒ Esk.
For a discerning, perceptive, subtle vision, all this can be seen in daily life as an inkling.
Tº¢u Fk¸Ä® `m_©¨ £õºøÁ²ÒÍÁº CÆÁÍøÁ²® vÚ\› ÁõÌÂÀ ñn® Põn»õ®.
Wickham who carries a scandal brings Pemberley to Elizabeth.
Áu¢vø¯U Qͨ¦® ÂUPõ® ö£®£º¼ø¯ G¼\ö£zvØSU öPõsk Á¸QÓõß.
Charlotte who pleads for Darcy can carry a false rumour to Lady Catherine.
hõº]ø¯ ©nUS®£iU ÷PmS® åõº÷»õm ö£õ´ Áu¢vø¯ ÷»iPõuŸÝUS Gkzx¨ ÷£õQÓõÒ.
Collins getting a living deprives Wickham of one.
Põ¼ßéüUS £õv›¯õº ÷Áø» Qøhzx, ÂUPõªØS Ax CÀø»ö¯ßÓõ°ØÖ.
Lady Catherine by her abuses brings out the strength of Elizabeth so that she would deserve Darcy in her own right.
G¼\ö£zvß ö\õ¢u £»® öÁÎÁ¢x E›ø©²hß ö£®£º¼ø¯ BÍ ÷Ási ÷»i PõuŸß AÁøÍz vmkQÓõÒ.
Talking within the scope of the text we are denied much more.
¡¼ß GÀø»USÒ ÷£_ÁuõÀ A÷|P Âå¯[PÒ |©UQÀø».
For instance, the role played by Mrs. Gardiner in the lives of Elizabeth, Lydia, Wickham, and Jane shows there are very many aspects of her life unknown to us.
G¼\ö£z, ÷áß, ¼i¯õ ÁõÌÂÀ Mrs. PõºiÚº £[S •ÊÁx® öu›¯ÂÀø».
She finds Wickham mercenary which prevents Elizabeth from marrying him.
ÂUPõ® Buõ¯ ©Ú¨£õßø© Eøh¯Áß GÚ Mrs. PõºiÚº Psk öPõshx G¼\ö£z AÁøÚ ©n¨£vÛßÖ uøh ö\´ux.
She likes him very much which prevents him from becoming a loafer.
Mrs. PõºiÚ¸US AÁß «xÒÍ ¤›¯® AÁøÚ uÖuø»¯õÁvÛßÖ ukzux.
She saw Darcy stately and gentlemanly which helped him marry.
hõº] P®¥µ©õPÄ® |ØSi¨ £s¦hÝ® EÒÍÁß GÚ AÁÒ ¦›¢x öPõshx AÁß v¸©n® {øÓ÷ÁÓ Eu¯x.
Her penetration of Bingley’s weakness prevented Jane from meeting him.
¤[¼USz öu®¤Àø»ö¯Ú AÁÒ öPõsh •iÄ ÷áøÚ AÁøÚ \¢vUP •i¯õ©À ukzux.
Her solicitude for Jane celebrates Jane’s wedding.
÷áß «x AÁÐUSÒÍ £›Ä AÁÒ v¸©nzøu {øÓ÷ÁØÔ¯x.
The text does not supply us supporting details.
Cuµ Âå¯[PøÍ ¡À u¸ÁvÀø».
In her conversation, especially in her tone, it is there.
AÁÒ ÷£a]À öuõÛ°À CøuU Põn»õ®.
I do not have enough penetration to discern them.
AÁØÔ¼¸¢x •Ê Esø©ø¯U Põq® Tºø© GÚUQÀø».
 
 
46.     “The rattle of the chaise”.
Ási°ß \zu®”.
It is a profound equation of the empty-headed good-humoured chatter with the rattle of the chaise.
Põ¼ ©søh°ß EÍÓ¾®, Ási°ß Ph•hõ \zu•® ö£õ¸¢x®.
Austen unconsciously points out the Brahman in the rattle.
÷áß Bìiß ußøÚ¯Ô¯õ©À Ási \zuzvß ¤µ®©zøuU SÔUQÓõº.
Empty-headedness is a stage through which all mankind was to pass.
E»P® •ÊÁx® AÝ£ÂUP ÷Ási¯ J¸ {ø» Põ¼ ©søh.
Good humour in the empty-headedness shows the first born was good will.
Aºzu©ØÓ ©ÛuÛß |Àö»sn® Põ¼ ©søh°À •u¼À GÊÁx |Àö»sn® GÚU PõmkQÓx.
Ill-will is a later development.
öPmh Gsn® ¤ÓS EØ£zv¯õÚx ¤ØPõ»zvÀ.
In that it is of a greater resource.
öPmh Gsn® |À» Gsnzøu Âh Á¾ÁõÚx.
Mean societies are not primary ones. Naïve ones are the primary ones.
©mh©õÚ\‰P® Bv ©ÛuÛÀø». Hx® AÔ¯õu \‰P® Bv ©Ûu \‰P®.
Societies alternate between right and wrong developments before they are overcome.
\‰P® £» ÂøÍÄPøÍa \¢vzx AÁØøÓ «Ô •ß÷ÚÔ Á¸QÓx.
This is the first complexity of strength.
\‰P® Á¼ø© ö£ÖÁvÀ GÊ® •uÀ ]UP¼x.
A cultured society has consciously overcome both sides of life.
£s£õÚ \‰P® ÁõÌÂß C¸ •øÚPøͲ® HØÖ Ph¢x •ß÷ÚÖQÓx.
To discover the various layers of dualities that were overcome is a study.
¤nUQß C¸¦Ó[PøÍ AÔÁx®, Ph¨£x® ö£›¯ Bµõ´a].
Overcoming them externally is civilization.
¦Ó ÁõÌÂÀ ¤nUøPU Ph¨£x |õPŸP®.
Overcoming them internally is culture.
AP ÁõÌÂÀ Aøu÷¯ ö\´Áx £s¦.
Such overcoming is the outgrowing of selfishness.
Cx ÷£õßÓ ÁõÌÄ _¯|»zøu AÈUS®.
It has to be done individually and later collectively.
Cx JÆöÁõ¸Á¸® ö\´¯ ÷Ásk®. ¤ÓS \‰P÷© ö\´¯ ÷Ásk®.
That way a society will be crudely good.
Aøua ö\´²® \‰P® |õPŸP©ØÓ |À» \‰P©õS®.
Refinement is a later skill, collective as well as individual.
|õPŸP®, £s¦, CÛø© Auß¤ß ö£Ó ÷Ási¯x, \‰P•®, uÛ ©ÛuÝ® ö£Ó ÷Ási¯x.
Insistence on the exhibition of refinement is the beginning.
£s£õÚ |õPŸP CÛø© öÁΨ£h ÁئÖzxÁx Bµ®£®.
Unconscious of the presence of refinement is the end.
Ax C¯À£õÚ ÁõÌÁõÁx •iÄ.
Refinement itself exists at the physical, vital, mental, spiritual levels.
CÆÂÛø© EhÀ, E°º, ©Ú®, Bß©õÂÀ Esk.
The higher culture expresses goodness through sweetness for its own sake.
E¯º¢u £s¦ |À»øu CÛø©¯õP öÁΨ£kzx®. CÛø© ÁõÌÄUS AÁ]¯®.
Goodness is the knowledge of truth.
|À»x Gߣx \zv¯zvß bõÚ®.
Sweetness is the truth of love.
CÛø© bõÚzvß ¤›¯®.
Culture is the refined power of the vital expressed according to the spirit.
E°º CÛzx |õPŸP® ö£ÖÁx £s¦. Ax Bß©õÄUS›¯ •øÓ°À öÁΨ£k®.
The acme of culture is the unconscious presence of spiritual good will.
Bß«P |Àö»sn® C¯À£õP öÁΨ£kÁx £s¤ß ]Pµ®.
It is called compassion, one step lower than grace.
Ax A¸ÐUS Akzu£i¯õÚ P¸øn.
One step more than grace is supergrace.
A¸ÐUS Akzu ÷©Ø£i ÷£µ¸Ò.
It comes when we lose faith in our capacity.
|®ø© |õªÇ¢uö£õÊx ö£ÖÁx Ax.
 
 
47.     “Elizabeth loved absurdities”.
G¼\ö£zvØS A£zu® ¤iUS®.
Absurdities are not things to be loved.
A£zu® GÁ¸US® ¤i¨£vÀø».
Absurdities do not belong to life.
A£zu® ÁõÌÄUS›¯uÀ».
Love of absurdities show that she is larger than life.
A£zu® «x BºÁ® GÊÁx A£zu® ÁõÌøÁ Âh¨ ö£›¯x GÚU PõmkQÓx.
To step out of life is death for a conformist.
ÁõÌUøPö¯õmi¨ ÷£õQßÓÁß J¸ Ai Gkzx öÁΰÀ øÁzuõÀ Ax AÈÄ.
Her own father, under a false inspiration of the unconventional married below him and discovered he was trapped.
AÁÒ uP¨£Úõº ¦v¯uõP |h¨£uõP Gso uÚUS ©mh©õÚ ö£søn ©n¢x Áø»°À ÃÌ¢uøuU Pshõº.
There is that idealism in her father not well defined and well formed.
uP¨£Úõ›ß C»m]¯® E¸Á® ö£ØÓvÀø», ÂÁµ©õÚvÀø».
He was disappointed in his own life.
uß ö\õ¢u ÁõÌÂÀ AÁº H©õØÓ©øh¢uÁº.
It took a generation for his ideal strength to become strength of life.
C»m]¯zvß Á¼ø© ÁõÌÂÀ £»©õP J¸ uø»•øÓ¯õ°ØÖ.
It is that strength in her that brought Darcy to her on her own terms.
A¢u Á¼ø© G¼\ö£zvØS AÁЛø©¯õP hõº]ø¯U öPõsk Á¢ux.
Only in the wordy duel with Catherine, her real strength came out of it potential.
÷»i PõuŸÝhß ö\´u ÁõUSÁõu® AÁÒ Á¼ø©ø¯ öÁÎUöPõnº¢ux.
To us it was the abuse of Lady Catherine.
Ax ÷»i PõuŸß vmkÁuõPz öu›QÓx.
To her it was Lady Catherine offering her own strength of status by dueling and being defeated by Elizabeth.
Esø©°À Ax ÷»i PõuŸß uß A¢uìøu²® £»zøu²® G¼\ö£zvØSz u¸Áx. G¼\ö£zvh® ÷uõÀÂø¯ HØ£uõÀ Ax AÁÒ £»zøu Gv›USz u¸ÁuõS®.
It was the abuse of God – Life – to Mr. Bennet for his weakness.
Ax Mr. ö£ßÚmøhU PhÄÒ & ÁõÌÄ & vmkÁuõS®.
 £»ïÚ® vmk ö£ÖQÓx.

Absurdities are things to be ashamed of.
A£zuzøuU Psk |õ® öÁmP¨£h ÷Ásk®.
Not to be ashamed of absurdities needs pure strength.
A£zuzøuU Psk öÁmP¨£hõ©¼¸UP Bß«P £»® ÷Ásk®.
Darcy’s ‘tolerable’ initiated the movement.
£µÁõ°Àø» GÚ hõº] TÔ¯x J¸ \[Q¼z öuõhøµ Gʨ¤¯x.
Wickham’s charm gave her the occasion to fall and rise.
ÂUPõªß PÁºa] AÁÐUS ÂÊ¢x GÊ® Áõ´¨ø£U öPõkzux.
His was no mean charm for any girl to withstand.
AÁÝøh¯ PÁºa]°ÛßÖ G¢u¨ ö£sq® u¨£ •i¯õx.
Nor is it given to any girl to overcome that intensity of charm.
A¢u AÍÄ PÁºa]ø¯ ©ÖUS® vÓß G¢u¨ ö£sqUSªÀø».
It was more than a spell.
Ax ©¯UPzøu Âh \Uv Áõ´¢ux.
Collins is under the spell of ‘greatness’ of her Ladyship.
Põ¼ßì ÷»i PõuŸß Gߣvß ©¢vµzuõÀ Pmkshõß.
It is not only for Longbourn that Charlotte gave in.
åõº÷»õm »õ[£õºÝUPõP ©mk® Põ¼ßøé HØPÂÀø».
Lady Catherine’s patronage is a substantial part of Charlotte’s accepting Collins.
÷»i PõuŸÝøh¯ BuµÄ Põ¼ßøé åõº÷»õm HØÓuØS J¸ •UQ¯ Põµn®.
To Elizabeth, Lady Catherine herself is absurd when it comes to an issue.
G¼\ö£zvØS Â寮 GÚ GÊ¢uõÀ ÷»i PõuŸß A£zu®.
Her going to Rosings serves the purpose of becoming strong.
÷µõê[QØS G¼\ö£z ÷£õÁx £»® ö£Ó Eu¯x.
Collins is absurd, Lucas is absurd, Darcy is absurd and Lady Catherine is absurd. That was her journey to victory.
Põ¼ßì A£zu®, ¿Põì A£zu®, hõº] A£zu®, ÷»i PõuŸß A£zu®. Ax÷Á AÁÒ öÁØÔ¨ £õøu.
5.                     
It was a journey of only twenty-four miles, and they began it so early as to be in Gracechurch Street by noon. As they drove to Mr. Gardiner's door, Jane was at a drawing-room window watching their arrival; when they entered the passage she was there to welcome them, and Elizabeth, looking earnestly in her face, was pleased to see it healthful and lovely as ever. On the stairs were a troop of little boys and girls, whose eagerness for their cousin's appearance would not allow them to wait in the drawing-room, and whose shyness, as they had not seen her for a twelvemonth, prevented their coming lower. All was joy and kindness. The day passed most pleasantly away: the morning in bustle and shopping, and the evening at one of the theatres.
C¸£zv |õßS ø©À ¤µ¯õn® ö\´¯ ÷Ási C¸¢uuõÀ, Q÷µì\ºa öu¸øÁ ©v¯zvØSÒ Aøh¢xÂh ÷Ásk® GߣuõÀ öÁS ^UQµ©õP÷Á AÁºPÒ QÍ®¤Úº. v¸. PõºiÚº Ãmøh ÷|õUQ AÁºPÒ Á¢x öPõsi¸¨£øu ÷áß Áµ÷ÁØ£øÓ°ß áßÚ¼¼¸¢x £õºzxU öPõsi¸¢uõÒ. AÁºPÒ £õøu°À ~øÇ¢uÄhß, A[S AÁºPøÍ ö\ßÖ Áµ÷ÁØÓõÒ. AÁøÍ BÁ¾hß £õºzu G¼\ö£z, G¨ö£õÊx®÷£õÀ AÁÒ AÇPõPÄ®, B÷µõUQ¯©õPÄ® C¸¨£øu¨ £õºzx ©QÌa]¯øh¢uõÒ. u[PÐøh¯ \÷Põu›ø¯ \¢vUS® BÁ¼À Áµ÷ÁØ£øÓ°À Põzv¸UP •i¯õu ]ÖÁº £mhõÍ®, ©õi¨£i°À {ßÖ öPõsi¸¢uÚº. £ßÛöµsk ©õu[PÍõP AÁøͨ £õºUPõuuõÀ GÊ¢u \[÷Põá® AÁºPøÍ R÷Ç ÁµÂhõ©À ukzux. G[S® \¢÷uõå•®, Cߣ•©õP C¸¢ux. Põø»°À AÁ\µ•®, PøhUS¨ ÷£õÁv¾®, ©õø» ÷ÁøÍ°À J¸ Aµ[Pzv¾©õP AßøÓ¯ vÚ® ªPÄ® CÛø©¯õPU PÈ¢ux.
 
48.     Elizabeth was looking for Jane’s health. Jane was not broken-hearted enough for it to tell on her health. It is only a disappointment.
÷áÝUS ©Ú® Eøh¯ÂÀø». A¨£i¯õÚõÀ Eh¼¾® •Pzv¾® Ax öu›²®. Põu¼ß ÷ÁPªÀø». PÀ¯õnzvß •UQ¯zxÁª¸¢ux.
49.     Intense affection of children keeps them away by shyness.
G¼éö£zøu £õºUS® BÁÀ SÇ¢øuPøÍ öÁmP©õPz ukzux.
50.     Jane was not in love to distraction.
51.     Her good nature is seen in the children liking her.
52.     “All was joy and kindness”, a symptom that she was to receive a proposal.
53.     When one is in love, mention of the lover even in denial is sweet.
54.     “Elizabeth  was pleased to see Jane’s face healthful and lovely”.
÷áß •P® öuÎÁõPÄ® AÇPõPĪ¸¨£x G¼\ö£zvØSz v¸¨v AÎzux.
Jane’s love is not of that intensity to destroy her bloom.
AÁÒ CÍø©ø¯ AÈUS® AÍÄUS ÷áß ¤›¯® wµ©õÚuÀ».
55.     “Whose shyness”.
¯õ¸øh¯ öÁmP®
Shyness is a strong attraction incapable of expression.
öÁΰh •i¯õu £»©õÚ PÁºa] öÁmP®.
6.                     
Elizabeth then contrived to sit by her aunt. Their first subject was her sister; and she was more grieved than astonished to hear, in reply to her minute enquiries, that though Jane always struggled to support her spirits, there were periods of dejection. It was reasonable, however, to hope that they would not continue long. Mrs. Gardiner gave her the particulars also of Miss Bingley's visit in Gracechurch Street, and repeated conversations occurring at different times between Jane and herself, which proved that the former had, from her heart, given up the acquaintance.
¤ÓS Aµ[PzvÀ ußÝøh¯ Azøu°ß £UPzvÀ A©µ G¼\ö£z •¯Ø] ö\´uõÒ. AÁÐøh¯ \÷Põu›ø¯¨£ØÔ •u¼À ÷£\ Bµ®¤zuÚº. ÷áß, ußøÚ EØ\õP©õP øÁzxU öPõÒÍ •¯Ø] ö\´uõ¾®, AÆÁ¨÷£õx Á¸zuzv¾® BÌ¢uõÒ GßÖ ußÝøh¯ ªP ~qUP©õÚ ÷PÒÂPÐUS £vÀ QøhzuøuU Psk Ba\›¯¨£kÁøuÂh ªPÄ® Á¸zu®uõß Eshõ°ØÖ. BÚõ¾® Cx öÁS |õmPÐUSz öuõhµõx GÚ |®¦Áx {¯õ¯©õP C¸¢ux. ªì. ¤[Q¼, Q÷µì\ºa öu¸ÂØS Á¢u ÂÁµ[Pøͨ£ØÔ²® uÚUS® ÷áÛØS® Cøh÷¯ öÁÆ÷ÁÖ \©¯zvÀ |hUS® öuõhº¢u Eøµ¯õh¼¼¸¢x ÷áß C¢u AÔ•Pzøu øPÂmk ÂmhõÒ Gߣøu EÖv ö\´QÓx GÚÄ® v¸©v. PõºiÚº G¼\ö£zvh® TÔÚõÒ.
56.     Elizabeth has implicit trust in Jane, but, still, she checks with her aunt on the visit of Caroline.
57.     She is thoroughgoing.
58.     “from her heart, given up the acquaintance”.
|mø£ ö|g]¼¸¢x Gkzx Âk.
Heart knows no acquaintance. It is the mind that acquaints itself with a person.
ö|g_US¨ £›a\¯® GߣvÀø». ©Ú® ©ÛuøÚ¨ £›a\¯©õP AÔ²®.
Heart never gives up.
ö|g_ ©Ó¢uÔ¯õx.
Heart cannot even pretend to give up.
©Ó¨£uõP ö|g\õÀ |iUPÄ® •i¯õx.
Jane’s heart was not possessed as that of a lover.
÷áß ö|g_ Põu¾US›¯x ÷£õÀ £Ô ÷£õPÂÀø».
She has struggled not to let Bingley into her heart.
¤[¼ø¯ ö|g]ÝÒ ~øÇÁøuz ukUP¨ £õk£mhõÒ.
Darcy’s perception was precise.
hõº]°ß •¯Ø] öuÎÁõÚx.
Heart cannot give up without damage to health.
EhÀ|»® £õvUP¨£hõ©À ö|g_ ©ÓUP •i¯õx.
Heart means emotions which is a determinant of health.
ö|g_ GÛÀ Enºa]. Enºa] Gߣx EhÀ |»®.
Jane was deeply in love but determined not to allow that love to dominate her.
÷áÝUS Bø\ AvP®. A¢u Bø\USz uõß Em£hõ©¼¸UP •¯ßÓõÒ.
She was determined not to be disappointed.
H©õÓU Thõx GßÖ •iÁõP C¸¢uõÒ.
Anything may happen, but she was not willing to be described as one chasing a Man.
Gx ÷Ásk©õÚõ¾® |hUP»õ®, ¯õ¸® uõß BsPøÍ |õkQÓõÒ GßÖ TÓU Thõx.
Her love had strength, but her strength was greater than that love.
AÁÒ ¤›¯® Á¾ø©²øh¯x. AÁÒ Á¼ø© AøuÂh¨ ö£›¯x.
To Jane, it was marriage, not romance or love that is pure affection.
÷áÝUSz v¸©n® •UQ¯®, Põu÷»õ, y´ø©¯õÚ Aß÷£õ •UQ¯ªÀø».
For a daughter of Mrs. Bennet, this is a great height to scale.
Mrs. ö£ßÚm ©PÒ C¢u C»m]¯zøu GmkÁx ö£›¯ Põ›¯®.
Elizabeth, in spite of being her daughter, rose to the pure heights.
G¼\ö£z ö£ßÚm ©PÍõÚõ¾® Ea\ Pmhzøu Aøh¢uõÒ.
Even at that height, the charm of Wickham was irresistible.
AÆÁÍÄ E¯º¢u ¤ßÝ® ÂUPõ® PÁºa] AÁøÍ Âmk¨ ÷£õPÂÀø».
His charm had the strength of Pemberley.
ÂUPõ® PÁºa] ö£®£º¼°ß •UQ¯zxÁzvØSa \©®.
We can say she gave way to Pemberley in falling for Wickham.
AÁÒ ÂUPõø© HØÓx ö£®£º¼ø¯ HØÓuõS®.
Wickham was no submissive character, but he was subtle and false.
ÂUPõ® £o¢x ÷£õPUTi¯ÁÛÀø». AÁß `m_©©õPÄ®, ö£õ´¯õPĪ¸¢uõß.
Bingley was Wickham’s substitute.
ÂUPõ•US¨ £v»õP Á¢uÁß ¤[¼.
As a matter of fact, Elizabeth had the strength needed for all the three weddings.
Esø©°À, C®‰ßÖ v¸©n[PÐUS›¯ £»® G¼\ö£zvhª¸¢x Á¢ux.
Wickham and Bingley were parts of Pemberley and Darcy.
ÂUPõ•®, ¤[¼²® ö£®£º¼, hõº]°ß £SvPÒ.
7.                     
Mrs. Gardiner then rallied her niece on Wickham's desertion, and complimented her on bearing it so well.
ÂUPõø© Âmk »Q¯uØS, G¼\ö£zøu Bu›zu
v¸©v PõºiÚº, AÁÒ AuøÚ |À» Âu©õP GkzxU öPõshuØS £õµõmhÄ® ö\´uõÒ.
 
 
 
59.     Mrs. Gardiner readily sees Wickham is mercenary. Attachment of partiality prevents Elizabeth from seeing it.
ø©¯À ©¯UP® G¼éö£z Psøn ©øÓzx ÂUPõªß £nzuõø\ø¯¨ £õºUP •i¯õ©Ø ö\´ux.  Mrs. PõºiÚº Eh÷Ú AøuU Psk öPõshõº.
60.     Wickham could take in even the shrewd Mrs. Gardiner.
G¼éö£z ©Úzvß Esø©ø¯ GÎv»Ô²® Mrs. PõºiÚ¸® PsköPõÒÍ •i¯õu AÍÄ ÂUPõ® öPmiUPõµß.
61.     “Rallied her niece on Wickham’s desertion”.
©¸©PøÍ ÂUPõ® »Q¯øu¨ £ØÔ Â\õ›zuõÒ.
Mrs. Gardiner alone expressed he was mercenary.
Mrs.PõºiÚº ©mk÷© AÁß Buõ¯ ©Ú¨£õßø©ø¯U Psk öPõshõÒ.
She wants to know what sort of girl Miss King is as she readily accepted him.
u¯UPªßÔ AÁøÚ Q[ HØÖU öPõshuõÀ, AÁøͨ £ØÔ Mrs.PõºiÚº AÔ¯ ¸®¦QÓõº.
Wickham is not a Man any girl can refuse under any circumstances.
G¢u ö£sq® G¢u \¢uº¨£zv¾® ©ÖUP •i¯õu BhÁß ÂUPõ®.
Miss King must have been sensitive to have escaped him later.
ªì Q[QØS `m_© EnºÂ¸¢uuõÀ ÂUPõªhª¸¢x AÁÒ u¨¤zuõÒ.
8.                     
"But, my dear Elizabeth," she added, "what sort of girl is Miss King? I should be sorry to think our friend mercenary."
"BÚõÀ GÚu¸ø© G¼\ö£z, ªì. Q[ G¨£i¨£mh ö£s? |©x |s£ß £nzvØS Aø»£ÁÚõP C¸¢uõÀ, Aøu {øÚzuõ÷» ©ÚvØS Á¸zu©õP C¸UQÓx" GßÓõÒ.
 
62.      “I should be sorry to think our friend mercenary”.
|® |s£ß Buõ¯©õÚÁß GÚ {øÚUP Á¸zu©õP C¸UQÓx
Her sympathy for him was powerful and saved him.
AÁÒ AÝuõ£® £»©õÚx. AÁøÚU Põ¨£õØÔ¯x.
He is so charming that no one wants to think ill of him even if he deserves it.
AÁß PÁºa] ªS¢uÁß, »QÚõ¾® AÁøÚU SøÓ TÓ ©Ú® Á¸ÁvÀø».
9.                     
"Pray, my dear aunt, what is the difference in matrimonial affairs between the mercenary and the prudent motive? Where does discretion end, and avarice begin? Last Christmas you were afraid of his marrying me, because it would be imprudent; and now, because he is trying to get a girl with only ten thousand pounds, you want to find out that he is mercenary."
"GÚu¸ø© Azøu÷¯, v¸©n Âå¯[PÎÀ £n÷© SÔ GÚ C¸¨£v¾® Â÷ÁP©õP |h¢x öPõÒÁv¾® GßÚ Âzv¯õ\® C¸UQÓx GÚ ö\õÀ¾[PÒ £õºUP»õ®. G[÷P ÷£µõø\ Bµ®¤UQßÓx? ÷£õÚ Q¸ìx©ì \©¯zvÀ, AÁß GßøÚ v¸©n® ö\´x öPõsk ÂkÁõ÷Úõ Ax Â÷ÁP©ØÓ ö\¯»õP C¸US÷©õ GÚ £¯¢wºPÒ, C¨ö£õÊx £zuõ°µ® £Äß Á¸©õÚ•ÒÍ ö£søn Aøh¯ ¸®¦® ö£õÊx, AÁß £nzuõø\ ¤izuÁß GßQÕºPÒ."
63.     Elizabeth puts up a very able defence with one flaw.
64.     Elizabeth’s defence of Wickham is a marvel, apparently rational and logical. But it is rationality of blindness.
ÂUPõ® ö\´ux \› GÚ G¼éö£z ÷£_Áx AÔÂß wm\s¯®. Ax AÁÒ ©¯UPzøuU PõmiU öPõkUQÓx.
65.     Her own arguments that defend Wickham fully defend Charlotte whose action was despicable to Elizabeth.
66.     This is the best possible illustration that the vital can be justifiably irrational.
67.     “Between the mercenary and the prudent motive”.
Gx Buõ¯ ©Ú¨£õßø©, Gx P¸zuõP C¸¨£x.
This is an important statement about human nature.
©Ûu _£õÁzvØS Cx •UQ¯ vÓø©.
No one, even after the elopement, severely condemned Wickham.
AÁß Ki¨ ÷£õÚ ¤ßÝ® GÁ¸® AÁøÚ Áßø©¯õPU PsiUPÂÀø».
Neither women nor men, not even Mr. Bennet, beyond a sarcastic remark.
BsP÷Íõ, ö£sP÷Íõ, ªìhº ö£ßÚm÷hõ AÁøÚU PsiUPÂÀø».
Elizabeth takes him to be prudent, Charlotte mercenary. That is life.
ÂUPõ® P¸zuõÚÁß åõº÷»õm Buõ¯©õÚÁÒ Gߣx G¼\ö£z P¸zx.
Mrs. Gardiner is sorry he is mercenary.
AÁß Buõ¯©õÚÁß GÚ Mrs. PõºiÚº Á¸zu¨£kQÓõÒ.
Elizabeth is not even sorry.
G¼\ö£zvØS A¢u Á¸zuªÀø».
Jane has no hard word for him.
÷áß AÁøÚ¨ £ØÔ Pkø©¯õP¨ ÷£\ÂÀø».
 
 
68.     “Where does discretion end, and avarice begin”.
P¸zx® Buõ¯•® ¤›²ªh® Gx?
Discretion is for Wickham, avarice is for Charlotte.
G¼\ö£z ÂUPõ•US P¸zx®, åõº÷»õmiØS Buõ¯•® £Qº¢uÎUQÓõÒ.
Love looks at treacherous mercenary behaviour as discretion and prudence.
Buõ¯©õÚ x÷µõPzøu¨ ¤›¯® P¸zx, EåõöµÚU P¸xQÓx.
 
 
69.     “Last Christmas… it would be imprudent”.
÷£õÚ Q¸ì©êÀ Ax P¸zvÀ»õux.
There is a truth in Elizabeth’s view.
G¼\ö£z TÖÁvÀ Esø©²sk.
There is a truth in Mrs. Gardiner’s sense.
Mrs.PõºiÚº TÖÁvÀ Esø©²sk.
Elizabeth’s truth anyone can see but no one will deny he is mercenary.
G¼\ö£z TÖÁøu GÁ¸® HØ£º. Mrs. PõºiÚº TÖÁøu GÁ¸® ©ÖUP •i¯õx.
To distinguish Elizabeth’s prudence from Wickham’s mercenary behavior needs a discretion which Elizabeth has but is unable to exercise in his case.
P¸zx, Buõ¯zøu¨ ¤›zx¨ £õºUS® vÓß G¼\ö£zvØSsk.
AÁß Âå¯zvÀ Ax £¼UPÂÀø».

To know where prudence degenerates into mercenary nature, one needs ultimate wisdom.
P¸zx G¨£i Buõ¯©õP ©õÖQÓx Gߣx •iÁõÚ Â÷ÁP®.
The origin of wisdom is such points of transition everywhere.
A¨£i ©õÖªh[PÒ Â÷ÁP® EØ£zv¯õSªh®.
To know how one is the other is wisdom mature.
Cx÷Á Ax GÚ AÔÁx Â÷ÁP® •vºÁx.
One cannot be prudent without being mercenary.
Buõ¯ªÀ»õ©À P¸zuõP C¸UP •i¯õx.
Hence man’s attitude is decisive.
©Ûu ÷|õUP® •iÁõÚx.
It is the human choice.
AuØS ©Ûu •iÄ GÚ¨ ö£¯º.
Man knowing the power of the human choice is above human.
©Ûu •iÂß vÓøÚ¯Ô¢uÁß ©Ûu {ø»ø¯U Ph¢x ÂkÁõß.
He is self-determinant.
AÁß ußøÚU Põ¨£õØÔU öPõÒЮ vÓÝøh¯Áß.
He who knows one is the other – prudence is mercenary -- knows the finite is infinite.
Buõ¯÷© C»m]¯® GÚ AÔ£Áß Psh® APsh® GÚÄ® AÔÁõß.
He knows sorrow is cheerfulness.
AÁÝUS Á¸zu® P»P»¨£õÚuõPz öu›²®.
He knows the process as well as essence.
•øÓ²® ‰»•® JßöÓÚ AÁß AÔÁõß.
He knows the being in force.
ãÁÝ® \Uv²® JßöÓÚ AÔÁõß.
10.                  
"If you will only tell me what sort of girl Miss King is, I shall know what to think."
"ªì. Q[ G¨£i¨£mh ö£s GßÖ } ö\õßÚõÀ ©mk÷© Cøu¨£ØÔ GßÚ {øÚUP»õ® GÚ GÚUS¨ ¦›²®."
70.     “What sort of girl Miss King is”.
ªì. Q[ G¨£i¨£mhÁÒ.
She who accepts a mercenary person will reveal herself.
Buõ¯©õÚÁøÚ HØ£ÁÒ ußøÚ ¯õöµÚ AÔÂUQÓõÒ.
Miss King is more valuable than she is willing to appear.
uß ÷uõØÓzøu Âh E¯º¢uÁÒ ªì Q[.
Her value took her away from him.
AÁÐUS›¯ ©v¨¦ AÁÛhª¸¢x »UQ¯x.
He deserves a Lydia, not Miss King or Miss Darcy.
ÂUPõ•US ÷Ási¯x ¼i¯õ, ªì Q[, ªì hõº]°Àø».
Miss King may value her money more than the Man who is after it.
uß £nzøu |õk£ÁøÚ Âh ªì Q[ uß £nzøuU P¸xÁõÒ.
Her charm of Wickham has not become an infatuation.
ªì Q[ ÂUPõ® «x ø©¯À öPõÒÍÂÀø».
Elizabeth is like Miss King.
G¼\ö£z ªì Q[ ÷£õ» C¸UQÓõÒ.
She may long for Wickham, but nothing in her will become his wife.
G¼\ö£z ÂUPõ® «x Bø\¨£kÁõÒ, ©øÚ¯õP¨ ¤›¯¨£h ©õmhõÒ.
She certainly has values, but no love – emotional love.
G¼\ö£zvØS¨ £s¦sk, AߤÀø», Enºa]©¯©õÚ AߤÀø».
As there is no material security, the question of emotional love is ruled out.
£n¨ £õxPõ¨¦ CÀ»õuuõÀ Aߦ GÊ® Enºa]°Àø».
Darcy can generate emotions as he stands on security.
hõº]US ö\õzv¸¨£uõÀ AÁß «x Enºa] GÊQÓx.
Elizabeth is attractive to him as she certainly can receive his love with gratitude.
G¼\ö£z hõº]²øh¯ ¤›¯zøu |ßÔ²hß HØ£õÒ GߣuõÀ, AÁÒ PÁºa]²øh¯ÁÍõQÓõÒ.
It is not in her to generate emotional love for Darcy.
hõº] «x Aߦ GÊ® {ø»°¼Àø» AÁÒ.
Darcy may appreciate it, but was not in need of it.
hõº] Aߦhß HØ£õß, BÚõÀ AÁß Aøu Gvº£õºUPÂÀø».
To need it Darcy must be overflowing with love that is irresistible.
ukUP •i¯õu Aߦ ö£õ[Q ÁÈ¢uõÀ, Ax ÷uøÁ¨£k®.
What Darcy is overflowing with is adoration for her strength.
AÁÐøh¯ vÓøÚ¨ £õµõmi AÁß Enºa]©¯©õQÓõß.
One reason for Darcy’s attraction for Elizabeth, though it is not the central reason, is she is attracted to Wickham.
G¼\ö£z ÂUPõ® «x ¤›¯® ö\¾zxÁuõÀ hõº]US AÁÒ «x ¤›¯® AvP©õQÓx.
He has two missions 1) To save her from Wickham, 2) To be a rival to Wickham and prove to himself that he can wean away a woman from the false exterior charm by his inner true value.
AÁÝUS Cµsk ÷Áø»PÒ 1) ÂUPõªhª¸¢x AÁøÍU Põ¨£õØÖÁx.
2) Esø©¯õÚ ©v¨¦ J¸ ö£søn uÁÓõÚ PÁºa]°¼¸¢x Põ¨£õØÖ® GÚ {¹¤¨£x.
11.                  
"She is a very good kind of girl, I believe. I know no harm of her."
"AÁÒ ªPÄ® |À» ö£s GßÖ |õß |®¦Q÷Óß. AÁøͨ£ØÔ öPku»õPa ö\õÀÁuØS JßÖªÀø»."
71.     She sees no harm in Miss King as she is generous-hearted, capable of hard rational judgement in all other matters.
72.     It is also due to a further fact that Elizabeth finds Miss King lucky in Wickham’s attentions.
73.     “I know no harm of her”.
AÁÒ «x GÚUSU SøÓ°Àø».
Elizabeth is perched above the ordinary woman who can never think well of a girl, especially a rival.
Akzu ö£søn uÁÓõP {øÚ¨£x, AxÄ® ÷£õmiUS {Ø£ÁøÍz uÁÓõP {øÚ¨£x ö£sPÒ ÁÇUP®. G¼\ö£z AuÛßÖ ÷ÁÖ£mhÁÒ.
Mrs. Bennet can be vulgar, but there is nothing malicious in her; maybe she is mean.
Mrs.ö£ßÚm A][P©õÚÁº. BÚõÀ ©Ú® Âå©©õP CÀø», ©mh©õP C¸UQÓx.
Mr. Bennet’s tolerance of his wife issues out of strength as well as goodness.
Mr.ö£ßÚm ©øÚÂUSz u¸® _u¢vµ® ©ÚÁ¼ø©¯õ¾®, |Àö»snzuõ¾® GÊQÓx.
Landed gentry are proud of what they are. They are proud of their goodness.
{»•øh¯Áº ö£¸ø©²øh¯Áº, |À»ÁµõP C¸UP¨ ö£¸ø©¨£k£Áº.
Jane’s goodness is undefined. Elizabeth’s goodness is well marked and defined.
÷áß ÂÁµ©ØÓ |À» ö£s. G¼\ö£z ÂÁµ©õÚ |À» ö£s. öu›¢x |À»ÁÍõP C¸¨£ÁÒ.
It is this strong well-formed innate goodness that took her to Pemberley.
¤Ó¨¤÷»÷¯ ÂÁµ©õÚ öuÎÁõÚ |À» Sn® Á¼ø©¯õP C¸¨£uõÀ AÁÒ ö£®£º¼US¨ ÷£õÚõÒ.
12.                  
"But he paid her not the smallest attention till her grandfather's death made her mistress of this fortune."
"AÁÐøh¯ £õmhÚõº CÓ¢u ¤ÓS AÁ¸øh¯ ö\õzxUS AÁÒ Áõ›\õS®Áøµ AÁøÍ, AÁß J¸ ]Ôx® PÁÛUP÷Á CÀø»÷¯."
74.     “…paid her not the smallest attention till… this fortune”.
£n® Á¸®Áøµ ÂUPõ® ªì Q[øPz v¸®¤¨£õºUPÂÀø».
A very shrewd observation, unemotional, impersonal.
Tºø©¯õÚ £õºøÁ, Enºa] P»¨£ØÓx, ö£õxÁõÚx.
Miss King too seems to be aware of it.
Ax ªì Q[QØS® öu›²®.
He is that way transparent.
AÁß Buõ¯ ©Ú¨£õßø© öuÎÁõÚx, E»P® AÔÁx.
He can succeed only when people are taken in in spite of his transparency.
öÁΨ£øh¯õPz öu›¢u÷£õv¾® H©õÖ® ©UPÎøh÷¯ uõß AÁÚõÀ öÁØÔ ö£Ó •i²®.
His shift to Miss King exposed him fully, though people treated him well.
ªì Q[øP |õi uß Smøh EøhzxU öPõshõ¾®, AøÚÁ¸® AÁÛh® ¤›¯©õP C¸UQßÓÚº.
Lydia saw he is one who can easily shift.
GÎvÀ ©Ú® ©õÓUTi¯Áß GÚ ¼i¯õ AÔQÓõÒ.
We see how his stock rose and came down.
G¨£i AÁÚx ¤µ£»® E¯º¢x, uõÌ¢ux, GÚ |õ® AÔ÷Áõ®.
The process is the same, only it is in the reverse.
AÁß ÷£õUS GßÖ® Jß÷Ó, Cx GvµõÚx.
Societies rising and falling and Man’s rise and fall are the same.
\‰P® E¯ºÁx®, uõÌÁx®, ©Ûuß E¯ºÁx® uõÌÁx® Jß÷Ó.
In the case of societies, organizations develop and deteriorate.
ìuõ£Ú® E¸ÁõQ E¸USø»Áx \‰PzvÀ |õ® Põs£x.
In the case of individuals, that organization is seen as public opinion.
©Ûuß |õ¾÷£º GßÚ ö\õÀQÓõºPÒ GÚ {øÚUQÓõß.
One can easily know as it rises or falls.
Ax E¯º¢x uõÌÁuõÀ Aøu GÎvÀ AÔ¯»õ®.
To predict this knowledge is not enough.
Cøu¯Ô¯ AÔÄ ÷£õuõx.
A total vision alone will help predict.
wºUP u›\Ú® EuÄ®.
Prediction prefixes. It interferes with the inherent freedom.
ö\õÀÁx |hUS®. Ai¨£øh¯õÚ _u¢vµzøu Ax »US®.
The heart still loves the fallen man. It is the nature of emotions.
©Ûuß uÁÔÚõ¾® ö|g_ AÁÝUPõP¨ £uÖ®. Ax Enºa].
It may not act fully, but will be tempted to act.
•Êø©¯õPa ö\¯À£h Ax ÷£õuõx. ö\¯À£hz xiUS®.
These exceptions are greater than creation, like Akalya’s love, or Vishnu’s incapacity against curses.
»UPõÚøÁ APÀ¯õøÁ¨ ÷£õ¾®, ÂèqÂß C¯»õø©ø¯¨ ÷£õ¾® ö£›¯x .
]¸èiz vÓß A¢{ø»°¼Àø».

Mother acts there with her own stamp. Look for it in your life.
AßøÚ •zvøµ A[S uÁÓõx GÊ®. EÚx ö\õ¢u ÁõÌÂÀ Ax öu›²®.
13.                  
"No -- why should he? If it were not allowable for him to gain my affections because I had no money, what occasion could there be for making love to a girl whom he did not care about, and who was equally poor?"
"CÀø»&&Hß AÁß AÁøÍ PÁÛUP ÷Ásk®? GßÛh® £n® CÀø» GߣuõÀ, GßøÚ Â¸®¦ÁuØS AÁÝUSz uøh C¸¢u ö£õÊx, AÁß ]Ôx® C»m]¯® ö\´¯õu J¸ ö£søn AxÄ® GÚUS \›¯õP HøǯõP C¸¢u J¸ ö£søn Põu¼UP GßÚ \¢uº¨£® C¸¢v¸UP •i²®?"
75.     Human motives have two ends, the lower is negative and the higher is positive. So one starts with mercenary motive and rises to prudence. It is so with obstinacy and firmness; discretion and valour.
76.     As they only appear opposite while they are two stages in the same journey, we understand the unity of life.
77.     The greatest emphasis falls on the human decision, decision that chooses values, human choice for the reason of its capacity to change the character of its course.
78.     The clear logic of a clever mind that is faced with life is seen in her.
79.     The vital cannot be true or rational nor the human.
80.     In her own emotions Elizabeth is righteous.
81.     Children are unable to concede their parents’ errors like this.
82.     As long as one is selfish, this is his invincible ‘reason’.
83.     Elizabeth is more than self-righteous. She assumes the zeal of one whose philosophy is something is right because he does it.
84.     “Why should he”.
Hß AÁß ö\´¯ ÷Ásk®.
The logic that justifies Wickham’s shift to Miss King flounders on the cultural rock of indelicacy. Elizabeth overlooks that as Darwin overlooked the transition.
ªì Q[øP |õkÁx \›ö¯Ý® Áõu® |õPŸP©ØÓÁß GÚ •i²®. hõºÂß £›nõ©zvÀ ©õØÓzøuU P¸uõux ÷£õÀ G¼\ö£z PsoÀ ÂUPõ® ö\¯À£hÂÀø».
14.                  
"But there seems indelicacy in directing his attentions towards her so soon after this event."
"BÚõÀ C¢u \®£Á® •i¢u ¤ÓS, Eh÷Ú ußÝøh¯ PÁÚzøu AÁÒ÷©À v¸¨¤¯vÀ J¸ ª¸xzußø© CÀø» Gß÷Ó ÷uõßÖQÓx."
85.     Even the delicacy he was devoid of is all right for Elizabeth.
86.     “seems indelicacy”.
Ta\¨£hõ©À ö\¯À£kÁx.
Mrs. Gardiner’s insight is unfailing about his mercenary motive.
Still, his falsehood escaped her.
Mrs.PõºiÚº ÂUPõ® Buõ¯ ©Ú¨£õßø©²øh¯Áß GßÖ TÔ¯x \›¯õP¨ ÷£õ´Âmhx.
15.                  
"A man in distressed circumstances has not time for all those elegant decorums which other people may observe. If she does not object to it, why should we?"
"£n® CÀ»õu {ø»°À J¸ÁÝUS, ©ØÓÁºPÍõÀ Pøh¨¤iUP¨ £h»õ® GßQÓ C¢u ÷|ºzv¯õÚ |Àö»õÊUP[PÐUS ÷|µ® C¸UPõx. ÷©¾® AÁÐUS AvÀ G¢u Âu©õÚ Gvº¨¦® CÀ»õu ö£õÊx |õ® Hß AuøÚ Bm÷\¤UP ÷Ásk®."
 
87.     Elizabeth stretches her imaginative defence of Wickham to Miss King’s no objection which is no logical argument. A woman agreeing to be ravished does not justify rape.
88.     “has not time for all those elegant decorums”.
AÇPõÚ |õPŸPzøuU Psk¤iUP AÁÚõÀ C¯»ÂÀø».
Mrs. Bennet is still excited about the redcoats. Elizabeth has this as her mother’s extension.
]Á¨¦U ÷Põmøh¨ £õºzuõÀ Mrs. ö£ßÚm £µÁ\©õQ ÂkQÓõÒ.
G¼\ö£zvØS® Cx uõ¯õ›hª¸¢x Á¸QÓx.
16.                  
"Her not objecting, does not justify him. It only shews her being deficient in something herself -- sense or feeling."
"AÁÒ GvºUPÂÀø»ö¯ß£uõÀ AÁß ö\´Áøu {¯õ¯¨£kzu •i¯õx. AÔÂ÷»õ AÀ»x EnºÂ÷»õ&&AÁÎh® H÷uõ JßÔÀ SøÓ°¸UQÓx Gߣøu Põs¤UQßÓx."
 
89.     “her not objecting, does not justify him”.
ªì Q[ Bm÷\¤UPõux ÂUPõ® \›ö¯Ú BPõx.
Mrs. Gardiner speaks from thought, not from the vital.
Mrs.PõºiÚº AÔÁõÀ ÷£_QÓõº, Enº¢x ÷£\ÂÀø».
90.     “deficient in something herself – sense or feeling”.
H÷uõ SøÓ°¸UQÓx & Enºa] AÀ»x ö|QÌa].
Here Mrs. Gardiner certainly puts her finger on the sensitive spot.
Mrs.PõºiÚ¸US Â寮 ¦›QÓx.
17.                  
"Well," cried Elizabeth, "have it as you choose. He shall be mercenary, and she shall be foolish."
"|À»x" GßÓ G¼\ö£z "AÁß ö£õ¸Íõø\ EÒÍÁß, AÁÒ J¸ •mhõÒ GßÖ G¨£i ÷Ásk©õÚõ¾® }[PÒ {øÚzxU öPõÒÍ»õ®."
 
91.     To every angle of the view of Mrs. Gardiner, Elizabeth has a defence.
92.     Collins’ proposal has become a famous comic scene in literature.
93.     This page can equally be famous for the irrationality of one in love.
94.     “He shall be mercenary, and she shall be foolish”.
AÁß Buõ¯©õÚÁß, AÁÒ AÔÂÀ»õuÁÒ.
Here Elizabeth feels that she herself, not Miss King, is foolish.
G¼\ö£z H©õ¢x ÷£õÚøuU PõsQÓõÒ. H©õ¢ux ªì Q[QÀø».
18.                  
"No, Lizzy, that is what I do not choose. I should be sorry, you know, to think ill of a young man who has lived so long in Derbyshire."
"CÀø», ¼]. |õß AÆÁõÖ {øÚUP ¸®£ÂÀø». öhº¤å¯›À öÁS |õmPÍõP ÁõÌ¢u J¸ CøÍbøÚ¨£ØÔ uÁÓõP {øÚUP GÚUS Á¸zu©õP C¸US®."
 
 
19.                  
"Oh! If that is all, I have a very poor opinion of young men who live in Derbyshire; and their intimate friends who live in Hertfordshire are not much better. I am sick of them all. Thank Heaven! I am going to-morrow where I shall find a man who has not one agreeable quality, who has neither manner nor sense to recommend him. Stupid men are the only ones worth knowing, after all."
"K! Axuõß Â寮 GßÓõÀ, öhº¤å¯›À Á]US® CøÍbºPøͨ£ØÔ GÚUS ÷©õ\©õÚ A¤¨¤µõ¯÷© EÒÍx. íºm÷£õºm寛À C¸US® AÁºPÐøh¯ ö|¸[Q¯ |s£ºPЮ ÷©®£mhÁºPÒ CÀø». GÚUS GÀ÷»õøµ²® {øÚzuõ÷» öÁÖ¨£õP C¸UQÓx. |À» ÷ÁøÍ! |õß |õøÍ ÷£õSªhzvÀ, HØÖU öPõÒÍU Ti¯ J¸ |À» £s¦® CÀ»õu J¸ ©ÛuøÚ \¢vUP¨ ÷£õQ÷Óß. AÁøÚ¨£ØÔ £›¢xøµ¨£uØS |ßÚhzøu²® CÀø», AÔÄ® CÀø». ¦zv°À»õu BsPøÍ AÔ¢v¸¨£÷u |À»xuõß."
 
95.     Manners, the pleasant exterior, have so much inner potential even when it espouses evil.
96.     Elizabeth in her frustration recognised that Wickham is no longer capable of being a mental object for her. To that measure of liberation from falsehood, the invitation to Derbyshire comes. It is an invitation to Darcy.
20.                  
"Take care, Lizzy; that speech savours strongly of disappointment."
"áõUQµøu ¼], Eß ÷£a]À H©õØÓ® AvP® öu›QÓx."
97.     “That speech savours strongly of disappointment.
Cx H©õØÓzvß AÔSÔ.
Wickham’s desertion, her aunt’s finding him mercenary, Bingley’s submissive silence all vex Elizabeth. Now she is going to Hunsford.
ÂUPõ® »Q¯x, Mrs.PõºiÚº ¦›¢x öPõshx, ¤[¼°ß £oÄ.
GÀ»õ® G¼\ö£zvØS µUv u¸QÓx.
íßì÷£õºm ÷£õQÓõÒ.
21.                  
Before they were separated by the conclusion of the play, she had the unexpected happiness of an invitation to accompany her uncle and aunt in a tour of pleasure which they proposed taking in the summer.
|õhP® •iÁøh¢x AÁºPÒ ¤›ÁuØS•ß, ÷Põøh°À J¸ Cߣa _ØÖ»õ ö\ÀÁuØPõP vmhªmi¸¢u AÁÍx ©õ©õÄhÝ®, Azøu²hÝ® ö\À» Gvº£õµõ©À Qøhzu AøǨ¦ AÁøÍ ªS¢u ©QÌa]°À BÌzv¯x.
 
98.     The invitation to Derbyshire, where her matrimonial fate will be sealed, is given to Elizabeth when Wickham was officially dismissed from her mind by Mrs. Gardiner.
hõº¤å¯¸US AøǨ¦, hõº]ø¯ ©nUS® AøǨ¦. Mrs. PõºiÚº AÁÒ ©Úv¼ÛßÖ ÂUPõø© APØÔ¯Ähß AÆÁøǨ¦ Á¸QÓx.
99.     “unexpected happiness of an  invitation”.
Gvº£õµõu AøǨ¤ß BÚ¢u®.
This is an anti-climax.
Cx Ea\PmhzvØS GvµõÚx.
This invitation indicates Jane’s marriage, removal of Wickham, proposal at Hunsford.
C¢u AøǨ¦ ÷áÛß v¸©n®, ÂUPõø© »USÁx, hõº]°ß proposal US ÁÈ ö\´QÓx.
22.                  
"We have not quite determined how far it shall carry us," said Mrs. Gardiner, "but, perhaps, to the Lakes."
"GxÁøµ £¯n® ö\´÷Áõ® Gߣx CßÝ® •iÁõPÂÀø». J¸÷ÁøÍ "÷»Uì"Áøµ ö\À÷Áõ®" GßÓõÒ v¸©v. PõºiÚº.
 
 
23.                  
No scheme could have been more agreeable to Elizabeth, and her acceptance of the invitation was most ready and grateful. "My dear, dear aunt," she rapturously cried, "what delight! What felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! What hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of anything. We will know where we have gone -- we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers."
÷ÁöÓ¢u vmh•® G¼\ö£zvØS C¢u AÍÂØS HØÖU öPõÒÍU Ti¯uõP C¸¢v¸UPõx. AuÚõÀ AÁÒ Eh÷Ú÷¯ AøǨ¤øÚ |ßÔ²hß HØÖU öPõshõÒ. "GÚu¸ø© Azøu÷¯" GßÖ \¢÷uõåzxhß T¯ AÁÒ "GßÚ J¸ \¢÷uõå®! GßÚ J¸ BÚ¢u®! }[PÒ GÚUS ¦zxnºa]²® EØ\õP•® AÎUQßÕºPÒ. H©õØÓzvØS®, öÁÖ¨¦US® Âøh öPõkUP»õ®. £õøÓPÐUS®, ©ø»PÐUS® •ß ©Ûuß J¸ Âå¯÷© AÀ». K! GÆÁÍÄ ©o÷|µ® C¢u \¢÷uõå¨ ¤µ¯õn®! |õ® v¸®¤ Á¢u ¤ÓS, Gøu¨£ØÔ²® J¸ \›¯õÚ ÂÁµ•® ö\õÀ»z öu›¯õu ©ØÓÁºPøͨ÷£õÀ C¸UP ©õm÷hõ®. |õ® G[S ö\ß÷Óõ® GßÖ |©USz öu›¢v¸US®&&|õ® GßöÚßÚ £õºz÷uõ® GߣuøÚ {øÚÄTÓ •i²®. H›PÒ, ©ø»PÒ, BÖPÒ&&CøÁ GÀ»õ® |©x PØ£øÚPÎÀ Jß÷Óõk JßÖ P»¢xÂh •i¯õx. SÔ¨£õP HuõÁx J¸ Põm]ø¯ ÂÁ›UP •¯¾® ö£õÊx, Ax \®£¢u¨£mh {ø»ø¯ SÔzx G¢u ÂÁõu•® |®•Ò GÇõx. ©ØÓ £¯oPÎß £¯nU SÔ¨¦PÒ \QUP •i¯õuuõP C¸US®. AvÀ Põq® ö£õxzußø©ø¯Âh |®•øh¯ •uÀ Enºa] öÁΨ£õkPÒ ÷|ºzv¯õP C¸UPmk®."
100. Her ready acceptance of the invitation announces the happy end of her marriage.
101. The rapturous delight releases itself not from the lakes, but from her own glorious future.
102. Her words, ‘You give me fresh life and vigour’ are characteristic.
103. Vitally man is all, rocks are nothing.
104. Physically rocks can excel human interest.
105. Elizabeth has the keen faculty to know what she has seen precisely.
106. She certainly stands out from the general travelers.
107. ‘Her first effusion’ is another indicative phrase.
108. Her rapture and effusion are not for Darcy, but for Pemberley.
109. Darcy’s centre of consciousness is in his physicality.
110. “Hours of transport” is another such phrase.
111. “She rapturously cried”.
BÚ¢u©õPU Ta\¼mhõÒ.
The rapture is due to Pemberley.
ö£®£º¼ BÚ¢u® u¸QÓx.
112. “to describe any particular scene”.
£õºzu Põm]ø¯ ÂÁµ©õPU TÓ
She certainly is capable of precise descriptions.
AÁÐUS ÂÁµ©õPU TÓ •i²®.
Life has not permitted to describe anything.
Gøu²® ÂÁµ©õPU TÖ® \¢uº¨£® GÇÂÀø».
 



book | by Dr. Radut